- 164 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About This Book
This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in US genre paintings during the second half of the long nineteenth century (c. 1860â1910).
Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824â1906), Enoch Wood Perry, Jr. (1831â1915), Thomas Hovenden (1840â95), and John Sloan (1871â1951). It also complicates art history's canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by, instead, privileging portrayals of social flux and geographic instability.
The book will be of interest to scholars working in art history, literature, American studies, and cultural geography.
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Table of contents
- Cover
- Half Title
- Series Page
- Title Page
- Copyright Page
- Dedication
- Contents
- List of Figures
- Acknowledgments
- Introduction
- 1 Mobility and Containment in Eastman Johnsonâs Genre Paintings
- 2 Mapping Enoch Wood Perryâs Genre Scenes
- 3 Crossing Thresholds in Thomas Hovendenâs Breaking Home Ties
- 4 Dislocation and Connection in John Sloanâs Scenes of Urban Transport
- Conclusion
- Index