My Life in Loyalism

Billy Hutchinson, Gareth Mulvenna

• Publisher: Merrion Press
• Year: 2020
• ISBN:
  9781785373473
• Edition: 1
• Topic: History
• Subtopic: Irish History
• Index: History

Growing up in the Shankill area of Belfast and living through the sectarian turmoil of the late 1960s, Billy Hutchinson joined the UVF in the early 1970s. In 1974, at the age of just 19, he was sentenced to life in prison, and it was in the cages of Long Kesh that he first came under the influence of loyalist icon Gusty Spence.

Hutchinson spent much of the 1980s as overall Commanding Officer of UVF/Red Hand Commando prisoners, and upon his release, became involved with the recently established Progressive Unionist Party. As an authentic link between the UVF and the PUP, he was at the forefront of negotiations that led to the Belfast Agreement and was the UVF's point of contact during the weapons decommissioning programme. Written with candour and honesty, this is a lively first-hand account of an extraordinary life and reveals previously hidden episodes of both the Northern Ireland Troubles and the high-profile negotiations that led to the Belfast Agreement of 1998.

rom Tartan gang member to leading loyalist paramilitary, and from progressive unionist politician to respected Belfast City Councillor, My Life in Loyalism is Billy Hutchinson's remarkable story.

CHAPTER 1

SHANKILL BORN

I was born on Saturday, 17 December 1955 in a small two-up, two-down red-brick house at 98 Matchett Street off the Shankill Road. My parents William and Elizabeth greeted me into the world as everyone around them was eagerly anticipating Christmas, rushing around and making all their traditional festive preparations. In the midst of all this, it seems that I didn’t make much of an impression; indeed, after the local doctor had helped to deliver me, he turned to my mother and said, ‘Mrs Matchett, you’re the best mother on Hutchinson Street.’ It would be fair to say that my life hasn’t exactly run in a straight line since.

Parts of the Shankill are in North Belfast and other parts are in West. Matchett Street is on the North side, between the main Shankill and Crumlin roads. The whole area has been redeveloped, and many of the old streets have disappeared. In those days, however, those streets were tightly packed with red-brick terraced houses where extended families lived in strong networks of kinship. Our house was near the end of the street, and where numbers 94 and 96 should have been there stood wasteland which had apparently been created by a Luftwaffe bomb during the Blitz. It sounded like a good story when we were young, but it wasn’t true. Our house had an outside toilet which rarely worked and a yard that flooded in the winter. The roof leaked continuously, and the house was always full of damp. Such were the living conditions for thousands of families in the Greater Shankill area. Like many other children born to working-class parents in Belfast at this time, I was a ‘drawer-baby’. Despite what it might sound like, the term doesn’t mean that I was an art prodigy, it just meant that I slept in the only cot that was available – the bottom drawer of the dressing table.

My parents had only moved into 98 Matchett Street two and a half years before I was born. They were hard-working people and well known and well liked in their respective circles. My father, who I am named after, was a bookie’s clerk. He was also a prolific and skilful gambler, affectionately known as ‘Big Hutchie’. In 1955 gambling wasn’t the mainstream pursuit that it is now, and my father had to move from bookie to bookie across Belfast to set up games. He was ‘well-got’ in both the Protestant and Catholic working-class areas of the city and would spend a lot of time with friends in Clonard, off the Falls Road. Indeed, my father often took me to Dunville Park on the Falls Road to play and to the cinema at Clonard to watch the latest films. I remember spending a lot of time on the Falls rather than the Shankill as a small boy. During these sojourns he would often bring me to his friend’s house at the Falls end of Cupar Street for a visit. I remember the family had a holy water font in their hallway and religious statues and pictures of figures such as the Virgin Mary in their living room. I had never seen these on the Shankill, and it was seemed very mysterious. As a child these pictures and statues were quite frightening to me if I am honest. Fear often came from a point of ignorance, but it was infectious and thrilling. One of the games that we would play as young lads was running up and down the steps of the Holy Cross Catholic church at Ardoyne. The whole idea was that if you were caught by the priest, people said you would be put in cells in the catacombs below the church and driven off to the south of Ireland. Absolute rubbish of course, but we didn’t know that at the time. The fear of ‘Rome Rule’ and the ‘priest-ridden’ Republic of Ireland was enough to frighten even those on the Shankill who didn’t subscribe to evangelical Protestantism. Although I was never taught bigotry at home, it was obvious to me that there were invisible and often unspoken-of barricades that separated people on the Shankill and the Falls roads. A few years later these would become real physical barricades, erected to try and stop people from killing each other.

