Tiny Dynamite: An impossible love story is given a second chance and three scorched characters are about to learn that lightning does strike twice.
Splendour: Inside a beautiful state residence on the edge of a city, four women wait. They talk: films, Prada, chilli vodka, anything. Outside civil war looms ever nearer.
Tender: In a city of fast talk and chance encounters, how much faith can we put in other people? Abi Morgan's acerbic play takes a scalpel to modern love and friendship.
Lovesong: The story of one couple, told from two different points in their lives ā as young lovers in their twenties and as worldly companions looking back on their relationship.
27: Dr Richard Garfield has given Ursula a difficult choice. She is the Mother Superior in waiting of a convent that has been given the opportunity to take part in his revolutionary scientific study. Ursula must weigh up the value of preserving her faith, versus embracing science.

- 400 pages
- English
- ePUB (mobile friendly)
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27
27 was first performed on Tuesday 25 October 2011 at the Royal Lyceum Theatre, Edinburgh in a co-production with the National Theatre of Scotland.
Cast | |
| Maureen Beattie | SISTER URSULA MARY |
| Emma Hartley-Miller | AUDREY MARIE |
| Finn den Hertog | DR SAM PARKER |
| Molly Innes | SISTER RUTH AUGUSTINE |
| Libby King | DR HELEN JARVIS |
| Colette OāNeil | SISTER MIRIAM THOMASINA |
| Nicholas Le Prevost | DR RICHARD GARFIELD |
| Benny Young | DR JONATHAN LEES |
Creative Team | |
| Abi Morgan | Writer |
| Vicky Featherstone | Director |
| Merle Hensel | Set Designer |
| Nick Powell | Composer & Sound Designer |
| Natasha Chivers | Lighting Designer |
| Nick Sagar | Sound Associate |
| Jenna Watt | Assistant Director |
| Anne Henderson | Casting Director |
Characters
DR RICHARD GARFIELD (60s)
American, Epidemiologist, University of Alabama
American, Epidemiologist, University of Alabama
DR SAM PARKER (early/mid 30s)
British, Epidemiologist, University of Edinburgh
British, Epidemiologist, University of Edinburgh
DR HELEN JARVIS (late 30s/early 40s)
American, Neurophysiologist. University of Alabama
American, Neurophysiologist. University of Alabama
DR JONATHAN LEES (early 50s)
British, Neurologist. National Institute of Ageing
British, Neurologist. National Institute of Ageing
SISTER MIRIAM THOMASINA (late 90s)
Mother Superior
Mother Superior
SISTER URSULA MARY (late 40s/early 50s)
Sister Procurator / Mother Superior
Sister Procurator / Mother Superior
SISTER RUTH AUGUSTINE (late 40s)
Sister Portress
Sister Portress
AUDREY MARIE (early/mid 20s)
Aspirant.
Aspirant.
SETTING
The play is set in a modern Catholic Convent somewhere in West Scotland over five years.
/ Denotes when lines intercut
Act one
An office.
A desk. A filing cabinet. Three chairs. There is a vase of roses in full bloom on the desk.
RICHARD stands, a cup of tea in his hand.
HELEN stands looking out of a distant window, distracted.
It is summer.
HELEN: Is that someone swimming?
RICHARD follows HELENās gaze out of the window. HELEN takes in the room, leaning forward to look at a painting on the wall.
MIRIAM: āJoshua Rollā. The originalās preserved in the Vatican.
MIRIAM enters, ready to greet them.
HELEN: Itās beautiful.
MIRIAM: A picture is to the illiterate what the religious word is to the educated.(Beat.) I donāt remember who it was who said that.
The action freezes ā
RICHARD: (To audience.) So this is how it started ā
The action springs back into life ā
MIRIAM: Iām so/
RICHARD: No/
MIRIAM: ā¦sorry. Ruth should have/
RICHARD: Itās not a problem. /
MIRIAM: ā¦told me you were here. Normally word gets around. /
RICHARD: Really⦠We only just arrived/
MIRIAM: Dr Garfield.
RICHARD: Please, Richard (Introducing HELEN.) And this is Dr Jarvis.
HELEN smiles in greeting to MIRIAM.
HELEN: Helenās just fine.
MIRIAM: ā¦There are always whispers. How long have you been ā ?
RICHARD: ā¦five, ten minutes thatās all.
MIRIAM: Really someone should have at least got you/
RICHARD: They have. They did.
RICHARD holds up a teacup.
MIRIAM: ā¦tea. (Beat.) Good. (Calling out.) You sure you wouldnāt prefer coffee? (Beat.) RICHARD: Wellā¦/ MIRIAM: I knew it. I knew it.
MIRIAM reaches for her phone, tapping buttons ā
⦠(As phone answers.) Charlotte, I just called Ruth⦠Is sheā¦? ā¦Never mind. Could we have coffee please? I know butā¦tea is a poor cousin, Charlotte, that you should know. Thank you. Can someone please tell Ursula to come and find us seeing as she invited these guests here? And root out a digestive if we have one. Youāre a dear. (As puts down the phone.) Donāt let us get away with that again. If we canāt give you something decent to drink⦠Or would you prefer a cold drink?
RICHARD: There was talk of ā
MIRIAM: Itās Friday. On Friday, thereās always lemonade.
A distant ripple of laughter.
(Beat.) You came ā
RICHARD: Plane, then train.
MIRIAM: From Euston?
RICHARD: I thinkā¦
HELEN: Heathrow to Paddington, Paddington to Euston, Euston to ā/
MIRIAM: The train must have been a nightmare/
RICHARD: ā¦No.
MIRIAM: ā¦for an American.
RICHARD pauses, mid sip. MIRIAM smiles, a certain mischief to her ā
JONATHAN: Miriam ā
Lights up on JONATHAN greeting MIRIAM enthusiastically as if he has just entered ā
MIRIAM: Where have you been skulking?
JONATHAN: I was just saying to Ursula⦠The roses smell, wonderful⦠Ursulaās just coming.
URSULA enters, her hair dripping wet, drying with a towel.
URSULA: Iām sorryā¦Iām sorryā¦I couldnāt understand why Ruth was waving and by the time I had swum back/
MIRIAM: Youāre dripping.
URSULA: ā¦I found Jonathan wandering in the garden, stealing strawberries.
JONATHAN: That riverā¦
URSULA laughs.
URSULA: Itās very low at this time of year.
URSULA holds out a handful of strawberries to JONATHAN, who takes one and eats.
URSULA: The ducks donāt even try. I beat them at breaststroke.
JONATHAN: Still. You get caught in those reeds and ā
URSULA: Thereās hardly a tug until youāre down to the weir.
HELEN: Iād love a swim.
URSULA: Have one? Really itās the only thing that saves me whatever time of the day.
JONATHAN: Now have you all met?
URSULA looks to RICHARD and HELEN shaking hands in greeting.
RICHARD: We saw ...
Table of contents
- Cover
- Half-title Page
- Title Page
- Copyright
- Contents
- Introduction
- Tiny Dynamite
- Splendour
- Tender
- Lovesong
- 27
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