eBook - PDF
The Performance Practice of Electroacoustic Music
The Studio di Fonologia years
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- 156 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
The Performance Practice of Electroacoustic Music
The Studio di Fonologia years
Book details
Table of contents
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About This Book
This book is dedicated to the topic of performance practice of electroacoustic music, focusing mainly on the production of RAI's Studio di Fonologia in Milan between the 1950s and 1970s. It is the result of an in-depth dialogue between musicology and musical practice, presenting musicological and practice-based contributions, some dealing with specific problems of performance practice, in particular the analysis and interpretation of the aesthetic prerequisites and production conditions of the repertoire from a musicological perspective, others focusing on specific works and on their realisation from a performer's perspective. Overall, this publication is intended as a contribution to the performance culture of the repertoire.
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Yes, you can access The Performance Practice of Electroacoustic Music by Lucas Bennett, Germán Toro-Pérez in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music. We have over one million books available in our catalogue for you to explore.
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Table of contents
- Cover
- Contents
- Historically informed performance in electroacoustic music? The Studio di Fonologia years as a case study (Germán Toro Pérez)
- Some problems of the present-day realisation of historical electronic pieces (Ulrich Mosch)
- The beginnings of the Studio di Fonologia Musicale and Bruno Maderna’s Notturno (Angela Ida De Benedictis)
- «There’s always only the first page». On the ambivalent relation between sound and notation in some early electroacoustic music, and the problems of modern editions (Veniero Rizzardi)
- A question of «versions»!? Three case studies about «performing» tape compositions of the 1950s (taken from the European repertoire) (Pascal Decroupet)
- The revision of Henri Pousseur’s Rimes at Tempo Reale (Kilian Schwoon)
- Auctorial Tradition and Contemporary Practice: Performing Musica su due dimensioni by Bruno Maderna (Germán Toro Pérez)
- Sound direction of 1950s and 1960s tape pieces from the Studio di Fonologia (Alvise Vidolin)
- Henri Pousseur. Three source texts concerning Rimes pour différentes sources sonores (Pascal Decroupet (Transcription and text edition))
- About the authors
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