Crime and Punishment by Fyodor Dostoyevsky
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Crime and Punishment by Fyodor Dostoyevsky

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Crime and Punishment by Fyodor Dostoyevsky

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This eBook features the unabridged text of 'Crime and Punishment' from the bestselling edition of 'The Complete Works of Fyodor Dostoyevsky'.

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Year
2017
ISBN
9781786565495
PART I

CHAPTER I

On an exceptionally hot evening early in July a young man came out of the garret in which he lodged in S. Place and walked slowly, as though in hesitation, towards K. bridge.
He had successfully avoided meeting his landlady on the staircase. His garret was under the roof of a high, five-storied house and was more like a cupboard than a room. The landlady who provided him with garret, dinners, and attendance, lived on the floor below, and every time he went out he was obliged to pass her kitchen, the door of which invariably stood open. And each time he passed, the young man had a sick, frightened feeling, which made him scowl and feel ashamed. He was hopelessly in debt to his landlady, and was afraid of meeting her.
This was not because he was cowardly and abject, quite the contrary; but for some time past he had been in an overstrained irritable condition, verging on hypochondria. He had become so completely absorbed in himself, and isolated from his fellows that he dreaded meeting, not only his landlady, but anyone at all. He was crushed by poverty, but the anxieties of his position had of late ceased to weigh upon him. He had given up attending to matters of practical importance; he had lost all desire to do so. Nothing that any landlady could do had a real terror for him. But to be stopped on the stairs, to be forced to listen to her trivial, irrelevant gossip, to pestering demands for payment, threats and complaints, and to rack his brains for excuses, to prevaricate, to lie ā€” no, rather than that, he would creep down the stairs like a cat and slip out unseen.
This evening, however, on coming out into the street, he became acutely aware of his fears.
ā€œI want to attempt a thing like that and am frightened by these trifles,ā€ he thought, with an odd smile. ā€œHm... yes, all is in a manā€™s hands and he lets it all slip from cowardice, thatā€™s an axiom. It would be interesting to know what it is men are most afraid of. Taking a new step, uttering a new word is what they fear most.... But I am talking too much. Itā€™s because I chatter that I do nothing. Or perhaps it is that I chatter because I do nothing. Iā€™ve learned to chatter this last month, lying for days together in my den thinking... of Jack the Giant-killer. Why am I going there now? Am I capable of that? Is that serious? It is not serious at all. Itā€™s simply a fantasy to amuse myself; a plaything! Yes, maybe it is a plaything.ā€
The heat in the street was terrible: and the airlessness, the bustle and the plaster, scaffolding, bricks, and dust all about him, and that special Petersburg stench, so familiar to all who are unable to get out of town in summer ā€” all worked painfully upon the young manā€™s already overwrought nerves. The insufferable stench from the pot-houses, which are particularly numerous in that part of the town, and the drunken men whom he met continually, although it was a working day, completed the revolting misery of the picture. An expression of the profoundest disgust gleamed for a moment in the young manā€™s refined face. He was, by the way, exceptionally handsome, above the average in height, slim, well-built, with beautiful dark eyes and dark brown hair. Soon he sank into deep thought, or more accurately speaking into a complete blankness of mind; he walked along not observing what was about him and not caring to observe it. From time to time, he would mutter something, from the habit of talking to himself, to which he had just confessed. At these moments he would become conscious that his ideas were sometimes in a tangle and that he was very weak; for two days he had scarcely tasted food.
He was so badly dressed that even a man accustomed to shabbiness would have been ashamed to be seen in the street in such rags. In that quarter of the town, however, scarcely any shortcoming in dress would have created surprise. Owing to the proximity of the Hay Market, the number of establishments of bad character, the preponderance of the trading and working class population crowded in these streets and alleys in the heart of Petersburg, types so various were to be seen in the streets that no figure, however queer, would have caused surprise. But there was such accumulated bitterness and contempt in the young manā€™s heart, that, in spite of all the fastidiousness of youth, he minded his rags least of all in the street. It was a different matter when he met with acquaintances or with former fellow students, whom, indeed, he disliked meeting at any time. And yet when a drunken man who, for some unknown reason, was being taken somewhere in a huge waggon dragged by a heavy dray horse, suddenly shouted at him as he drove past: ā€œHey there, German hatterā€ bawling at the top of his voice and pointing at him ā€” the young man stopped suddenly and clutched tremulously at his hat. It was a tall round hat from Zimmermanā€™s, but completely worn out, rusty with age, all torn and bespattered, brimless and bent on one side in a most unseemly fashion. Not shame, however, but quite another feeling akin to terror had overtaken him.