My mother, known to most people as Lily, had been married previously. I had a brother, George, and a sister, Elinor.

I often think I was the product of a mixed marriage. My parents were both Protestants, but their political views were quite different. My dad was a socialist and had friends in the Catholic community through his work, while my mother was a strong unionist who believed we were in the heart of the British Empire. Her maiden name was Grant, and her father William was one of hundreds of thousands of men who had signed the Solemn League and Covenant on Ulster Day, 28 September 1912. Like those hundreds of thousands of others, he was adamantly opposed to Home Rule. Nevertheless, politics did not rule my mother’s life. For her, like many others, it was just a part of who she was. Sadly, however, those deeply ingrained fears of Ireland being a ‘priest-ridden’ state meant that she blocked my early ambition to travel South to train to be a jockey. My father was all for it, but fear of the unknown ruled my mother. Despite this, she was better known for being the life and soul of the party who enjoyed singing and laughing. She was also confident in speaking her own mind. She was a cleaner and worked for several Jewish families who lived in the big houses up the Antrim Road. She toiled hard for her employers, who thought fondly of her, and she took on extra work at night in a local bar. In between these shifts she would come home and attend to her children and husband.

I remember the first day I went to Glenwood Primary as a 4-year-old in 1960. I knew the building, as I’d been past it before, but nothing prepared me for the inside. It reminded me of a big treasure chest, and to my young eyes the corridors and windows seemed to sparkle in the sun. In the first years at primary school, my mother met me at the gate every day after classes had finished and took me across the road to the library. Shankill library appeared imposing to me as a child, with its tall white pillars standing on either side of a large door that had to be approached by walking up four steps. Mother was a great reader and she would set me down in front of the children’s books in the library. She always said that it didn’t matter what was in the book, it just mattered that you read; that reading broadened your horizons and worldview. Years later, when I was in Long Kesh, this advice would become extremely relevant. Often you found yourself reading something to pass the time, but it meant that you were keeping your brain occupied and absorbing information. I kept up the visits to the library until I was about 14, before things changed dramatically in Northern Ireland.

My granny lived in the Hammer district of the Lower Shankill. I would often go and visit her before she died in 1966, and on many of those visits I would accompany her to Downing Street. I would help her by carrying big heavy bags of straw or hay from her house, and at Downing Street there was a gateway where we would go and get clean hay and straw in exchange for the old bags. You might wonder why I was helping my granny shift big bags of hay around Belfast in the 1960s – it was to fill the mattress in her bedroom. She would stuff the mattress with this fresh hay and sew it up with a big darning needle. We didn’t have a bath in our house either. There was a tin bath which hung on a nail in the back yard; if I wanted to wash myself, it had to be brought into the house and filled with water heated in a pot on the stove. On Fridays I would go down to the bathing cubicles in Malvern Street with everyone else to get a proper wash. We were poor, and so was everybody else in the Shankill area. I remember an old lady, probably about my granny’s age, who lived near us on Matchett Street. Every now and then she would have asked me to go and get her stuff from the local shops, as she was unable to get out herself. I vividly recall her, sitting in her house with a shawl around her with gas mantles on the walls. The house had no electricity. This was in the mid-1960s, when Prime Minister Terence O’Neill was making big noises about new industries investing in Northern Ireland and the whole idea of ‘go-ahead Ulster’. I could see first-hand that not everybody was able to share in the economic dividend that O’Neill was promising.

When I think of that old lady and others like her, I am always reminded of William Conor. Conor was a local artist who was born in Fortingale Street in 1881 in the Old Lodge area behind Crumlin Road courthouse. He captured the ‘shawlies’, mill girls and cloth-cap wearing shipyard men in his sympathetic portraits of working-class life in Belfast. It was Gusty Spence who introduced me and others to his work when we were in Compound 21 of Long Kesh. Gusty’s notion of cultural expression in art was rooted in the inspiration he had drawn from Conor’s paintings. Consequently, he had murals painted on the cubicle walls inside the huts in each of the UVF/RHC compounds as a matter of pride in our heritage, not just for decoration. The murals were designed to represent our past, present and future. Many depicted the reality of life within the loyalist community: the poverty; the smudge-faced labourers in their cloth caps, who trudged home from the factories; a pawn shop on the Old Lodge Road. An article published in 1925, in London’s The Studio magazine, stated that

Conor is a painter of genius and … he is a painter of Belfast. There are notes in his work which suggest he could not have painted anywhere else. If a modern manufacturing town could have folk songs and if those folk songs could be translated into pictures, or if the feelings which inspired them could be pictorially represented, they would take the form of the art of William Conor.

