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- 160 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
16mm Film Cutting
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About This Book
The film editor can make or break a film. What ends up on the cutting room floor, and why? 16mm Film Cutting is a step-by-step guide to film cutting which shows you how to achieve professional results.The practical side of the editor's job is clearly described and illustrated; breaking down rushes and making a simple join, identifying shots, first assembly, avoiding errors, preparing special effects, instructing the labs, compiling sound tracks and all the other stages in producing the final film. 16mm Film Cutting is an indispensable aid to editors and assistants working in all areas of 16mm film production.
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Yes, you can access 16mm Film Cutting by John Burder in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film & Video. We have over one million books available in our catalogue for you to explore.
Information
Contents
FILM RUNNING TIMES
INTRODUCTION
THE JOB OF CUTTING
Importance of cutting
What do you cut?
CUTTING WITH SAFETY AND ECONOMY
Matching original to cutting copy
A chance to save money
CUTTING FILMS SHOT WITH SOUND
Cutting programmeâsynchronised sound
Completing the soundtrack
CUTTING FILMS SHOT WITHOUT SOUND
MOTORISED EDITING MACHINES
Machines for sound and picture
Cutting sound and picture
UPRIGHT AND TABLE EDITING MACHINES
Upright machines: Moviola
Table machines: Steenbeck
MULTI-TRACK EQUIPMENT
SYNCHRONISERS: TYPES AND USES
Gang synchronisers
SYNCHRONISERS: ACCESSORIES
Sound attachments for synchronisers
Picture synchronisers
Synchroniser accessories and attachments
JOINING FILM: TEMPORARY SPLICES
Temporary joins: tape splices
JOINING FILMS: PERMANENT SPLICES
Welded splices
ANIMATED VIEWERS
Function of the viewer in cutting
SUNDRY CUTTING ROOM EQUIPMENT
Wall cuts racks
Rewind arms
Film horse
CUTTING ROOM ACCESSORIES
Split spools and film cores
PLANNING PICTURE SEQUENCES
Definitions
Camera viewpoint
IDENTIFYING AND PRINTING TAKES
Printing selected takes
False economies
IDENTIFYING SOUND TAKES
Using information provided
THE FILM IN THE CAMERA
Processing originals
Reversal and negative films
COPYING THE ORIGINAL
Grading
Cinex strips
CUTTING COPIES
Cutting copies of 16 mm colour films
Copies on panchromatic stock
Black and white 16 mm films
EDGE NUMBERS AND FILM FOOTAGE
Final stage of cutting
Edge numbers
Film footage
LOCATING SCENES AND TAKES
Logging rushes
Minimising paperwork
BREAKING DOWN RUSHES
Separat...
Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Table of Contents
- Film Running Times
- Introduction
- The Job of Cutting
- Cutting with Safety and Economy
- Cutting Films Shot with Sound
- Cutting Films Shot without Sound
- Motorised Editing Machines
- Upright and Table Editing Machines
- Multi-Track Equipment
- Synchronisers: Types and Uses
- Synchronisers: Accessories
- Joining Film: Temporary Splices
- Joining Films: Permanent Splices
- Animated Viewers
- Sundry Cutting Room Equipment
- Cutting Room Accessories
- Planning Picture Sequences
- Identifying and Printing Takes
- Identifying Sound Takes
- The Film in the Camera
- Copying the Original
- Cutting Copies
- Edge Numbers and Film Footage
- Locating Scenes and Takes
- Breaking Down Rushes
- Joining With Tape
- Joining with Cement
- Film Leader
- Making A First Assembly
- Continuity Cutting
- Cutting A Simple Sequence
- Avoiding Continuity Errors
- Optical Effects: Dissolves
- Single Roll Optical Effects
- Ordering Single Roll Optical Dupes
- Optical Effects: Fades and Freezes
- Extending and Fine Cutting the Action
- Changing and Patching Cutting Copies
- Augmenting Original Film
- Negative Cutting: Principle
- Negative Cutting: Checkerboard
- Negative Cutting: Where and When
- Negative Cutting: Optical Effects
- Negative Cutting: A/B Rolls, Cueing
- Negative Cutting: Completing
- Superimposed Titles
- Ordering Superimposed Titles
- Synchronised Sound: Double System
- Synchronised Sound: Single System
- Cutting with Wild Sound
- Planning A Complete Soundtrack
- Preparing Sound Effects Tracks
- Preparing Background Sounds
- Sync Points
- Matching Sound and Picture
- Cutting Sound and Avoiding Clicks
- Background Sound Loops
- Synchronised Sound and Picture
- Finding and Maintaining Synchronism
- Narration: Pre Recording, Matching
- Narration: Recording During A Dub
- Dubbing: Procedure
- Dubbing: Practice
- Combined Prints: Magnetic or Optical
- Combined Prints: Optical Sound
- Preparing the First Show Copy
- Prints Out of Sync
- Picture Faults
- Faults Difficult to Remedy
- Safeguarding Original: Dupe Masters
- The Original: Neg and Pos Dupes
- Moving from Gauge to Gauge
- Recording Film on Video
- Electronic Film Conforming
- Further Reading
- Glossary