ā€œI knew it,ā€ he muttered in confusion, ā€œI thought so! Thatā€™s the worst of all! Why, a stupid thing like this, the most trivial detail might spoil the whole plan. Yes, my hat is too noticeable.... It looks absurd and that makes it noticeable.... With my rags I ought to wear a cap, any sort of old pancake, but not this grotesque thing. Nobody wears such a hat, it would be noticed a mile off, it would be remembered.... What matters is that people would remember it, and that would give them a clue. For this business one should be as little conspicuous as possible.... Trifles, trifles are what matter! Why, itā€™s just such trifles that always ruin everything....ā€
He had not far to go; he knew indeed how many steps it was from the gate of his lodging house: exactly seven hundred and thirty. He had counted them once when he had been lost in dreams. At the time he had put no faith in those dreams and was only tantalising himself by their hideous but daring recklessness. Now, a month later, he had begun to look upon them differently, and, in spite of the monologues in which he jeered at his own impotence and indecision, he had involuntarily come to regard this ā€œhideousā€ dream as an exploit to be attempted, although he still did not realise this himself. He was positively going now for a ā€œrehearsalā€ of his project, and at every step his excitement grew more and more violent.
With a sinking heart and a nervous tremor, he went up to a huge house which on one side looked on to the canal, and on the other into the street. This house was let out in tiny tenements and was inhabited by working people of all kinds ā€” tailors, locksmiths, cooks, Germans of sorts, girls picking up a living as best they could, petty clerks, etc. There was a continual coming and going through the two gates and in the two courtyards of the house. Three or four door-keepers were employed on the building. The young man was very glad to meet none of them, and at once slipped unnoticed through the door on the right, and up the staircase. It was a back staircase, dark and narrow, but he was familiar with it already, and knew his way, and he liked all these surroundings: in such darkness even the most inquisitive eyes were not to be dreaded.
ā€œIf I am so scared now, what would it be if it somehow came to pass that I were really going to do it?ā€ he could not help asking himself as he reached the fourth storey. There his progress was barred by some porters who were engaged in moving furniture out of a flat. He knew that the flat had been occupied by a German clerk in the civil service, and his family. This German was moving out then, and so the fourth floor on this staircase would be untenanted except by the old woman. ā€œThatā€™s a good thing anyway,ā€ he thought to himself, as he rang the bell of the old womanā€™s flat. The bell gave a faint tinkle as though it were made of tin and not of copper. The little flats in such houses always have bells that ring like that. He had forgotten the note of that bell, and now its peculiar tinkle seemed to remind him of something and to bring it clearly before him.... He started, his nerves were terribly overstrained by now. In a little while, the door was opened a tiny crack: the old woman eyed her visitor with evident distrust through the crack, and nothing could be seen but her little eyes, glittering in the darkness. But, seeing a number of people on the landing, she grew bolder, and opened the door wide. The young man stepped into the dark entry, which was partitioned off from the tiny kitchen. The old woman stood facing him in silence and looking inquiringly at him. She was a diminutive, withered up old woman of sixty, with sharp malignant eyes and a sharp little nose. Her colourless, somewhat grizzled hair was thickly smeared with oil, and she wore no kerchief over it. Round her thin long neck, which looked like a henā€™s leg, was knotted some sort of flannel rag, and, in spite of the heat, there hung flapping on her shoulders, a mangy fur cape, yellow with age. The old woman coughed and groaned at every instant. The young man must have looked at her with a rather peculiar expression, for a gleam of mistrust came into her eyes again.
ā€œRaskolnikov, a student, I came here a month ago,ā€ the young man made haste to mutter, with a half bow, remembering that he ought to be more polite.
ā€œI remember, my good sir, I remember quite well your coming here,ā€ the old woman said distinctly, still keeping her inquiring eyes on his face.
ā€œAnd here... I am again on the same errand,ā€ Raskolnikov continued, a little disconcerted and surprised at the old womanā€™s mistrust. ā€œPerhaps she is always like that though, only I did not notice it the other time,ā€ he thought with an uneasy feeling.
The old woman paused, as though hesitating; then stepped on one side, and pointing to the door of the room, she said, letting her visitor pass in front of her:
ā€œStep in, my good sir.ā€
