Chapter One:
How Did We Get Here?
(Drew)
Content. When did that become a thing? Stephen and I have both been in the business for more than 25 years, and back when we started our careers, no one was talking about content. But that doesnât mean we werenât creating it.
The industry has evolved a great deal since the first agency over-serviced their client in about 1800 (given the chaos of advertising in the early days, no one has been able to pinpoint precisely when it became a paid profession). One thing has been a constantâsince day one, weâve helped our clients capture and tell their stories in a way that makes an impact.
Back in the golden days of advertising, agencies were boldly creating content that makes what most agencies do today look rather elementary. In many ways, this new era of what agencies can and should be bringing to their clients (and doing for their own agencies) is taking our industry back to its roots.
Letâs look at the trajectory of advertising since the Mad Men days. Back then, agencies gave away everything they created in exchange for media commissions. Thatâs how they made their money. Remember, the landscape looked very different. Today, the vast majority of agencies are privately owned, independent, local, and regional, but a century ago, the world of advertising was comprised of large corporate agencies primarily based in New York, L.A., or London. Although they werenât being paid directly for the strategy or creative they produced, those agencies were creating content. Big, bold, culture-changing content. Often, they were also creating an audience from scratch because they needed placement opportunities for their clients.
In some ways, the freedom of not having to worry about how much a tactic would cost or how much time it would take created bigger thinking and fewer boundaries.
Benton & Bowles was an agency based in New York that was launched in 1929 by William Benton and Chester Bowles. They actually invented the radio soap opera so they could create sponsorships and ad placements for their clients who wanted to target homemakers with their message. By 1936, they were responsible for three of the four most popular radio shows on the air, including As the World Turns. When television arrived, Benton & Bowles replicated their radio success and launched a TV version of this, their most popular show, in 1956 for their client Proctor & Gamble. P&G sponsored or advertised on that show until it was canceled in 2010. Somewhere along the way, the network bought the show from Benton & Bowles, but they negotiated P&Gâs exclusivity as part of the deal.
Even back then, agencies understood that no one sought out advertising. But if you gave them something they valued, theyâd gladly accept the advertising as part of the package. This concept of storytelling was part of the agencyâs DNA, and many of the agency alumni went on to build on that foundation. Shepherd Mead started at B&B as a mail room clerk and worked his way up to Vice President of the company. On his weekends, he wrote the book How to Succeed in Business Without Really Trying, which would later be turned into a Broadway hit. Dick Wolf, the creator of the Law and Order television series, also got his start at Benton & Bowles.
When we talk about memorable ad campaigns, most of them came from this era. They were filled with memorable characters (the Marlboro Man, Mr. Whipple, and the Jolly Green Giant) and earworm jingles (Wrigleyâs Doublemint gum, Kelloggâs Rice Krispies, and Chevrolet General Motors), and they used these elements to get the audience to connect with the stories and products they were pitching.
Somehow, that sense of storytelling with just a smattering of advertising got watered down between the mid-80s and the early 90s. By then, agencies were no longer surviving on commissions alone. We were being paid piecemeal, like a retail store. This was the start of the laundry list of deliverables tied to agency hours. Clients were beginning to pay for creative execution, markups, and in sporadic cases, strategy.
For most agency owners working today, this is when we got our start. Itâs the model we grew up on, but itâs also the model that began to commoditize what we do. It moved us from dealing with business owners and CEOs and put us on the slippery slope toward procurement and the considerations of agencies as vendors as opposed to business advisors or partners.
On the public relations side of things, it was a little different. Back in the 20th century, PR was really about pitching stories to the media. There was always an element of crisis communication in the mix and some event creation and management, but all in all, it was primarily about influencing the stories that other people told about their clients.
We crossed into the 21st century, and the Internet became more accessible and more commercialized. We began building rudimentary websites along with our traditional creative. Most agencies are still giving away their ideas to get clients to sign off on the list of deliverables, but itâs getting a little tougher to make money on media commissions and markups. At this stage, agencies have become doers rather than strategic thinkers, but because we had the skills, software, and media connections, we were still able to charge a premium for our services.
PR agencies continued to tell and shape their clientsâ stories, but now they didnât have to rely on others alone. They had the first digital version of owned media.
Very few clients had the appetite to invest in developers at the dawn of the Internet age. It was way beyond their comprehension, so agencies enjoyed a very profitable window of time because we knew something the client didnât know and didnât want to learn.
Our world changed when being findable online became a thing. Suddenly the brochureware websites weâd been creating werenât the sum total of what was possible when it came to creating a digital presence. Google, Yahoo, and other early search engines started to hold us accountable for the words on those websites and their relevance to audiencesâ queries.
One of the most beautiful benefits of the digital emergence is that agencies suddenly found it a little easier to sell ideas and strategies. The channels were so new that clients depended on their agencies to help them figure out how best to use them. We brought value to every conversation, and we were educating our clients in every meeting. Thatâs a dominant position to be in, as we will discuss throughout this book. Being the teacher who is not only smart, but also willing to share those smarts, is a hard-to-beat strategic position.
This shift also re-ignited the idea of creating content, but in this iteration, content that was helpful and search-engine-optimization (SEO) friendly. At first, we started SEO practices just to please the Google Gods and land our clients on page one, but we quickly discovered that consistent content creation encouraged community growth, referrals, and connections that eventually rang the proverbial cash register.
