Pictorial Narrative in the Nazi Period
eBook - ePub

Pictorial Narrative in the Nazi Period

Felix Nussbaum, Charlotte Salomon and Arnold Daghani

  1. 150 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Pictorial Narrative in the Nazi Period

Felix Nussbaum, Charlotte Salomon and Arnold Daghani

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About This Book

This book investigates creative responses to the Nazi period in the work of three artists, Felix Nussbaum, Charlotte Salomon and Arnold Daghani, focusing on their use of pictorial narrative. It analyses their contrasting aesthetic strategies and their innovative forms of artistic production. In contrast with the autonomous, modernist art object, their works were explicitly linked with the historical conditions under which they were produced – the pressures of persecution and exile. Conditions in the slave labour camps and ghettos in the Ukraine, which shaped the paintings and drawings of Daghani, are contrasted with the experiences of exile in Belgium and France, which inspired Nussbaum and Salomon. In defiance of conventional artistic practice, they produced word-image combinations that can be read as narrative sequences, incorporating specific references to political events. While there has been a wealth of literary, philosophical and historical studies relating to the Holocaust, aesthetic debate has developed less extensively. This is the first comparative study of three artists who are only belatedly achieving recognition and the recent reception of their work is evaluated. By identifying the aesthetic principles and narrative strategies underlying their work, the book reassesses their achievement in creating new forms of modernism with an unmistakable political momentum.

This book was published as a special issue of Word & Image.

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Information

Publisher
Routledge
Year
2013
ISBN
9781317967514
Edition
1
Topic
Art
Index
1942 1943 and Thereafter (Sporadic Records till 1977) (Daghani, Arnold) 64, 68, 72, 75, 78-80, 83-85, 95, 112
A Glimpse of Edward Gordon Craig in Vence AM (Daghani, Arnold) 92, 94-95
A Large, a Big Question-Mark (Daghani, Arnold) 95
A Page of Our Stay in Israel (Daghani, Arnold) 121
A Pictorial Autobiography (Daghani, Arnold) 64-65, 72
abortion 7-8
Actors (Max Beckmann) 27
allegories 8, 12, 23-27, 28, 103
androgynous creativity 44-47, 61, 111, 119
Anschluss – Alice in Wonderland (Oskar Kokoschka) 4
Apocalypse (Max Beckmann) 24-25
Argentina Journal (Peter Z Malkin) 96-100
Autumn of Central Paris (After Walter Benjamin) (RB Kitaj) 105, 106
Bartning, Ludwig 40, 41, 44, 49
Bay of Alassio (Felix Nussbaum) 14
Beckett, Samuel 92-93
Beckmann, Max 5, 12, 21-28
Benjamin, Walter 4, 42, 88, 105, 106
Bershad ghetto 67, 71, 73, 75, 94, 101, 120, 122, 125-126
Black Poodle (Felix Nussbaum) 13
Blake, William 64, 87-88
Bombardment (Felix Nussbaum) 16
Brecht, Bertolt 37-38, 119
Building in which We Had a Narrow Escape (Daghani, Arnold) 86
calligraphy 5, 76-77, 79, 111-112
Camp Interior (Daghani, Arnold) 83
Camp Synagogue (Felix Nussbaum) 30
Cecil Court WC2 (The Refugees) 104
Cheerless Road (Felix Nussbaum) 12
Christia...

Table of contents

  1. Cover Page
  2. Half Title page
  3. Title Page
  4. Copyright Page
  5. Contents
  6. Acknowledgements
  7. Section One: Pictures that tell stories
  8. Section Two: Multimedia creativity
  9. Section Three: Images of crisis and narratives of survival
  10. Section Four: Remembering for the future
  11. Bibliography
  12. Index