1 Why this book?
This book offers an overview of the main aspects of contemporary retinal image analysis (RIA) in the context of clinical applications, healthcare informatics and artificial intelligence. The book aims to be not just another collection of papers on technical advancements; these are reported more timely by conferences papers, online journal pre-prints and repositories like arXiv or bioRxiv. Instead, the book aspires to be a comprehensive introduction to the field. A logical progression of chapters takes the reader through an overview of RIA, its clinical motivations, technical foundations (image acquisition modalities, instruments), computational techniques for essential operations (e.g., anatomical landmarks location, blood vessel segmentation), lesion detection (e.g., optic disc in glaucoma, microaneurysms in diabetes) and the important topic of validation, all the way to a showcase of current investigations drawing from artificial intelligence and big data (retinal biomarkers for risk of systemic conditions) and the future, e.g., large-scale screening programs, precision medicine, computer-assisted personalized eye care and the challenges of creating, maintaining and making available to research inceasingly large collections of clinical data.
2 Casting an eye into the distant past: The history of eye research in the West
Zusammengestohlen aus verschiedenem diesem und jenema
Ludwig van Beethoven, comment on his String Quartet no. 14
For an overview of retinal imaging including a brief history of modern techniques we refer the reader to Keane and Saddaās review [1]. Chapter 3 of this book offers a contemporary view on retinal imaging. We add here a brief summary of the origin of eye-related research in the West, which we hope may interest the reader; the present cannot be understood completely but in the context of the past. Beyond the western world, a concise history of ancient vision and eye-related theory in India and some comparisons with western theories is given by Deshpande [2]. Our short account follows loosely Pierantoniās detailed book [3], with elements from the history of ophthalmology (anatomy and physiology) available on the UK Royal College of Ophthalmologists website [4]. Bynum [5] is a concise, non-technical but informative account of the history of medicine, including of course ophthalmology.
The curiosity of man for the eye goes back a long way. It may seem therefore extraordinary that the first anatomically accurate drawing of the ocular bulb did not appear before the early 17th century, in Rosa Ursina by the German Jesuit priest and scientist Christoph Scheiner (1575ā1650). Before then, all drawings of the eye put religious or philosophical beliefs before anatomical observation. This fascinating story starts, in the West, with the oldest known drawing of the ocular bulb and its main component, due to the medieval arab scholar Hunain ibn Ishak, who lived in the 9th century BC, in his āTen essays on the structure of the eye, its diseases and cures.ā The drawing was first reproduced by the neurologist Stephen Polyak during WWII [6] and is itself a copy of an older drawing which did not reach us, perhaps a Greek manuscript from many centuries before. Ibn Ishakās eye looks very inaccurate to us: it is almond-shaped; the lens is in the center; the optic nerve, the pupil and the lens are aligned along the middle axis of the ocular bulb; the optic nerve is hollow. Vision is explained through the flow of a āvital spiritā emitted by the eye (an idea already found in Pythagoras and Euclid), which required the hollow optical nerve to flow out of the eye and back. As Pierantoni observes, the drawing is best interpreted as a functional diagram, as all functional elements are in place, but not anatomically accurate. Yet dissecting an eye does not require particularly sophisticated instruments. But the influence of the philosophical giants of the antiquity, in addition to the aversion to cadaver dissection of religion and state, was obviously immenseāand would last for many centuries to come.b Hence dissection was often practiced on animals, assuming that their anatomy was similar or the same to the human one.
The first drawing showing a connection between the eye and the brain is due to another arab scholar, Abu Jaāfar Ahmad ibn Muhammad (906ā963), again most likely a copy of a previous Greek document. This drawing is also the first diagram giving an account of binocular vision: it shows two ocular bulbs, now round but still equipped with hollow channels carrying the āvisual spiritā responsible for vision. A relation of Jaāfar, the scholar Ibn al-Haitam (also known as Alheizen, c.965ā1040), proposed however in his Book of Optics that vision was made possible by the rays of light entering the eye. Precursors of this idea were already present in the work of the highly regarded Greek physician and surgeon, Galen (129āc.200 AD), who thought that the light entering the eye interacted with a āvisual spiritā (pneuma) generated in the brain. The pneuma would carry the shapes carried by the light to the brain, in a bi-directional flow. In contrast, early functional theories of vision, including those by Pythagoras and Euclid, who lived between the mid-5th and the mid-3rd century BC, stated that the pneuma was emitted into the world and would bounce off objects carrying back their shapes into the eye. Democritus (4thā3rd century BC) had raised a dissenting voice, postulating that objects emitted continuously images of themselves (Ć©idola, or āfigures,ā ārepresentationsā), that entered the eye (intromission theory) making perception possible.
The eye model undergoes an idealization in the Middle Ages, seemingly to reflect more the geometry of the divinely perfect, symmetric universe, in which the circle represented the supreme geometric perfection. The anatomy of the eye was therefore inspired by the orbits of the known planets, that had to be rigorously circular. Such models are found in the work by Roger Bacon (1214ā92) and John Pecham (1230ā92), Archbishop of Canterbury. An eye model based on tradition, not anatomy, is found even in Leonardo da Vinciās well-known section of a manās head in his Anatomical Studies, folio 32r. Here the eye is depicted as a spherical bulb containing a central, spherical lens. Leonardās eye is connected to the brain by a channel that he believed was composed by many smaller ones, to keep separate the images of the different things perceived simultaneously. Leonardo never took a definite position in the controversy between emission and intromission theories.
Dissection and direct observations re-start in earnest with Andreas Vesalius, the Flemish physician regarded as the father of modern anatomy. Vesaliusās drawing of the eye in his De humani corporis fabrica (on the structure of the human body, 1543) suggests direct observation (e.g., the bulb is spherical, the anterior chamber is present) but still reflects the burden of the tradition: the lens is central, the optic nerve is hollow and aligned with the central axis of the bulb through the center of the pupil.
In the work by Johann Kepler (1571ā1630), the German astronomer and physicist, optics plays a crucial role and allows Kepler to propose an explanation for the paradox of the inverted image, which had puzzled Leonardo himself: if the pupil, as a small aperture, makes the image appear inverted on a screen, why donāt we perceive the world upside down? Kepler understands that an āopposite inversionā must happen in the brain. Finally, shortly after Kepler, Scheiner publishes the first anatomical drawing of the eye which we can accept completely. A correct understanding of the anatomy was finally achieved. Centuries would still be needed to attain accurate physiological models, but this goes beyond the scope of this short historical note.