- 288 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About This Book
Described as one of Shakespeare's most intriguing plays, All's Well That Ends Well has only recently begun to receive the critical attention it deserves. Noted as a crucial point of development in Shakespeare's career, this collection of new essays reflects the growing interest in the play and presents a broad range of approaches to it, including historical, feminist, performative and psychoanalytical criticisms.
In addition to fourteen essays written by leading scholars, the editor's introduction provides a substantial overview of the play's critical history, with a strong focus on performance analysis and the impact that this has had on its reception and reputation. Demonstrating a variety of approaches to the play and furthering recent debates, this book makes a valuable contribution to Shakespeare criticism.
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Table of contents
- Cover Page
- Shakespeare Criticism
- Title Page
- Copyright Page
- General Editorâs Introduction
- List of Figures and Acknowledgments
- Contributors
- Preface
- From âthe Unfortunate Comedyâ to âthis Infinitely Fascinating Playâ: The critical and theatrical emergence of Allâs Well, That Ends Well
- Revising the Sources: Novella, Romance, and the Meanings of Fiction in Allâs Well, That Ends Well
- âAs Sweet as Sharpâ: Helena and the fairy bride tradition
- Tying the (K)not: The marriage of tragedy and comedy in Allâs Well, That Ends Well
- Allâs Well, That Ends Well and the Art of Retrograde Motion
- Performing Woman: Female theatricality in Allâs Well, That Ends Well
- âTo make the ânotâ eternalâ: Female eloquence and patriarchal authority in Allâs Well, That Ends Well
- Shakespeareâs Miracle Play?: Religion in Allâs Well, That Ends Well
- She is in the Right: Biblical maternity and Allâs Well, That Ends Well
- âThe credit of your fatherâ: Absent Fathers in Allâs Well, That Ends Well
- ââTwas mine, âtwas Helenâsâ: Rings of desire in Allâs Well, That Ends Well
- âSweet Practicer, thy Physic I will tryâ: Helena and her âGood Receiptâ in Allâs Well, That Ends Well
- Allâs Well, That Ends Well and the 1604 Controversy Concerning the Court of Wards and Liveries
- Playing it Accordingly: Parolles and Shakespeareâs knee-crooking knaves
- Allâs Well as Television: The 1980 Moshinsky production
- Appendix
- Select Bibliography