Pop-up Paper Engineering

Cross-curricular Activities in Design Engineering Technology, English and Art

Paul Johnson

• Publisher: Routledge
• Year: 2013
• eBook ISBN: 9781136766787
• Edition: 1
• Topic: Education
• Subtopic: Education General

The techniques of creating pop-up forms are demonstrated in a series of practical lessons. The book also suggests ways in which pop-up forms can be used to enrich the study of English and art, and contains illustrations of childrens work.

POP-UP PAPER ENGINEERING

What tools do I need?

Before beginning, have ready a pile of (preferably discarded) A4 duplicating paper. As no glue is needed in single sheet engineering, the process of trial and error is simplified. In the early stages of experimentation you will fill the floor with discarded pop-up attempts. Good. This shows that you are really involved in the learning process. Keep sticky paper by you to join mistaken incisions, and, when you feel the time is right, graduate from duplicating to cartridge paper and larger (A3) formats.

The only piece of equipment you need initially is a pair of scissors, but later a cutter will be essential. A cutter is a piece of equipment no design technologist can survive without, for it not only reaches those parts of paper that scissors cannot reach, but also enhances the design process. A cutting mat is also recommended, for it produces a clean, sharp edge to cut paper. Finally, a steel safety rulerwill be useful, especially when longer, accurate cutting is required.

‘A cutter reaches those parts of paper that scissors cannot reach…’

1

THE BASIC BOX

‘The ability to design is likely to exist already within our pupils, even though it may be largely intuitive and un-organized. They will have ideas for the use of materials and a desire to use them. The vital question is how this can be built upon to bring them to a point where they are able to express their own ides and interests in satisfying creative and competent technical term.’

Schools Council Design and Craft Education Project.

The Basic Box pop-up is one of the simplest forms in the 90 degree paper engineering workshop.

Stage 1: The Basic Box

1. Fold a sheet of A4 paper in half.

2. Make two incisions through the folded edge.

3. Fold the middle section outwards.

4. Push the middle section inside.

5. Open the paper to a 90° position.

6. Experiment with the basic form by changing the shape or angle of the cut.

Stage 2: The Four-Fold Base

As experiments develop it will become necessary to adopt a more sophisticated approach to preparing the pop-up page: the four-fold base. The double folded page used in this method is stronger than the single folded page, and therefore more likely to stand up than a single sheet.. It has the added advantage that the blank area behind the negative space of the pop-up can contain artwork. Many people find the final presentation of a four-fold pop-up more aesthetically satisfying because there are no gaping holes.

1. First, fold the paper into four equal sections and reopen.

2&3. Fold in half along the vertical. Cut pop-up on the bottom panels. Drop the top panels down behind the bottom panels.

4. Open the inside of the double fold and project the pop-up form.

Dogs
Rose (aged 8)

‘Big dogs, small dogs, wide dogs, thin dogs. Dogs that live in the rubbish dump, dogs that live in the street and the nicest place for a dog to live is all snug at home.’

The two orientations of the 90 degree mode.

90 degree forms are capable of being projected in both vertical and horizontal orientations. As you progress you will see that each orientation influences the inherent imagery contained in the form. Thus, a pop-up image conceived in the horizontal will differ from that of the vertical.

‘…each orientation influences the inherent imagery contained in the form.’

Points to Remember

Cut lines must always cross the central fold (spine) if designs are to pop up, so the paper must be hinged to the left and right of the told. If you find yourself cutting a vertical line you are probably making a mistake! Engineering must never be more than halfway across the folded page. If it does, the resulting pop-up will protrude beyond the edge of the page.

‘…the pop-up never protrudes beyond the edge of the closed book.’

1

CURRICULUM PROJECT

Activity 1
|
simulate the Basic Box
|
brainstorm horizontal & vertical themes
|
image and scenario artwork
|
develop storymaking & storywriting

The Box

Experimenting with the basic box technique is a good way for children to begin because a wide spectrum of engineering possibilities are variations of this fundamental form.

Activity 1:

A) Simply follow stage one described in Chapter 1, developing your measuring and scissor cutting skills. If you have to do the cutting for pupils try to include them in the process. It is important that they watch your demonstration (possibly several times) before embarking on the process themselves.

B) Brainstorm themes resulting from the box-making activity. ‘If this was a shape in a pop-up book what would the story be about?’

One group of eight-year-olds produced the following ideas:

Horizontal Box	Vertical Box
Treasure chest	House
Present in a box	Refrigerator
Brick	Tin for holding things
Loaf of bread	Present in a box
House	Garden shed

While most objects relate to only one mode of projection some are conceived in both, for example, the House.

C) Having determined the image, encourage pupils to pictorialize the form with artwork. Apart from the visual and design skills developed, this task involves children in amplifying the identity of the image. There are two parts to this task: i) artwork appropriate to the image itself; ii) artwork appropriate to the accompanying scenario. This enlarging of the image’s concept to include the environment prepares the narrational element of the story-making activity.

D) Story making. This might...

Table of contents

• Cover
• Halftitle
• Dedication
• Title
• Copyright
• Contents
• Introduction
• Part 1: 90 Degree Engineering Workshop
• Part 2: 180 Degree Engineering Workshop
• Conclusion
• Bibliography
• Note on Author