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The Age of Cardboard and String
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About This Book
Shortlisted for the 2001 T. S. Eliot and Whitbread Poetry Prizes. A number of poems in this collection by Charles Boyle take their cue from Stendhal, whose characteristic blend of artfulness and candour particularly evident in his unreliable memoirs is sustained throughout the book. In material ranging from intimate narratives to social commentary, Boyle takes selfdeception, mixed motives and honest misunderstandings as the norms of human behaviour, and delights in the comedy of errors that results. The collection was a Poetry Book Society Recommendation.
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Information
PART ONE
A Respectable Neighbourhood
I was walking with irregular strides, avoiding
the cracks in the pavement and keeping a weather eye open
for the humdrum but telling detailĀ ā
the one I could never make up,
the proof that I tell no lieĀ ā
when this woman starts screaming blue murder
from an upper window. Fuck you!
she was yelling, and meaning it, and only stopped
to draw breath when I came to a stop myself.
A black-haired beauty, souls
have been sold for less.
I was flattered but about to move on
when she threw down a blue checked shirtĀ ā
followed by, in random order, pants,
jeans, a jumper and scuffed leather jacket,
half a dozen compact discs
and a copy of La Chartreuse de Parme
that, when it hit the ground, fell open
at chapter twenty-one, āA Strange Encounterā.
The window slammed shut.
The sun ducked behind a bank of clouds.
A man dressed too smartly for comfort
stepped out of the doorway and gave me a look
that implied I should make myself scarce.
Will Fabrizio escape from the citadel?
Will Clelia cheat on her vow
never to set eyes on him again?
As I bent to retrieve the book
I felt like a thief of dead menās boots
on the field at Waterloo.
Hotel Rosa
In the open briefcase
of the man across the aisle
on the bus from the airport
lies the manuscript of my poems.
I keep sneaking glances,
wondering about that haircut.
As we cross the lagoon,
and a smell of decaying fish
pervades the bus,
he turns to face me
with the look of one interrupted
by yet another of the pointless
bureaucratic intrusions
to which travellers are prone.
*
The style, Herr Fischer remarks of Aā,
over our breakfast omelette
under the jacaranda tree
at the Hotel Rosa,
is that of a man
whose work has been translated
into forty-two languages
and then back into English.
His fingers are long and bony
but heavy on the keys.
From his room overlooking the garden
bouts of regular typing
alternate with curious ble...
Table of contents
- The Age of Cardboard and String
- Contents
- PART ONE
- A Respectable Neighbourhood
- Hotel Rosa
- An Earring
- Follainās Leeds
- Seven Poems from Prose By Stendhal
- My Alibi
- The Nature Trail
- PART TWO
- Life Class
- Hosea: A Commentary
- Second Alibi (Other Business)
- Railway Porters
- The Age of Cardboard and String
- Things to Do Indoors
- The Break
- Russians
- Theories of the Leisure Class
- Summer School
- Eleanor of Aquitaine
- Third Alibi (The Blessings)
- Fourth Alibi (Room 209)
- 14th February Street
- Street Furniture
- Long Story Short
- Casual Work
- Moonlighting
- West One
- My Overthrow
- PART THREE
- An Aberration
- The Pink Hotel
- Skadarlija
- Cabin Fever
- Unexamined Life
- Events with Parked Cars
- The Wellington Group
- Literals
- The Body Double
- The Lady with the Dog
- The Privileges
- From the Rooftops
- Summer, an Afternoon
- Notes and Asides