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About This Book
For British playwright, John Osborne, there are no brave causes; only people who muddle through life, who hurt, and are often hurt in return. This study deals with Osborne's complete oeuvre and critically examines its form and technique; the function of the gaze; its construction of gender; and the relationship between Osborne's life and work. Gilleman has also traced the evolution of Osborne's reception by turning to critical reviews at the beginning of each chapter.
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Bibliography
Primary Sources
Stage
A Bond Honoured. [Lope De Vega, La Fianza Satisficha, adapted by John Osborne.] London: Faber and Faber, 1966.
DĆ©jĆ vu. London: Faber and Faber, 1991.
The Devil Inside. [Written in collaboration with Stella Linden.] Staged at Theatre Royal, Huddersheld, 1950. Unpublished.
The End of Me Old Cigar. London: Faber and Faber, 1975.
The Entertainer. London: Faber and Faber, 1957.
Epitaph for George Dillon. [Written in collaboration with Anthony Creighton.] London: Faber and Faber, 1958.
Four Plays: āWest of Suez,ā āA Patriot for Me,ā āTime Present,ā āThe Hotel in Amsterdam.ā New York: Dodd, Mead, 1972.
Hedda Gabier. [Henrik Ibsen, adapted by John Osborne.] London: Faber and Faber, 1972
Inadmissible Evidence. London: Faber and Faber, 1965.
Look Back in Anger. London: Faber and Faber, 1957.
Look Back in Anger and Other Plays. Collected Plays, Vol. I [Look Back in Anger, Epitaph for George Dillon, The World of Paul Slickey, DĆ©jĆ vu]. London: Faber and Faber, 1993.
Luther. London: Faber and Faber, 1961.
A Patriot for Me. London: Faber and Faber, 1966.
Personal Enemy. [Written in collaboration with Anthony Creighton.] Staged Harrogate 1955 Unpublished.
āThe Picture of Dorian Grayā: A Moral Entertainment. [Oscar Wilde, adapted by John Osborne.] London: Faber and Faber, 1973.
A Place Calling Itself Rome. [Based on Shakespeareās Coriolanus.] London: Faber and Faber, 1973.
Plays for England: āThe Blood of the Bambergsā and āUnder Plain Cover.ā London: Faber and Faber, 1963.
A Sense of Detachment. London: Faber and Faber, 1973.
Strindbergās āThe Fatherā and Ibsenās āHedda Gabier.ā [August Strindberg and Henrik Ibsen, adapted by John Osborne.] London: Faber and Faber, 1989.
A Subject of Scandal and Concern. London: Faber and Faber, 1961.
Time Present and The Hotel in Amsterdam. London: Faber and Faber, 1968.
Watch It Come Down. London: Faber and Faber, 1975.
West of Suez. London: Faber and Faber, 1971.
The World of Paul Slickey. London: Faber and Faber, 1959.
Film
The Charge of the Light Brigade. A Woodfall production in 1968; directed by Tony Richardson; screenplay by John Osborne and Charles Wood.
The Entertainer. A Woodfall production in 1960; directed by Tony Richardson; screenplay by John Osborne and Nigel Kneale.
Inadmissible Evidence. A Woodfall production in 1968; directed by Anthony Page; screenplay by John Osborne.
Look Back in Anger. A Woodfall production in 1959; directed by Tony Richardson; screenplay by Nigel Kneale with additional dialogue by John Osborne.
Tom Jones. A Woodfall production in 1962; directed by Tony Richardson; screenplay by John Osborne. Scripts: London: Faber and Faber, 1964 (Osborneās script) and New York: Grove Press, 1964 (final film version).
Television
Almost a Vision. Unpublished. Transmitted by ITV, 1 September 1976.
āA Better Class of Personā [An Extract of Autobiography for Television] and āGod Rot Tunbridge Wellsā [An Account of George Frideric Handel]. London: Faber and Faber, 1985.
āThe Gift of Friendshipā: A Flay for Television. London: Faber and Faber, 1972.
āJill and Jackā: A Flay for Television. London: Faber and Faber, 1975.
āThe Right Prospectusā: A Play for Television. London: Faber and Faber, 1970.
Very Like a Whale. London: Faber and Faber, 1971.
āYouāre Not Watching Me, Mummyā and āTry a Little Tendernessā: Two Plays for Television. London: Faber and Faber, 1978.
Nonfiction
Almost a Gentleman: An Autobiography, Vol. II, 1955-1966. London: Faber and Faber, 1991.
āThe American Theatre.ā Encore 19 (March-April 1959): 17-21.
āAt Home.ā Independent 4 April 1994, Feature: 17.
Review of At the Royal Court by Richard Findlater. New Standard 4 April 1981.