The little room into which the young man walked, with yellow paper on the walls, geraniums and muslin curtains in the windows, was brightly lighted up at that moment by the setting sun.
ā€œSo the sun will shine like this then too!ā€ flashed as it were by chance through Raskolnikovā€™s mind, and with a rapid glance he scanned everything in the room, trying as far as possible to notice and remember its arrangement. But there was nothing special in the room. The furniture, all very old and of yellow wood, consisted of a sofa with a huge bent wooden back, an oval table in front of the sofa, a dressing-table with a looking-glass fixed on it between the windows, chairs along the walls and two or three half-penny prints in yellow frames, representing German damsels with birds in their hands ā€” that was all. In the corner a light was burning before a small ikon. Everything was very clean; the floor and the furniture were brightly polished; everything shone.
ā€œLizavetaā€™s work,ā€ thought the young man. There was not a speck of dust to be seen in the whole flat.
ā€œItā€™s in the houses of spiteful old widows that one finds such cleanliness,ā€ Raskolnikov thought again, and he stole a curious glance at the cotton curtain over the door leading into another tiny room, in which stood the old womanā€™s bed and chest of drawers and into which he had never looked before. These two rooms made up the whole flat.
ā€œWhat do you want?ā€ the old woman said severely, coming into the room and, as before, standing in front of him so as to look him straight in the face.
ā€œIā€™ve brought something to pawn here,ā€ and he drew out of his pocket an old-fashioned flat silver watch, on the back of which was engraved a globe; the chain was of steel.
ā€œBut the time is up for your last pledge. The month was up the day before yesterday.ā€
ā€œI will bring you the interest for another month; wait a little.ā€
ā€œBut thatā€™s for me to do as I please, my good sir, to wait or to sell your pledge at once.ā€
ā€œHow much will you give me for the watch, Alyona Ivanovna?ā€
ā€œYou come with such trifles, my good sir, itā€™s scarcely worth anything. I gave you two roubles last time for your ring and one could buy it quite new at a jewelerā€™s for a rouble and a half.ā€
ā€œGive me four roubles for it, I shall redeem it, it was my fatherā€™s. I shall be getting some money soon.ā€
ā€œA rouble and a half, and interest in advance, if you like!ā€
ā€œA rouble and a half!ā€ cried the young man.
ā€œPlease yourselfā€ ā€” and the old woman handed him back the watch. The young man took it, and was so angry that he was on the point of going away; but checked himself at once, remembering that there was nowhere else he could go, and that he had had another object also in coming.
ā€œHand it over,ā€ he said roughly.
The old woman fumbled in her pocket for her keys, and disappeared behind the curtain into the other room. The young man, left standing alone in the middle of the room, listened inquisitively, thinking. He could hear her unlocking the chest of drawers.
ā€œIt must be the top drawer,ā€ he reflected. ā€œSo she carries the keys in a pocket on the right. All in one bunch on a steel ring.... And thereā€™s one key there, three times as big as all the others, with deep notches; that canā€™t be the key of the chest of drawers... then there must be some other chest or strong-box... thatā€™s worth knowing. Strong-boxes always have keys like that... but how degrading it all is.ā€
The old woman came back.
ā€œHere, sir: as we say ten copecks the rouble a month, so I must take fifteen copecks from a rouble and a half for the month in advance. But for the two roubles I lent you before, you owe me now twenty copecks on the same reckoning in advance. That makes thirty-five copecks altogether. So I must give you a rouble and fifteen copecks for the watch. Here it is.ā€
ā€œWhat! only a rouble and fifteen copecks now!ā€
ā€œJust so.ā€
The young man did not dispute it and took the money. He looked at the old woman, and was in no hurry to get away, as though there was still something he wanted to say or to do, but he did not himself quite know what.
ā€œI may be bringing you something else in a day or two, Alyona Ivanovna ā€” a valuable thing ā€” silver ā€” a cigarette-box, as soon as I get it back from a friend..,ā€ he broke off in confusion.
ā€œWell, we will talk about it then, sir.ā€
ā€œGood-bye ā€” are you always at home alone, your sister is not here with you?ā€ He asked her as casually as possible as he went out into the passage.
ā€œWhat business is she of yours, my good sir?ā€
ā€œOh, nothing particular, I simply asked. You are too quick.... Good-day, Alyona Ivanovna.ā€
Raskolnikov went out in complete confusion. This confusion became more and more intense. As he went down the stairs, he even stopped short, two or three times, as though suddenly struck by some thought. When he was in the street he cried out, ā€œOh, God, how loathsome it all is! and can I, can I possibly.... No, itā€™s nonsense, itā€™s rubbish!ā€ he added resolutely. ā€œAnd how could such an atrocious thing come into my head? What filthy things my heart is capable of. Yes, filthy above all, disgusting, loathsome, loathsome! ā€” and for a whole month Iā€™ve been....ā€ But no words, no exclamations, could express his agitation. The feeling of intense repulsion, which had begun to oppress and torture his heart while he was on hi...

