Filmmaker Alexander Medvedkin (1900–89), a contemporary of Sergei Eisenstein and Alexander Dovzhenko, is celebrated today for his unique form of "total" documentary cinema, which aimed to bridge the distance between film and life, as well as for his use of satire during a period when the Soviet authorities preferred that laughter be confined to narrowly prescribed channels. This collection of selected writings by Medvedkin is the first of its kind and reveals how his work is a crucial link in the history of documentary film.Although he was a dedicated Communist, Medvedkin's satirical approach and social critiques ultimately led to his suppression by the Soviet regime. State institutions held back or marginalized his work, and for many years, his films were assumed to have been lost or destroyed. These texts, many assembled for this volume by Medvedkin himself, document for the first time his considerable achievements, experiments in film and theater, and attempts to develop satire as a major Soviet film genre. Through scripts, letters, autobiographical writings, and more, we see a Medvedkin supported and admired by figures like Eisenstein, Dovzhenko, and Maxim Gorky.

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Yes, you can access The Alexander Medvedkin Reader by Alexander Medvedkin, Nikita Lary, Jay Leyda, Nikita Lary,Jay Leyda in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Performing Arts. We have over one million books available in our catalogue for you to explore.

Information

Publisher

University of Chicago Press

Year

2016

ISBN

9780226296302

Topic

Media & Performing Arts

Subtopic

Performing Arts

Cover
Title Page
Copyright Page
Contents
Preface
Note on Transliteration
On the Front Lines of War and Revolution
Scripts
Satire—a Militant Art
Contextualizations
CVs and Addenda
Remembrance and Revival
Acknowledgments
Notes
Glossary
Index