In September 2015 I was absolutely delighted to speak at the unveiling of Conor’s Corner at the top of Northumberland Street on the Shankill. It is a lasting tribute from the people of the Shankill to one of their own. I was joined on the day by the renowned local journalist and art lover Eamonn Mallie, who spoke fondly of Conor’s work.

Despite the poverty that was depicted by Conor in some of his paintings, people in the Shankill were proud of where they came from. We didn’t know any different and our pride was often underpinned by the military service history of the area. One of my neighbours and friends was Robert McQuitty. Robert and I spent many hours on the street playing football. Ball games weren’t allowed on the streets, and in the days before the Troubles the police must have had very little to do because the minute that they saw you kicking a ball they would be on top of you. So, every time we saw a ‘peeler’ we would pick the ball up and run as fast as we could. We called one of the policemen ‘the Durango Kid’ because on his motorcycle, chasing us up and down the narrow alleyways, he reminded us of the antihero on horseback from the popular Western films starring Charles Starrett.

The McQuitty family fascinated me. Robert’s father was an ex-soldier who had served all across the world with the Signal Corps. Each of the children had been born in outposts across the globe such as Cyprus, Singapore and Malta. These were all places that I knew from the map in our geography class in school and which seemed exotic and exciting from the less-than-glamorous vantage point of the backstreets of Belfast. I heard all about British military campaigns in far-flung places such as Aden and Korea. Veterans of these campaigns and others, like Mr McQuitty, lived throughout the Shankill. The Empire and the Shankill’s contribution to it was something that people such as my mother were fiercely proud of. While my father might have had a more cynical perspective of the whole thing, he would have been very much in the minority. Military service was something to be proud of – it elevated men in the Shankill to folk-hero status and became woven into the complex tapestry of Britishness, loyalism and unionism that made up our community’s DNA.

Gusty Spence would become a huge part of my life later in the early 1970s. As a member of the Royal Ulster Rifles, he was stationed in Cyprus from 1957 and fought for the British against the EOKA guerrillas led by Georgios Grivas. While proud of his military service, Gusty was, like many of his comrades, disillusioned by what he came home to. It became obvious to him and other men on ‘Civvy Street’ that the rich and powerful in the ruling class had used them and others in previous generations as cannon fodder for their empire-building pursuits. While the National Health Service was an outstanding legacy for those men who had fought in the Second World War, there was little else of material benefit for people like Gusty who returned back to slums in cities such as Belfast, London, Cardiff, Liverpool, Sheffield, Manchester, Nottingham, Glasgow and Leeds. Gusty always told this story about being in a betting shop on the Shankill in the early 1960s after he had left the army due to ill health. There were two fellas standing near him and they were loudly arguing over ‘who owned Australia’, so one of them turned to Gusty and said, ‘Gusty, you’re an educated man – you’ve been around the world … tell him, don’t we own Australia?’ To which Gusty replied, ‘Of course we own Australia, but you haven’t the arse in your trousers!’

When the Empire declined in the 1960s, our sense of ‘Empire Britishness’ all but died out with it. People on the Shankill could no longer comfort themselves with the perception that they were at the centre of a much bigger project. Looking back, the 1960s should have been a turning point for working-class Protestants in Northern Ireland. With the collapse of the British Empire and demands for civil rights emerging from the Catholic community, it was obvious that changes were afoot. Instead of being resistant to this zeitgeist, people in the Shankill and other Protestant areas should have demanded better from those unionists who took their seats in Stormont. We were portrayed as the Protestant ascendancy, but that was a falsehood. It was the landowners and factory owners who were the ascendancy. We were merely the people who made them rich and kept them in furs and diamonds.

Although the electorate in the Greater Shankill did vote for independents and Northern Ireland Labour Party (NILP) candidates, they were broadly nervous about protesting against the government too much. To do this would have played into the hands of republicans, or at least that is what people were told. We were kept in our place, but we were no better off than people on the Falls Road. Billy Mitchell, a future Ulster Volunteer Force (UVF) comrade and Progressive Unionist Party (PUP) colleague of mine, was always quoting my dad on this issue: ‘Hutchie’s da was right. We may have got a slum quicker than a Catholic, but it was still a slum.’

Although the Empire was in decline, the people of the Shankill still retained a Britishness that was rooted in a sense of belonging to the wider British working class and its struggles. This common working-class identity was forged in the struggles of Belfast’s industrial working class, which linked them to workers on the Clyde and in Liverpool’s docks as well as the other great industrial centres of Britain, rather than to the mainly agricultural south of Ireland. Like many other men of his generation, my uncle Billy Grant had to travel to England for work when there was none available in Belfast. The working-class political consciousness that existed on the Shankill had a stronger East–West dimension than a North–South one.

