The Haunted Hotel

Wilkie Collins

• Publisher: Jazzybee Verlag
• Year: 2020
• ISBN:
  9783849658403
• Topic: Literature
• Subtopic: Classics
• Index: Literature

'The Haunted Hotel' is a story which, like others of Mr. Wilkie Collins's stories, fascinates the reader, and compels him to finish it at a sitting. It has, too, this merit, that as the story progresses one is forced to recall the facts of the earlier part, and see the object for which they were related and the bearing they have upon subsequent events. It is often possible to put together a mass of intricate details none of which is irrelevant, but it is a rare skill which can make it plain to a reader reading at full speed that they all had their necessity and proper effect. Few writers can do this so well as Mr. Wilkie Collins. The mystery in 'The Haunted Hotel' is grim enough to please a keen appetite for grisly horrors, without glutting it by matter of fact description. A good deal is left for imagination to fill up. Whether or not the reader is meant to guess the explanation of the courier's disappearance, as he probably will if he is at all practiced in mysteries, is not of much importance. Having guessed it, he will still read with undiminished interest to see how it is worked out. There is, it seems, one defect in the story. It is a mystery with an explanation; but one particular fact which is not a mystery has no explanation….

THE FOURTH PART

CHAPTER XVI

It was only the twentieth of September, when Agnes and the children reached Paris. Mrs. Norbury and her brother Francis had then already started on their journey to Italy—at least three weeks before the date at which the new hotel was to open for the reception of travellers.

The person answerable for this premature departure was Francis Westwick.

Like his younger brother Henry, he had increased his pecuniary resources by his own enterprise and ingenuity; with this difference, that his speculations were connected with the Arts. He had made money, in the first instance, by a weekly newspaper; and he had then invested his profits in a London theatre. This latter enterprise, admirably conducted, had been rewarded by the public with steady and liberal encouragement. Pondering over a new form of theatrical attraction for the coming winter season, Francis had determined to revive the languid public taste for the ballet by means of an entertainment of his own invention, combining dramatic interest with dancing. He was now, accordingly, in search of the best dancer (possessed of the indispensable personal attractions) who was to be found in the theatres of the Continent. Hearing from his foreign correspondents of two women who had made successful first appearances, one at Milan and one at Florence, he had arranged to visit those cities, and to judge of the merits of the dancers for himself, before he joined the bride and bridegroom. His widowed sister, having friends at Florence whom she was anxious to see, readily accompanied him. The Montbarrys remained at Paris, until it was time to present themselves at the family meeting in Venice. Henry found them still in the French capital, when he arrived from London on his way to the opening of the new hotel.

Against Lady Montbarry's advice, he took the opportunity of renewing his addresses to Agnes. He could hardly have chosen a more unpropitious time for pleading his cause with her. The gaieties of Paris (quite incomprehensibly to herself as well as to everyone about her) had a depressing effect on her spirits. She had no illness to complain of; she shared willingly in the ever-varying succession of amusements offered to strangers by the ingenuity of the liveliest people in the world—but nothing roused her: she remained persistently dull and weary through it all. In this frame of mind and body, she was in no humour to receive Henry's ill-timed addresses with favour, or even with patience: she plainly and positively refused to listen to him. 'Why do you remind me of what I have suffered?' she asked petulantly. 'Don't you see that it has left its mark on me for life?'

'I thought I knew something of women by this time,' Henry said, appealing privately to Lady Montbarry for consolation. 'But Agnes completely puzzles me. It is a year since Montbarry's death; and she remains as devoted to his memory as if he had died faithful to her—she still feels the loss of him, as none of us feel it!'

'She is the truest woman that ever breathed the breath of life,' Lady Montbarry answered. 'Remember that, and you will understand her. Can such a woman as Agnes give her love or refuse it, according to circumstances? Because the man was unworthy of her, was he less the man of her choice? The truest and best friend to him (little as he deserved it) in his lifetime, she naturally remains the truest and best friend to his memory now. If you really love her, wait; and trust to your two best friends—to time and to me. There is my advice; let your own experience decide whether it is not the best advice that I can offer. Resume your journey to Venice to-morrow; and when you take leave of Agnes, speak to her as cordially as if nothing had happened.'

Henry wisely followed this advice. Thoroughly understanding him, Agnes made the leave-taking friendly and pleasant on her side. When he stopped at the door for a last look at her, she hurriedly turned her head so that her face was hidden from him. Was that a good sign? Lady Montbarry, accompanying Henry down the stairs, said, 'Yes, decidedly! Write when you get to Venice. We shall wait here to receive letters from Arthur and his wife, and we shall time our departure for Italy accordingly.'

A week passed, and no letter came from Henry. Some days later, a telegram was received from him. It was despatched from Milan, instead of from Venice; and it brought this strange message:—'I have left the hotel. Will return on the arrival of Arthur and his wife. Address, meanwhile, Albergo Reale, Milan.'

Preferring Venice before all other cities of Europe, and having arranged to remain there until the family meeting took place, what unexpected event had led Henry to alter his plans? and why did he state the bare fact, without adding a word of explanation? Let the narrative follow him—and find the answer to those questions at Venice.

CHAPTER XVII

The Palace Hotel, appealing for encouragement mainly to English and American travellers, celebrated the opening of its doors, as a matter of course, by the giving of a grand banquet, and the delivery of a long succession of speeches.

