Gilbert and Gubar's The Madwoman in the Attic after Thirty Years

Sandra M. Gilbert, Annette R. Federico

• Publisher: University of Missouri
• Year: 2011
• ISBN:
  9780826272096
• Topic: Literature
• Subtopic: Literary Criticism
• Index: Literature

When it was published in 1979, Sandra M. Gilbert and Susan Gubar's The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination was hailed as a pathbreaking work of criticism, changing the way future scholars would read Jane Austen, Mary Shelley, the Brontës, George Eliot, and Emily Dickinson. This thirtieth-anniversary collection adds both valuable reassessments and new readings and analyses inspired by Gilbert and Gubar's approach. It includes work by established and up-and-coming scholars, as well as retrospective accounts of the ways in which The Madwoman in the Attic has influenced teaching, feminist activism, and the lives of women in academia.

These contributions represent both the diversity of today's feminist criticism and the tremendous expansion of the nineteenth-century canon. The authors take as their subjects specific nineteenth- and twentieth-century women writers, the state of feminist theory and pedagogy, genre studies, film, race, and postcolonialism, with approaches ranging from ecofeminism to psychoanalysis. And although each essay opens Madwoman to a different page, all provocatively circle back—with admiration and respect, objections and challenges, questions and arguments—to Gilbert and Gubar's groundbreaking work.

The essays are as diverse as they are provocative. Susan Fraiman describes how Madwoman opened the canon, politicized critical practice, and challenged compulsory heterosexuality, while Marlene Tromp tells how it elegantly embodied many concerns central to second-wave feminism. Other chapters consider Madwoman 's impact on Milton studies, on cinematic adaptations of Wuthering Heights, and on reassessments of Ann Radcliffe as one of the book's suppressed foremothers. In the thirty years since its publication, The Madwoman in the Attic has potently informed literary criticism of women's writing: its strategic analyses of canonical works and its insights into the interconnections between social environment and human creativity have been absorbed by contemporary critical practices. These essays constitute substantive interventions into established debates and ongoing questions among scholars concerned with defining third-wave feminism, showing that, as a feminist symbol, the raging madwoman still has the power to disrupt conventional ideas about gender, myth, sexuality, and the literary imagination.

Table of contents

• Cover
• Title Page
• Copyright
• Dedication
• Contents
• Foreword: Conversions of the Mind
• Acknowledgments
• Introduction: "Bursting All the Doors": The Madwoman in the Attic after Thirty Years
• 1. After Gilbert and Gubar: Madwomen Inspired by Madwoman
• 2. Modeling the Madwoman: Feminist Movements and the Academy
• 3. Gilbert and Gubar's Daughters: The Madwoman in the Attic's Spectre in Milton Studies
• 4. Feminism to Ecofeminism: The Legacy of Gilbert and Gubar's Readings of Mary Shelley's Frankenstein and The Last Man
• 5. Enclosing Fantasies: Jane Eyre
• 6. Jane Eyre's Doubles?: Colonial Progress and the Tradition of New Woman Writing in India
• 7. Revisiting the Attic: Recognizing the Shared Spaces of Jane Eyre and Beloved
• 8. The Legacy of Hell: Wuthering Heights on Film and Gilbert and Gubar's Feminist Poetics
• 9. The Veiled, the Masked, and the Civil War Woman: Louisa May Alcott and the Madwoman Allegory
• 10. Sensationalizing Women's Writing: Madwomen in Attics, the Sensational Canon, and Generic Confinement
• 11. Ghosts in the Attic: Gilbert and Gubar's The Madwoman in the Attic and the Female Gothic
• 12. Elizabeth Gaskell: A Well-Tempered Madness
• 13. Mimesis and Poiesis: Reflections on Gilbert and Gubar's Reading of Emily Dickinson
• Contributors
• Index