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- 93 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
Splendour
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About This Book
In the opulent drawing room of the Presidential Palace, a Western photojournalist awaits the return of the dictator. She is here to take his portrait. The dictator's wife, her best friend and an interpreter wait with her. Prada shoes, vodka glasses and light fingers tap out the time. He is late, very lateā¦ All four women harbour secrets and suspicions. All four are in danger. This is the day that revolution comes to the streets. Abi Morgan's devastating play allows us a glimpse into the minds of four women as their world turns.
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Information
Splendour was first performed by Paines Plough in association with The Peter Wolff Theatre Trust at the Traverse Theatre on 3 August 2000, with the following cast:
MICHELEINE
Mary Cunningham
KATHRYN
Faith Flint
GENEVIEVE
Myra McFadyen
GILMA
Eileen Walsh
Director
Vicky Featherstone
Designer
Neil Warmington
Splendour was revived at the Donmar Warehouse, London on 30 July 2015, with the following cast:
GILMA
Zawe Ashton
MICHELEINE
SinƩad Cusack
GENEVIEVE
Michelle Fairley
KATHRYN
Genevieve OāReilly
Director
Robert Hastie
Designer
Peter McKintosh
Lighting Designer
Lee Curran
Sound Designer
Adrienne Quartly
Movement Director
Jack Murphy
Characters
MICHELEINE
the wife, female, late 40s
the wife, female, late 40s
GILMA
the interpreter, female, early/mid 20s
the interpreter, female, early/mid 20s
KATHRYN
the photographer, female, mid/late 30s
the photographer, female, mid/late 30s
GENEVIEVE
the informer, female, early/mid 40s
the informer, female, early/mid 40s
SETTING
The play is set in a house, in an affluent neighbourhood on the edge of a large city.
The sound of fireworks/shelling should be abstract.
Evening; A palatial drawing room in the home of a dictator.
MICHELEINE, the wife is our hostess. GENEVIEVE, her best friend, has just entered, her coat on as if she has just come in from outside. She is covered in snow. KATHRYN, a photo-journalist, is standing, her back to us, staring at a large and incongruous abstract painting that hangs on the wall. Her interpretor, GILMA, a local woman has just broken a red Venetian vase. She is sweeping up the broken shards of glass off the floor.
MICHELEINE: Genevieve, your hair itās ā
GENEVIEVE: Snow.
KATHRYN: ā¦dripping on her green dress.
GENEVIEVE: Iām fine. The roads are terrible.
GILMA: Iām sorry.
MICHELEINE: Itās nothing, just a vase. (Introducing) Gilma.
GENEVIEVE: Gilma.
GILMA: Donāt look me up and down like that.
GENEVIEVE: I had to take the back route. Is there anything to drink?
MICHELEINE: Yes. Weāre onto our third.
(GENEVIEVE walks across the room and pours herself a glass of vodka.)
I am sitting in the garden of friends, good friends a few hours before this moment.
GENEVIEVE: Jesus ā
MICHELEINE: ā¦we are having lunch with friends.
GENEVIEVE: (I.e. drink.) ā¦ Micha, where did you get this?
MICHELEINE: Lunch with Isabella.
KATHRYN: We are drinking chilli vodka.
GENEVIEVE: You saw her?
MICHELEINE: A few hours ago.
KATHRYN: Chilli vodka that is blindingly hot.
MICHELEINE: To my right is a pudgy man I always seem to get stuck with. He laughs too much at a joke my husband makes ā
(GILMA hands MICHELEINE back the dustpan and brush.)
GILMA: (To MICHELEINE.) Iām sorry.
MICHELEINE: Of course, itās a very funny jokeā¦ A nun is walking through a park.
GENEVIEVE: I thought Oolio would be ā
MICHELEINE: Coming. You know the office. Youāre dripping on the carp ā
GENEVIEVE: (To MICHELEINE.) Micha, there are bells ringing all along the Southside.
(A beat. MICHELEINE takes her coat from her. GENEVIEVE clocks KATHRYN looking at the painting.)
MICHELEINE: A nun is walking through a park when a giant gorilla attacks her. He ravishes her in the bushes and then quickly bounds away. She is clearly distressed and returns to the convent where Mother Superior with some concern takes the young nun aside. āMy dear I canāt help but notice, you seem very upset of late.ā
GENEVIEVE: The painting ā
(GENEVIEVE comes up to look at the painting with KATHRYN.)
I see youāve noticed the painting.
KATHRYN: Sorry?
GENEVIEVE: The painting? You like it?
MICHELEINE: We commissioned it. Itās not one of his best.
KATHRYN: Iām sorryā¦ (To GILMA.) Gilma? Gilma? Iām sorry. I donāt understand. (To GENEVIEVE.) Iām sorry. I donāt understand.
MICHELEINE: (Introducing.) Kathryn.
KATHRYN: (To GENEVIEVE.) Kathryn.
MICHELEINE: (To GENEVIEVE.) Sheās a very important journalist.
KATHRYN: Iāve come to take a photograph.
MICHELEINE: This is my best friend, Genevieve. Our husbands have been, were friends for thirty ā
GENEVIEVE: ā¦five ā
MICHELEINE: ā¦years.
(GENEVIEVE and KATHRYN shake hands.)
KATHRYN: Gilma?
GILMA: The painting. Her husband ā
KATHRYN: ā¦painted it? Weāre discussing fucking painting.
MICHELEINE: (To KATHRYN.) Wonāt you have a little nut?
Moved by the Mother Superiorās vigilant concern, the young nun confesses to the recent contretemps with the gorilla in the park. The Mother Superior bestows sympathy but as the weeks pass, a vow of silence i...
Table of contents
- Front Cover
- Half-Title Page
- Title Page
- Copyright Page
- Splendour