Delayed on his journey, Henry Westwick only reached Venice in time to join the guests over their coffee and cigars. Observing the splendour of the reception rooms, and taking note especially of the artful mixture of comfort and luxury in the bedchambers, he began to share the old nurse's view of the future, and to contemplate seriously the coming dividend of ten per cent. The hotel was beginning well, at all events. So much interest in the enterprise had been aroused, at home and abroad, by profuse advertising, that the whole accommodation of the building had been secured by travellers of all nations for the opening night. Henry only obtained one of the small rooms on the upper floor, by a lucky accident—the absence of the gentleman who had written to engage it. He was quite satisfied, and was on his way to bed, when another accident altered his prospects for the night, and moved him into another and a better room.

Ascending on his way to the higher regions as far as the first floor of the hotel, Henry's attention was attracted by an angry voice protesting, in a strong New England accent, against one of the greatest hardships that can be inflicted on a citizen of the United States—the hardship of sending him to bed without gas in his room.

The Americans are not only the most hospitable people to be found on the face of the earth—they are (under certain conditions) the most patient and good-tempered people as well. But they are human; and the limit of American endurance is found in the obsolete institution of a bedroom candle. The American traveller, in the present case, declined to believe that his bedroom was in a complete finished state without a gas-burner. The manager pointed to the fine antique decorations (renewed and regilt) on the walls and the ceiling, and explained that the emanations of burning gas-light would certainly spoil them in the course of a few months. To this the traveller replied that it was possible, but that he did not understand decorations. A bedroom with gas in it was what he was used to, was what he wanted, and was what he was determined to have. The compliant manager volunteered to ask some other gentleman, housed on the inferior upper storey (which was lit throughout with gas), to change rooms. Hearing this, and being quite willing to exchange a small bedchamber for a large one, Henry volunteered to be the other gentleman. The excellent American shook hands with him on the spot. 'You are a cultured person, sir,' he said; 'and you will no doubt understand the decorations.'

Henry looked at the number of the room on the door as he opened it. The number was Fourteen.

Tired and sleepy, he naturally anticipated a good night's rest. In the thoroughly healthy state of his nervous system, he slept as well in a bed abroad as in a bed at home. Without the slightest assignable reason, however, his just expectations were disappointed. The luxurious bed, the well-ventilated room, the delicious tranquillity of Venice by night, all were in favour of his sleeping well. He never slept at all. An indescribable sense of depression and discomfort kept him waking through darkness and daylight alike. He went down to the coffee-room as soon as the hotel was astir, and ordered some breakfast. Another unaccountable change in himself appeared with the appearance of the meal. He was absolutely without appetite. An excellent omelette, and cutlets cooked to perfection, he sent away untasted—he, whose appetite never failed him, whose digestion was still equal to any demands on it!

The day was bright and fine. He sent for a gondola, and was rowed to the Lido.

Out on the airy Lagoon, he felt like a new man. He had not left the hotel ten minutes before he was fast asleep in the gondola. Waking, on reaching the landing-place, he crossed the Lido, and enjoyed a morning's swim in the Adriatic. There was only a poor restaurant on the island, in those days; but his appetite was now ready for anything; he ate whatever was offered to him, like a famished man. He could hardly believe, when he reflected on it, that he had sent away untasted his excellent breakfast at the hotel.

Returning to Venice, he spent the rest of the day in the picture-galleries and the churches. Towards six o'clock his gondola took him back, with another fine appetite, to meet some travelling acquaintances with whom he had engaged to dine at the table d'hote.

The dinner was deservedly rewarded with the highest approval by every guest in the hotel but one. To Henry's astonishment, the appetite with which he had entered the house mysteriously and completely left him when he sat down to table. He could drink some wine, but he could literally eat nothing. 'What in the world is the matter with you?' his travelling acquaintances asked. He could honestly answer, 'I know no more than you do.'

When night came, he gave his comfortable and beautiful bedroom another trial. The result of the second experiment was a repetition of the result of the first. Again he felt the all-pervading sense of depression and discomfort. Again he passed a sleepless night. And once more, when he tried to eat his breakfast, his appetite completely failed him!

This personal experience of the new hotel was too extraordinary to be passed over in silence. Henry mentioned it to his friends in the public room, in the hearing of the manager. The manager, naturally zealous in defence of the hotel, was a little hurt at the implied reflection cast on Number Fourteen. He invited the travellers present to judge for themselves whether Mr. Westwick's bedroom was to blame for Mr. Westwick's sleepless nights; and he especially appealed to a grey-headed gentleman, a guest at the breakfast-table of an English traveller, to take the lead in the investigation. 'This is Doctor Bruno, our first physician in Venice,' he explained. 'I appeal to him to say if there are any unhealthy influences in Mr. Westwick's room.'

Introduced to Number Fourteen, the doctor looked round him with a certain appearance of interest which was noticed by everyone present. 'The last time I was in this room,' he said, 'was on a melancholy occasion. It was before the palace was changed into an hotel. I was in professional attendance on an English nobleman who died here.' One of the persons present inquired the name of the nobleman. Doctor Bruno answered (without the slightest suspicion that he was speaking before a brother of the dead man), 'Lord Montbarry.'

Henry quietly left the room, without saying a word to anybody.

He was not, in any sense of the term, a superstitious man. But he felt, nevertheless, an insurmountable reluctance to remaining in the hotel. He decided on leaving Venice. To ask for another room would be, as he could plainly see, an offence in the eyes of the manager. To remove to another hotel, would be to openly abandon an establishment in the success of which he had a pecuniary interest. Leaving a note for Arthur Barville, on his arrival in Venice, in which he merely mentioned that he had gone to look at the Italian lakes, and that a line addressed to his hotel at ...

Table of contents

• THE FIRST PART
• THE SECOND PART
• THE THIRD PART
• THE FOURTH PART
• POSTSCRIPT