As a child, however, such things didn’t really bother me because I didn’t know any different. We were poor, and that was it. For most of the 1960s I was more interested in boyish pursuits. The Shankill was the centre of my world, and for young boys like me it was a playground as well as a home. I was always playing sports in Woodvale Park with my friends. Football, cricket, pitch and putt. Like many other boys my age, I became fanatical about football more than any other sport. The local team was Linfield – ‘the Blues’ – and I supported them passionately, being brought up in the Linfield tradition. They were and still are followed largely by people from the unionist and loyalist community, but they are one of the most successful club sides in world football. In the years shortly after I was born, from 1957 to 1960, the legendary former Newcastle United centre forward Jackie Milburn played for the Blues, scoring 68 goals in 54 appearances. His shot was so hard that Gusty’s nephew Edward, who was a young ball boy at Windsor Park at the time, later told me that he was knocked out by a wayward Milburn strike that hit him square in the chest. The statistics don’t lie however, and Milburn found the back of net more times than he struck an unfortunate ball boy.

My mother was from a Linfield-obsessed family and she was forever singing all the songs, most memorably ‘Head, heel or toe … slip it to Joe’, in tribute to Joe Bambrick, the legendary centre forward who had scored 286 goals in 183 appearances for the club between 1927 and 1935, when she was a young girl. My uncle Billy and my maternal granda ran the Hammer Linfield supporters’ club, and it was Billy and my aunt Isobel who started taking me to Windsor Park in the 1961/62 season. Though I have absolutely no memories of it, I was later told that my first game was Linfield versus Distillery. It was a glorious first season of watching the Blues that I was treated to: 1961/62 has quite rightly gone down in club lore as the most successful and exciting season in its history. Linfield won seven trophies, something they had done once before, forty years previously, but never again since. My aunt and uncle used to say that I must have been a lucky charm that first season. Bluemen of my generation still talk excitedly like the schoolboys we were about that magical season. To top it off, one of the players, Isaac Andrews, lived near us, and when he made his way up the street every day, my friends and I would run after him, saluting and cheering the hero in our midst. When we kicked the ball to him, he would playfully kick it back.

I started going to away games as well. The supporters’ bus would pick us up in the Hammer. It was one of those old Northern Ireland Transport buses and was, ironically, coloured green. Imagine, a load of hardcore Linfield supporters travelling on a green bus! One early trip to Coleraine stands out. It took absolutely ages to get there, and the bus felt all jittery like one of those old charabancs. Despite this, I loved it and enjoyed watching the older lads in their twenties sitting around playing cards. I didn’t feel out of place in their company.

For a good part of the 1960s Linfield supporters from the Shankill could safely walk across to the Falls Road, down the side of the Royal Victoria Hospital crossing the Grosvenor Road into Roden Street past Kelvin School, and then across the Donegall Road into Donegall Avenue past the railway bridge and into Windsor Park while wearing our red, white and blue scarves and rosettes. That’s the route Uncle Billy, Aunt Isobel and I took when we were walking to home games. As the decade wore on and people became more polarised, this would become impossible.

Linfield were my local team, but I also became passionate about Leeds United. In Belfast it seemed like everyone had an English team such as Liverpool or Manchester United, while many people supported Rangers or Celtic in Scotland. For me, Don Revie’s side were just the best. When I started supporting Leeds, they were still in the old Second Division, so I could hardly be accused of being a glory-hunter when they had their golden years shortly after I became a fan. People often ask me why I support Leeds and not Liverpool, Arsenal or Manchester United. My mother gave perhaps the best response to that question. When she was up at Long Kesh once for a visit, someone asked her, ‘What’s your Billy at? He supports Leeds and thinks Chris Tavaré is the best opener for England even though it takes him four hours to score fifteen runs! Is he just an awkw...

Table of contents

• Cover
• Half Title
• Title Page
• Copyright
• Contents
• List of Abbreviations
• Preface – Gareth Mulvenna
• Introduction – Billy Hutchinson
• 1. Shankill Born
• 2. The Wind of Change
• 3. A Dreadful and Bloody Period
• 4. Youth Battalion
• 5. Eating, Sleeping and Breathing the UVF
• 6. The End of the Beginning
• 7. In the Compounds
• 8. Release and Regeneration
• 9. Ceasefire, Negotiations and Challenges
• 10. Agreement
• 11. Post-Agreement Problems
• 12. A Huge Task Ahead
• Epilogue
• Appendices
• Plates