Spake
Dialect and Voices from the West Midlands
- English
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Spake
Dialect and Voices from the West Midlands
About This Book
"Examining regional accents and our attitudes to them are a way of peering into Britain's soul. I can't wait for this book" ā Sathnam Sanghera
Spake: Dialect and Voices from the West Midlands with contributions from Steven Knight (Peaky Blinders), Julie Walters, Liz Berry and many of the regions best known writers.
Spake is a love letter to the West Midlands voice and a challenge to the preconceptions and prejudices that abound about dialect and non-standard English. Much maligned, frequently overlooked or simply left out altogether: the English West Midlands has for decades been diminished in the national conversation - and with it, the rich dialects and voices of the region are often misunderstood, ignored or worse ā ridiculed and mocked. But who's to say that the way we 'spake' isn't every bit as vital and precious a part of the landscape as other accents and dialects?
This anthology features contemporary writing that draws upon dialect in ways that explore the potential of the narrative and poetic voice, bringing to life the silent histories and harsh realities of a vanishing working-class way of life in what was once Britain's industrial heartland. From contemporary re-imaginings of the interwar decades in Steven Knight's TV series Peaky Blinders to Liz Berry's prize-winning poetry and up and coming new talent, this book celebrates and gives voice to experiences rooted in the region that have largely lain at the margins.
Frequently asked questions
Information
Roderick Smith
Scenes from A Brummie Iliad
CHORUS | Itās late afternoon at the long black ships |
and Achilles is stood with his hands on his hips | |
staring out across the plain | |
He canāt make out whatās going on | |
through the shimmer and the dust | |
Zeus howeverās up on Mount Ida ā | |
Heās got a grandstand view ā | |
and he canāt help interfering ā | |
You know the way gods do | |
Hectorās still buzzing from Patroclusās death | |
and heās chasinā Achillesās chariot | |
Fruitlessly as it turns out | |
what with Automedon being the driver | |
and the horses being immortal ā | |
a wedding present to Peleus ā | |
Achillesā dad ā | |
From Poseidon ā | |
Zeusās brother ā | |
When he married grey-eyed Thetis ā | |
The sea nymph ā | |
But back on the plain beneath bright Ilium | |
Menelaus is stood over Patroclusās corpse ā | |
A shaggy, red highland cow | |
protecting a first-born calf ā | |
feet apart, head lowered | |
intending to defend it from the Trojan trophy hunters | |
who hesitate like desert dogs | |
But that kid is lingering out in front ā | |
that pretty kid Euphorbus ā | |
and heās fingering the spear | |
heās just now extracted from Patroclusās back | |
EUPHORBUS | My kill, Menelaus |
CHORUS | He exaggerates |
EUPHORBUS | Back off! Iām having his tackle |
CHORUS | Lusting after Achillesās divine armour |
and the kudos heād accrue | |
EUPHORBUS | Unless you want some of this |
CHORUS | The spear |
EUPHORBUS | Youāve seen my work Atreides |
CHORUS | The kid goes on to say |
EUPHORBUS | Iāll put a bloody hole in you. Get out the fucking way. |
CHORUS | Red hair shivers and re... |
Table of contents
- Cover
- Title Page
- Copyright
- Contents
- Introduction
- Liz Berry
- Lisa Blower
- Rupinder Kaur
- Steven Knight
- Roy McFarlane
- Emma Purshouse
- Paul McDonald
- Benjamin Zephaniah
- John Mills
- Roderick Smith
- R. M. Francis
- Julie Walters
- Meera Syal
- Biographical Notes
- Acknowledgements
- About the author and this book