Review of Autobiography by Noƫl Coward. Tatler June 1986.
āBerliner Ensemble.ā Times 5 September 1963: 13D.
A Better Class of Person: An Autobiography, Vol. I, 1929-1956. London: Faber and Faber, 1981.
The British Playwrightsā Mafia. Sunday Times Magazine 16 October 1977. [Included, among others, Rodney Ackland, John Arden, Alan Bennett, Robert Bolt, Bill Bryden, Edward Bond, Christopher Hampton, Peter Nichols, Arnold Wesker, and Charles Wood.]
āCome On In: The Revolution Is Only Just Beginning.ā Tribune 27 March 1959: 11. [On British theatre and the Royal Court Theatre.]
Damn You, England: Collected Prose. London: Faber and Faber, 1994. [Collection from more than thirty years of journalism, letters, profiles, and book reviews; writings included in this bibliography, as well as other nonfiction not included here.]
āDiary.ā Spectator 13 July 1985: 7. 20 July 1985: 7. 27 July 1985, 7. 3 August 1985: 7. 30 May 1992: 7. 6 June 1992: 6. 13 June 1992: 6. 20 June 1992: 7. 17 April 1993: 6. 24 April 1993: 7. 1 May 1993: 7. 4 December 1993: 6. 11 December 1993: 7. 18 December 1993: 8. 7 May 1994: 7. 14 May 1994: 6. 21 May 1994: 7. 3 December 1994: 8. 17 December 1994: 8.
āThe Diary of a Somebody.ā Review of The Orton Diaries. Ed. John Lahr. Spectator 29 November 1986:31-32.
āDr. Agostinho Neto.ā Times 2 October 1961: 13D.
āThe Entertainer.ā Writersā Theatre. Eds. Keith Waterhouse and Willis Hall. London: Heinemann, 1967. 51.
āThe Enthusiasm of a Young Critic.ā Review of FranƧois Truffaut: Letters ed. by Gilles Jacob and Claude Givray. Spectator 23 December 1989: 73.
āThe Epistle to the Philistines.ā London Tribune 13 May 1960: 9. Rpt. in John Osborne: āLook Back in Anger,ā A Casebook. Ed. John Russell Taylor. 62-63. [On the monarchy.]
āThe Fallen Idol.ā Review of Songs My Mother Taught Me by Marlon Brando, with Robert Lindsey. Spectator 8 October 1994: 48-49.
āFinal Victory to the Silk Dressing-Gown.ā Review of NoĆ«l Coward by Clive Fisher. Spectator 2 May 1992:31.
Foreword. Look Back in Anger. London: Evans Bros., 1957. 2-4.
Foreword. Low Life by Jeffrey Barnard. London: Duckworth, 1986.
āFriendshipāBut Money Comes into It, Too.ā Evening Standard 23 April 1960.
āGolden Moments with a Person.ā Review of Difficulties with Girls by Kingsley Amis. Spectator 1 October 1988: 34-35.
āA Great Englishman.ā Review of john Betjeman: Letters, Vol. 1, 1926-1951 ed. by Candida Lycett Green. Spectator 23 April 1994: 30-31.
āGreat Sighs of Today.ā Spectator 22 December 1984: 24-25. [On the language of the Anglican Churchās alternative service book.]
Review of The Honourable Beast: A Posthumous Autobiography by John Dexter. Sunday Telegraph 30 June 1993: Books, 11.
āIn Love with the Productions of His Time.ā Review of Kicking against the Pricks by Oscar Lewenstein. Spectator 4 June 1994: 32.
āInside the Monstrous Concrete Piety.ā Review of The National: A Dream Made Concrete by Peter Lewis. S...
Table of contents
- Cover
- Title
- Copyright
- Dedication
- Contents
- General Editorās Note
- Acknowledgments
- Introduction
- Chronology
- The House That Jimmy Built
- Beyond Anger: Osborneās Wrestle with Language and Meaning
- The Personal, the Political, and the Postmodern in Osborneās Look Back in Anger and DĆ©jĆ vu
- Osborne on the Fault Line: Jimmy Porter on the Postmodern Verge
- The Logic of Anger and Despair: A Pragmatic Approach to John Osborneās Look Back in Anger
- The Entertainer as a Text for Performance
- Luther: The Morbid Grandeur of Corporeal History
- From Out of the Shadow of Nicol Williamson: Inadmissible Evidence
- Seduced by Meritocracy: Class and Sexuality in A Patriot for Me
- āHoney, I Blew Up the Egoā: John Osborneās DĆ©jĆ vu
- John Osborne, Summer 1993
- The Angry Young Man Who Stayed That Way
- A Memory of John Osborne
- Eulogy for John Osborne
- Bibliography
- Contributors
- Index