Table of contents

  1. Title page
  2. FYODOR DOSTOYEVSKY
  3. COPYRIGHT
  4. Fyodor Dostoyevsky: Parts Edition
  5. Parts Edition Contents
  6. Crime and Punishment
  7. CRIME AND PUNISHMENT
  8. CONTENTS
  9. PART I
  10. CHAPTER I
  11. CHAPTER II
  12. CHAPTER III
  13. CHAPTER IV
  14. CHAPTER V
  15. CHAPTER VI
  16. CHAPTER VII
  17. PART II
  18. CHAPTER I
  19. CHAPTER II
  20. CHAPTER III
  21. CHAPTER IV
  22. CHAPTER V
  23. CHAPTER VI
  24. CHAPTER VII
  25. PART III
  26. CHAPTER I
  27. CHAPTER II
  28. CHAPTER III
  29. CHAPTER IV
  30. CHAPTER V
  31. CHAPTER VI
  32. PART IV
  33. CHAPTER I
  34. CHAPTER II
  35. CHAPTER III
  36. CHAPTER IV
  37. CHAPTER V
  38. CHAPTER VI
  39. PART V
  40. CHAPTER I
  41. CHAPTER II
  42. CHAPTER III
  43. CHAPTER IV
  44. CHAPTER V
  45. PART VI
  46. CHAPTER I
  47. CHAPTER II
  48. CHAPTER III
  49. CHAPTER IV
  50. CHAPTER V
  51. CHAPTER VI
  52. CHAPTER VII
  53. CHAPTER VIII
  54. EPILOGUE
  55. I
  56. II
  57. The Delphi Classics Catalogue