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- 250 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
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About This Book
The grotesque - the exagggerated, the deformed, the monstrous - has been a well-considered subject for students of comparative literature and art. In a major addition to the literature of art, cultural criticism and feminist studies, Mary Russo re-examines the grotesque in the light of gender, exploring the works of Angela Carter David Cronenberg Bahktin Kristeva Freud Zizek. Mary Russo looks at the portrayal of the grotesque in Western culture and by combining the iconographic and the historical, locates the role of the woman's body in the discourse of the grotesque.
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Table of contents
- Cover
- Halftitle
- Title
- Copyright
- Contents
- Preface
- Introduction
- Chapter One: Up There, Out There: Aerialism, the Grotesque, and Critical Practice
- Chapter Two: Female Grotesques: Carnival and Theory
- Chapter Three: Freaks, Freak Orlando, Orlando
- Chapter Four: Twins and Mutant Women: David Cronenbergâs Dead Ringers
- Chapter Five: âFrom the Base Upwardâ: Trilbyâs Left Foot, Nationalism, and the Grotesque
- Chapter Six: Revamping Spectacle: Angela Carterâs Nights at the Circus
- Notes
- Index