Murray Pomerance, venerated film scholar, is the first to take on the 'cheat' in film, where 'cheating' constitutes a collection of production, performance, and structuring maneuvers intended to foster the impression of a screen reality that does not exist as presented. This usually calls for a suspension of disbelief in the viewer, but that rests on the assumption that disbelief is problematic for viewership, and that we must find some way to "suspend" or "disconnect" it in order to allow for the entertainment of the fiction in its own terms.
The Film Cheat explores forty-five aspects of the 'cheat,' analyzing classic films such as Singin' in the Rain and Chinatown, to more contemporary films like The Revenant and Baby Driver, with Pomerance engaging his encyclopedic knowledge of film history to point out numerous instances of suspensions of disbeliefs. Whether or not Gene Kelly is actually dancin' in the rain, or if Elliott is really flying on his bicycle carrying E.T., these cheats are what make movie magic.
Elegantly weaving the narrative for one to dip into at random or to read from cover to cover, Pomerance turns things upside down so that the audience actually finds pleasure in the cheat itself, pleasure in the disbelief. To see the elegant fake, the supremely accomplished simulacrum is a pleasure in its own right, indeed one of the fundamental pleasures of cinema.

- 384 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
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Index
Note: Page numbers in italic signify images.
Abbott, Diahnne here
About a Boy (Chris Weitz and Paul Weitz, 2002) here
Aboutboul, Alon here
À bout de souffle ([Breathless] Jean-Luc Godard, 1960) here
Abraham, F. Murray here
Absorption and Theatricality (Michael Fried) here
Academy of Motion Picture Arts and Sciences here
Academy frame rate here
Oscar (Academy Award) here, here–here, here
Ace Ventura: Pet Detective (Tom Shadyac, 1994) here
Adair, John here
Adam, Ken here
Adam’s Rib (George Cukor, 1949) here
Adjustment Bureau, The (George Nolfi, 2011) here
Adorno, Theodor here
ADR (additional dialogue recording) here, here
Adventures of Robin Hood, The (Michael Curtiz and William Keighley, 1938) here
Affair to Remember, An (Leo McCarey, 1957) here, here
Affleck, Ben here
Affleck, Casey here
Africa, veldt, as setting here
Age of Innocence, An (Martin Scorsese, 1993) here, here, see also Hollywood, mattes
Agfacolor here
Alcott, John here
Alexander, John here
Alfie (Lewis Gilbert, 1966) here, here
Alice in Wonderland (Tim Burton, 2010) here
Alien (Ridley Scott, 1979) here, here, here, here–here, here, here, here
Allen, Karen here
Allen, Woody here, here
Almendros, Nestor here, here
Claire’s Knee here
Paris vu par here
Pauline at the Beach here, here
Alps, the, as setting here
Altick, Richard here
Amadeus (Milos Forman, 1984) h...
Table of contents
- Cover
- Half-Title
- Dedication
- Title
- Contents
- Acknowledgements
- Preamble: All in the Game
- OF SCRIPTS
- OF PERFORMANCES
- OF CAMERAS
- OF SCENES
- OF JOINS
- Epilogue:Our Cheating Heart
- Works Cited
- Index
- Copyright
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