The Actor's Survival Handbook
eBook - ePub

The Actor's Survival Handbook

  1. 360 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

The Actor's Survival Handbook

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Table of contents
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About This Book

Worried about short rehearsal time? Think that fluffing your lines will be the end of your career? Are you afraid you'll be typecast? Is there such a thing as acting too much? How should a stage actor adjust performance for a camera? And how should an actor behave backstage? The Actor's Survival Handbook gives you answers to all these questions and many more. Written with verve and humor, this utterly essential tool speaks to every actor's deepest concerns. Drawing upon their years of experience on stage, backstage, and with the camera, Patrick Tucker and Christine Ozanne offer forthright advice on topics from breathing to props, commitment to learning lines, audience response to simply landing the job in the first place. The book is rich with examples - both technical and inspirational. And because a director and an actor won't always agree, the two writers sometimes even offer alternative responses to a dilemma, giving the reader both an actor's take and a director's take on a particular point.Like Patrick Tucker's Secrets of Screen Acting, this new book is written with wit and passion, conveying the authors' powerful conviction that success is within every actor's grasp.

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Yes, you can access The Actor's Survival Handbook by Patrick Tucker, Christine Ozanne in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Theatre. We have over one million books available in our catalogue for you to explore.

Information

Publisher
Routledge
Year
2014
ISBN
9781135470418

Family Trees

The ā€œTrainingā€ Family Tree

Training deals with all matters to do with becoming an actor, maintaining skills as an actor, and learning new ones. It has six main branches, with some twigs.
Tree: Branches: Twigs:
Training
  • Amateur dramatics
    • Example: Mr. and Mrs. Noah fight
  • Conservatories and drama schools
    • Teaching acting
  • Further training
    • Radio acting
    • Screen acting
  • No training
    • Be yourself (plus!)
    • Fellow actors
    • Jobs requiring acting skills
  • Starting off
    • Acting: What is it?
  • University courses
    • Qualifications

The ā€œGetting Workā€ Family Tree

Getting work is the journey from first contact to actually landing the job, and has five main branches, lots of twigs, and four leaves.
Tree: Branches: Twigs: Leaves:
Getting Work
  • Agents
    • Photographs
    • Resumes
  • Auditions
    • Interviews
      • Anecdotes and jokes
    • Open auditions
    • Over the top
    • Readings
    • Rejection
  • Casting directors
    • Commercial casting sessions
  • Itā€™s not what it used to be
    • Money is probably the answer
      • Hierarchy
      • Producers
    • Never say no
  • Typecasting
    • Know your image
      • Attitude
    • Versatility

The ā€œHomeworkā€ Family Tree

Homework is all the preparation you do at home, the results of which you take into the rehearsals or to the performances, and has six main branches, with lots of twigs, and a cluster of leaves that includes examples from plays to illustrate the points made.
Tree: Branches: Twigs: Leaves:
Homework
  • Instinct versus intellect
    • Donā€™t give up
    • Good and bad taste
  • Journey
    • Consistency
    • Less is more?
      • Example: Anna Christie and her dad
    • Step-by-step
  • Movement and gestures
    • Example: Signs of the times
  • Style
    • Comedy and farce
  • Text
    • Example: Broadway versus Hollywood
    • Gear changes
    • Learning lines
    • Let the wrords do the work
      • Example: Brother and sister act
      • Example: Lady Bracknellā€™s handbag
      • Example: Valuable verbals
      • Example: You, theeā€”and the gold
    • Opposites
      • Example: NoĆ«l Coward on the phone
        ...

Table of contents

  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Table of Contents
  6. Acknowledgments
  7. Introduction
  8. How to Use This Book
  9. Family Trees
  10. Acting: What Is It?
  11. Agents
  12. Amateur Dramatics
  13. Anecdotes and Jokes
  14. Attitude
  15. Audience
  16. Auditions
  17. Battle of the Sexes
  18. Be Yourself (Plus!)
  19. Believability
  20. Blowing Your Nose
  21. Breaking Up (Corpsing)
  22. Business (Biz)
  23. Casting Directors
  24. Comedy and Farce
  25. Commercial Casting Sessions
  26. Commitment
  27. Conservatories and Drama Schools
  28. Consistency
  29. Costumes, Wigs, and Shoes
  30. Crew
  31. Designers
  32. Dialects and Accents
  33. Directors
  34. Discussions
  35. Donā€™t Ask for Permission
  36. Donā€™t Give Up
  37. Drugs
  38. Editing and Acting
  39. Example: Al and Bobā€™s First Meeting
  40. Example: Anna Christie and Her Dad
  41. Example: Broadway versus Hollywood
  42. Example: Brother and Sister Act
  43. Example: Kate and Corpsing
  44. Example: Lady Brchnellā€™s Handbag
  45. Example: Mr. and Mrs. Noah Fight
  46. Example: Mr. Horner Is Exactly That
  47. Example: Noƫl Coward on the Phone
  48. Example: Oliviaā€™s Ends
  49. Example: Plunging in the Deep End
  50. Example: Princely Business
  51. Example: Signs of the Times
  52. Example: The Silence of the Lads
  53. Example: Valuable Verbals
  54. Example: You, Theeā€”and the Gold
  55. Eye-to-Eye Contact
  56. Fellow Actors
  57. Film versus Television
  58. Forgetting Lines
  59. Further Training
  60. Gear Changes
  61. Getting Work
  62. Good and Bad Taste
  63. Hierarchy
  64. Homework
  65. Illness
  66. Improvisation
  67. Instinct versus Intellect
  68. Interviews
  69. Itā€™s Not What It Used To Be
  70. Jobs Requiring Acting Skills
  71. Journey
  72. Know Your Image
  73. Laughter
  74. Learning Lines
  75. Less Is More?
  76. Let the Words Do the Work
  77. Medieval Acting
  78. Melodrama Acting
  79. Method Acting
  80. Mistakes
  81. Modern Contemporary Acting
  82. Money Is Probably the Answer
  83. Movement and Gestures
  84. Multicamera versus Single Camera
  85. Never Say No
  86. No Training
  87. Notes
  88. Open Auditions
  89. Opposites
  90. Outside-in versus Inside-out
  91. Over the Top
  92. Pauses
  93. Performing
  94. Photographs
  95. Problems
  96. Producers
  97. Projection
  98. Properties (Props)
  99. Pulling Focus
  100. Punctuality
  101. Qualifications
  102. Radio Acting
  103. Readings
  104. Rehearsals (Long, Short, or None)
  105. Rehearsing
  106. Rejection
  107. Restoration Acting
  108. Resumes
  109. Role-Play
  110. Screen Acting
  111. Screen Cheating
  112. Screen Reactions
  113. Screen Vocal Levels
  114. Sex and Violence
  115. Shakespeare Acting
  116. Shakespeare: First Folio
  117. Shakespeare: Prose or Poetry
  118. Shakespeare: Simple or Complicated
  119. Shakespeare: Verse
  120. Shakespeare: What You Call People
  121. Shakespeare: Wordplay
  122. Shooting and Acting
  123. Stars
  124. Starting Off
  125. Step-by-Step
  126. Style
  127. Teaching Acting
  128. Technical and Dress Rehearsals
  129. Technique
  130. Ten-Second Rule
  131. Text
  132. The Team
  133. Thinking
  134. Training
  135. Truth
  136. Typecasting
  137. University Courses
  138. Versatility
  139. Voice
  140. Whatever Works
  141. You (Your Other Life)
  142. Biographies