Chapter 1
Introduction: Matthew Boulton â Enterprising Industrialist of the Enlightenment
Kenneth Quickenden, Malcolm Dick, Sally Baggott
Matthew Boulton: Enterprising Industrialist of the Enlightenment represents the culmination of research into and thinking about Matthew Boulton. It does more than shed light on the life and times of a Birmingham-based manufacturer and entrepreneur who died over 200 years ago. The publication raises questions about the ways in which individual biography, industry, science, art, commerce and employment interconnect. It illuminates the history of the Industrial Revolution in Great Britain, which has shaped the economic and social history of the world in recent centuries, and the Enlightenment, which saw the application of rational thinking to the natural world, to politics, economics and social organisation. In particular, the book increases our knowledge and understanding of the âMidlands Enlightenmentâ of the late eighteenth and early nineteenth centuries, when entrepreneurs such as Boulton brought reason to bear on the practical worlds of technology, production and the arts in what was, perhaps, the most scientifically and industrially advanced region in the world during the period.1
An outline of Boultonâs life is provided in this bookâs Chronology, but in what ways was he important? He was born in 1728 in Birmingham, then a small and relatively insignificant metal-working and market town and died in 1809, by which time Birmingham had become a major international centre â for manufacturing. As an industrialist, Boulton contributed to this transformation. He was a businessman primarily, who inherited his fatherâs âtoyâ business and transformed it into a major enterprise.2 He created the largest factory in Britain at Soho, near Birmingham, the first mechanically powered mint, also at Soho, and a purpose-built foundry at Smethwick to produce steam engines â a location which marked the take-off of the mechanical engineering industry.3 He also applied scientific principles to manufacturing in partnership or collaboration with other men, the best-known being the inventor, James Watt. He was interested in mass production and the division of labour, and he pioneered industrial training at the Soho Manufactory. Boulton was also a promoter of the applied arts; for example, through the production of silverware, Sheffield Plate and ormolu.4 He employed designers and absorbed decorative ideas from home and abroad, but he also knew that a successful manufacturer required more than well-designed products. He understood the need for marketing by displaying his wares in catalogues, employing agents and engaging with the tastes of consumers, particularly the aristocracy and rising middle classes. He was also fully aware of the importance of an effective transport infrastructure, particularly canals, to secure raw materials easily for his factories and move his finished goods quickly and cheaply to their markets. Boulton appreciated the importance of political activity and a legal framework to support his manufacturing activities. He used patent legislation to protect his inventions, campaigned successfully against opposition from London to establish an assay office in Birmingham for testing the standard of locally-produced silver, and, in the face of hostility from the Royal Mint, obtained a government contract to manufacture coins. He was also a key figure in the gestation of the âMidlands Enlightenmentâ, providing friendship and hospitality to scholars and thinkers in Britain, Europe and North America, and he was one of the most active members of the Lunar Society. This was not an organised society with a management structure or minutes, but a network or gentlemenâs club which flourished in the West Midlands region from the mid 1760s to the early 1800s. As well as Boulton, it included scientists, writers and industrialists such as Erasmus Darwin, Thomas Day, Richard Lovell Edgeworth, James Keir, Joseph Priestley, James Watt, Josiah Wedgwood, John Whitehurst and William Withering.5 In short, Boultonâs involvement in eighteenth and nineteenth-century economic and cultural life was indeed massive, as this volume reveals. His home, Soho House in Handsworth survives as a physical record of his significance (see Figure 1.1).
Figure 1.1 Soho House, Handsworth, Birmingham
Source: Photograph by Mohsen Keiany.
This introduction sets out the framework for this volume. It details events connected with the 200th anniversary of his death in 2009, the secondary literature which has illuminated his life and work, and the range of primary sources which exist. It ends with a summary of the chapters contained in this publication.
Boulton 2009
In 2009 Boultonâs importance in Britain was recognised during the commemorative events which celebrated the 200th anniversary of his death.6 Nationally, the Royal Mail produced a series of eight postage stamps, âPioneers of the Industrial Revolutionâ, which included a first-class stamp showing Matthew Boulton and the Soho Manufactory, and Sir Mervyn King, Governor of the Bank of England, announced plans to produce a new ÂŁ50 banknote featuring both Boulton and Watt.7 There were several exhibitions. âMatthew Boulton: âSelling what all the world desiresââ at the Gas Hall, Birmingham Museums and Art Gallery (BM&AG), featured objects, paintings and prints from collections in Birmingham and elsewhere to demonstrate Boultonâs place as not only a local manufacturer of utilitarian and artistic objects, but also an individual of national and international significance.8 The exhibition attracted 35,000 national and international visitors. A second exhibition, âMatthew Boulton and the Art of Making Moneyâ at the Barber Institute of Fine Arts on the campus of the University of Birmingham, focused on Boultonâs production of coins, tokens and medals.9
In commemoration of Boultonâs role in its establishment, The Birmingham Assay Office commissioned a silver candelabrum by the contemporary silversmith, Shona Marsh, which reinterpreted Boultonâs silver in a distinctive way for the twenty-first century. During 2009, this was displayed at BM&AG and Birminghamâs Museum of the Jewellery Quarter.10 In the USA, the Speed Art Museum, Louisville, Kentucky, hosted an exhibition based on one of its principal collections: âEnglish Silver in the Age of Matthew Boulton: The James C. Codell, Jr. Collectionâ.11
Birmingham City University did much to enhance our understanding of Boultonâs technology in 2009. It produced two films on the silver manufacturing techniques used at the Soho Manufactory in 1776â77 to make candlesticks and a tureen. The Jewellery Innovation Centre in the School of Jewellery exhibited replicates of Boulton candlesticks that were produced by using digital photographs from which a computer-aided design file was generated. The file was used to make a 3D resin print which became the pattern for mouldings from which white metal replicates were produced and subsequently silver plated. A âMatthew Boulton Discovery Dayâ of talks, workshops and displays was held at Aston University to enable members of the public to make comparisons between the technology of Boultonâs own time and today. St. Philipâs Cathedral staged a concert âHark I hear Musickâ, which included some of Matthew Boultonâs favourite music and readings from the Matthew Boulton Papers. On the bi-centenary of Boultonâs death, 17 August 2009, a wreath was laid at the statue of Boulton, Watt and William Murdoch in Broad Street, close to Birminghamâs city centre.
Several academic dimensions of the Boulton commemorations have influenced this book. Before 2009, the University of Birmingham, in collaboration with BM&AG successfully applied to the Arts and Humanities Research Council (AHRC), the leading state-funded agency which supports academic research in the arts and humanities, to fund two PhD studentships to further research on Boulton.12 Additionally, in partnership with Birmingham Archives and Heritage, The Birmingham Assay Office, Birmingham City University and BM&AG, the University of Birmingham successfully applied to the AHRC for funding to run six workshops at Birmingham venues during 2007 and 2008 in order to explore Boultonâs s...