Iâm sitting at the arts table in the back of the classroom, when K, an 8-year-old boy comes over to me. Thereâs a plastic tray with some art supplies in it, including a handful of cotton balls. K takes two cotton balls out of the tray, sticks his hips forward in my direction, and dangles the cotton balls over his private parts. âLook at my cotton balls!â he says to me, giggling. Not sure what to say, or unsure of where to look, I laugh (somewhat nervously). Another boy walks by the arts table, and K â who is still dangling the cotton balls over his privates â asks him: âHey! What does this look like?â The boy replies nonchalantly, âballsâ, and begins to play with something at the table.
(Adapted from personal fieldnotes, 2017)
This chapter focuses on âunrulyâ encounters in the classroom. Unruliness can be defined as ânot submissive or conforming to rule; ungovernable; turbulent ⌠lawlessâ.1
Unruly encounters cannot be tamed, or be easily understood, but have an enchanting quality that can break our habits of thinking and doing as usual (see: Davies & Hunt, 1994). In particular, this chapter attends to how bodies and materials can become âunrulyâ, just like the boy and his cotton balls in the above example. This is not to suggest that the boy or the cotton balls on their own are unruly, but that rather, through their coming into contact with one another, a kind of unruliness is produced. Such encounters, I hope to show, are worthy of our pause and attention as educators and researchers who work with young children because they have the potential to radically alter how we think about and respond in our encounters with one another.
My focus on the engagement between bodies and materials in this chapter is informed by posthumanist approaches in education (see: Taylor & Hughes, 2016), and, in particular, by scholars in the field of early childhood education who are taking up the project to de-centre the child in research. Such a project does not imply that children are no longer important in research, but rather takes seriously the ways that other âthingsâ come to matter. For instance, several scholars embrace the material-discursive entanglements that constitute childrenâs lives including gender (Osgood, 2019; Osgood, Scarlet & Giugni, 2015; Huuki & Renold, 2016), entanglements between children and things (Myers, 2015; Orrmalm, 2019; Prout, 2000; Rautio, 2013), matter (Somerville & Powell, 2019; Pacini-Ketchabaw, Kind & Kocher, 2016), animals (Hohti & Tammi, 2019; Taylor, 2019; Taylor & Pacini-Ketchabaw, 2017; Pacini-Ketchabaw & Nxumalo, 2016) and the spaces/places children occupy (Nxumalo, 2017; Merewether, 2019), just to name a few.
In this way, the project of decentring is not about removing the child from research, but rather the âtraditional humanist forms of understanding that too often speak for and about the childâ (Schulte, Semenec & Diaz-Diaz, 2020; see also Spyrou, 2017). By attending to bodies and materials in this chapter, I too, attempt to decentre not the children entirely, but rather the focus (on the part of educators and researchers) to understand what children are doing in the classroom and why. I do so by experimenting with writing three vignettes, or what Taylor (2019) calls âminor storiesâ. Such stories may prompt us to attend to what is often insignificant in research â including childrenâs everyday practices, animals, matter/materials and others. The three minor stories I tell in this chapter focus on what I am calling âunrulyâ encounters between children and materials and speculate on what else might be produced if we took such encounters seriously rather than solely childrenâs bodies and behaviours.