Religion and Drama in Early Modern England
eBook - ePub

Religion and Drama in Early Modern England

The Performance of Religion on the Renaissance Stage

  1. 296 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Religion and Drama in Early Modern England

The Performance of Religion on the Renaissance Stage

Book details
Table of contents
Citations

About This Book

Offering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater's broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.

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Yes, you can access Religion and Drama in Early Modern England by Elizabeth Williamson, Jane Hwang Degenhardt in PDF and/or ePUB format, as well as other popular books in Medios de comunicación y artes escénicas & Teatro. We have over one million books available in our catalogue for you to explore.

Information

Publisher
Routledge
Year
2016
ISBN
9781317068105

Table of contents

  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Contents
  5. List of Figures
  6. Notes on Contributors
  7. Acknowledgments
  8. Introduction
  9. PART I: THEATRICAL MATERIALITY AND RELIGIOUS EFFECTS
  10. PART II: INTERSECTIONS OF POPULAR THEATER AND RELIGIOUS CULTURE
  11. PART III: BEYOND ALLUSION AND IDEOLOGY
  12. CODA
  13. Bibliography
  14. Index