Racial Discourse and Cosmopolitanism in Twentieth-Century African American Writing
- 200 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Racial Discourse and Cosmopolitanism in Twentieth-Century African American Writing
About This Book
This book engages cosmopolitanismâa critical mode which moves beyond cultural pluralism by simultaneously privileging difference and commonalityâin order to examine its particular deployment in the work of several African American writers. Deeply influenced and inspired by W. E. B. Du Bois, the writers closely examined in this studyâJean Toomer, Jessie Fauset, Langston Hughes and Albert Murrayâhave advanced cosmopolitanism to meet its own theoretical principals in the contested arena of racial discourse while remaining integral figures in a larger tradition of cosmopolitan thought. Rather than become mired in fixed categorical distinctions, their cosmopolitan perspective values the pluralist belief in the distinctiveness of different cultural groups while allowing for the possibility of inter-ethnic subjectivities, intercultural affiliations and change in any given mode of identification. This study advances cosmopolitanism as a useful model for like-minded critics and intellectuals today who struggle with contemporary debates regarding multiculturalism and universalism in a rapidly, yet unevenly, globalizing world.
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Table of contents
- COVER PAGE
- TITLE PAGE
- COPYRIGHT PAGE
- CREDIT LINES
- ACKNOWLEDGMENTS
- INTRODUCTION: RACIAL DISCOURSE AND COSMOPOLITANISM
- CHAPTER ONE: CANEâS BETRAYAL AND JEAN TOOMERâS UNTETHERED UNIVERSALISM
- CHAPTER TWO: THE âINTERMINABLE PUZZLESâ OF RACE, CLASS AND GENDER IN THE NOVELS OF JESSIE REDMON FAUSET
- CHAPTER THREE: THE AESTHETICS OF PARTICULARITY AND THE POLITICS OF INTEGRATION: THE WAYS OF WHITE FOLKS AND LANGSTON HUGHESâS WORK WITH COMMON GROUND IN THE 1940s
- CHAPTER FOUR: THE FINE ART TRADITION OF ALBERT MURRAY: DEMOCRATIC ELITISM AND ROOTED COSMOPOLITANISM
- NOTES
- SELECTED BIBLIOGRAPHY