Musicians and their Audiences
Performance, Speech and Mediation
- 226 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About This Book
How do musicians play and talk to audiences? Why do audiences listen and what happens when they talk back? How do new (and old) technologies affect this interplay? This book presents a long overdue examination of the turbulent relationship between musicians and audiences. Focusing on a range of areas as diverse as Ireland, Greece, India, Malta, the US, and China, the contributors bring musicological, sociological, psychological, and anthropological approaches to the interaction between performers, fans, and the industry that mediates them. The four parts of the book each address a different stage of the relationship between musicians and audiences, showing its processual nature: from conceptualisation to performance, and through mediation to off-stage discourses. The musician/audience conceptual division is shown, throughout the book, to be as problematic as it is persistent.
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Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Table of Contents
- List of figures
- List of tables
- Notes on contributors
- Foreword: Audiencing
- Acknowledgments
- Introduction to musicians and their audiences
- Part 1 Conceptualising the audience–performer engagement
- Part 2 Live relationships: negotiations of performance
- Part 3 Technological mediations: the virtual and the material
- Part 4 Off-stage discourses and the power of fandom
- Afterword: ‘Moved to the point where she could no longer contain herself’: Ellington and audience interaction at the Newport Jazz Festival
- Bibliography
- Index