Irish Drama
Local and Global Perspectives
- 198 pages
- English
- PDF
- Available on iOS & Android
Irish Drama
Local and Global Perspectives
About This Book
Since the late 1970s there has been a marked internationalization of Irish drama, with individual plays, playwrights, and theatrical companies establishing newly global reputations. This book reflects upon these developments, drawing together leading scholars and playwrights to consider the consequences that arise when Irish theatre travels abroad. Essays discuss some of Ireland's major theatre companies â Druid, the Abbey Theatre, Rough Magic, Blue Raincoat, Field Day and others â while also exploring the presence of Irish drama in the UK, the USA, Germany, and throughout Ireland. The volume also presents the views of key playwrights, featuring essays by Elizabeth Kuti and Ursula Rani Sarma, and including a new interview with Enda Walsh.
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Table of contents
- Cover
- Copyright
- Contents
- Acknowledgements
- List of Illustrations
- Introduction
- 1 | Making Space: Towards a Spatial Theory of Irish Theatre Chris Morash
- 2 | Field Day: Local roots and global reach Martine Pelletier
- 3 | âWeâll Be the Judges of Thatâ: The Critical Reception of DruidSynge in the USA JosĂ© Lanters
- 4 | Abbey Tours to London after 1990 Richard Cave
- 5 | Ireland Onstage at the Birmingham Repertory Theatre James Moran
- 6 | Contemporary Irish Theatre in German-Speaking Countries Werner Huber
- 7 | Blue Raincoat Theatre Company and its Influences
- 8 | Beyond the Passion Machine: The Adigun-Doyle Playboy and Multiculturalism
- 9 | Audience expectation and the expected audience â writing for the international stage
- 10 | âThe Words Look After Themselvesâ: The Practice of Enda Walsh
- 11 | âStrangeness made senseâ: reflections on being a non-Irish Irish playwright. Elizabeth Kuti
- Texts Cited
- Contributors
- Index