Google Adwords, the emergence of social media, and digital ads added a complexity to agency work that kept advertisers flush. We were able to merchandise the need to have a digital presence and help clients dip their toes in that water. This was also the time when the phrase âcontent marketingâ was coined by Content Marketing Instituteâs founder, Joe Pulizzi. The work being done was still pretty basic, but clients and agencies discovered the power of the overall strategy, and suddenly everyone was talking about it, recommending it, and selling it.
And then the recession hit. It was brutal, beating up agencies in a variety of ways. Budgets were slashed, and many agencies were deeply discounting their work just to survive. As clients cut back their budgets and by necessity took some of that work in-house, they got more comfortable developing marketing strategies theyâd previously been paying agencies to do.
As the recession ended, the agencies that survived found that the landscape had dramatically changed yet again. The world had become more comfortable with all things digital. The mystique of the Internet had faded, and it was more mainstream, which meant agencies had a tougher time charging a premium for some deliverables.
On top of that, clients had been bootstrapping during the recession and had come out of the recession believing that it was possible to bring some of the work in-house or hire individual freelancers to develop some of the deliverables that theyâd previously been paying agencies to do. Even more challenging, the Internet had created a DIY smĂśrgĂĽsbord of tools. Clients could upload and distribute their own media releases, hire a graphic designer, or create a basic website, infographic, or social media post.
Suddenly, the type of work weâd built our agencies on had been commoditized. Even if we earned the opportunity to do the work, weâd trained the clients during the recession that we would work for a marginalized price. Once you lower your prices, itâs pretty tough to raise them again, even when the economy bounces back. Our world was picking up the pace, and there was always some ânew thingâ emerging, whether it was mobile, ads on Instagram, or Tik Tok. We could temporarily charge a premium for a period of time, but as the latest new thing became more the norm, our ability to be the only expert in the room quickly faded.
Thatâs the loop weâre in now as agencies. If our future is tied to only making stuff, weâre going to be on a perpetual roller coaster financially. Thatâs always been a facet of agency life, but now the dips are going to come faster and run deeper until the next new thing emerges. Then weâll enjoy the temporary spike before the next stomach-flipping drop.
It also completely reduces our agencies to vendor status. We wonât be invited to the C-suite table, and we wonât get to compete based on our smarts. Instead, weâll be forced to compete on speed and price.
Weâve got to figure out a way to get paid for something more than making stuff. We were on that path before the recession, and now, the urgency is greater than ever. We donât want to be mere monkeys in the back of the room, banging out deliverables for pennies. Clients are demanding returns-on-investment (ROI) for their marketing spend, and without a strong strategy, we all know how that works out.
An even greater threat to our existence is the concept of cranking out content simply because the scope of work calls for five blog posts this month. Churning out generic content influenced Google 20 years ago. Today, thereâs simply too much out there. If we canât use content strategy to truly differentiate, then what we produce just becomes unproductive noise. And if itâs yet another list post or some other fluff piece, the client can go to one of the many online writer factories and buy the same thing for a fraction of our cost.
This is the state of our world today, and this reality is as true for our agencies as it is for our clients. We, too, have to be findable, and once weâre found, be easy to distinguish from the other agencies out there. Generic content isnât going to get us there.
We know that on the surface, it looks like weâre painting a gloomy picture, so it might surprise you to hear that weâre super psyched that this is the fork in the road. The opportunity for agencies is enormousâif we step into it.
We are entering the era of the authority. While you may already be sick of the phrase âthought leader,â the truth is there arenât that many of them in our industry. Thought leaders donât write content that any other agency could claim. Thought leaders donât write about anything and everything, and thought leaders donât compete on price.
And their time is now.
For the last two decades, the global PR agency Edelman has conducted research that examines who and what consumers trust and how that trust influences their buying behaviors. They recently released the 2019 Trust Barometer, and the results are incredibly telling about whom consumers trust today and whom we see as a credible authority. This is a worldwide study with 33,000 consumers from 27 countries participating.
One of the biggest takeaways from this yearâs study is that consumers assign a high level of trust to people they believe are âjust like me.â When you think about the influence that ratings, reviews, and influencers have with their audiences, you begin to see the power of that belief.
But this research isnât about the celebrity influencer. This study is documenting the rise of the common man influencer. Itâs noteworthy because it gives statistical validity to the idea of âreal peopleâ as influencers and the impact they can have on behalf of a brand.
The research asked participants to rank what attributes made an influencer believable and trustworthy. The relatability of the influencer was nearly twice as important as the influencerâs popularity. In other words, when consumers could see themselves in an influencer, they were far more likely to follow and trust that influencer. Itâs not about having millions of followers; itâs about being someone you can relate to and connect with. For this very reason, if youâre an agency, and youâve been avoiding putting together a content strategy where you share your depth of expertise in your niche with the world, you need to re-think that decision.
Want to know what made an influencer even more compelling to the research participants than relatability? The one attribute that ranked higher than the trust we have in âpeople like meâ is the trust we have in highly educated experts. The only three groups of people we trust more than people like ourselves are company, industry, and academic experts.
I want to make sure you saw that sentence: the only people we trust more than ourselves are experts. Experts are afforded the highest level of confidence and trust because they have a depth of knowledge in a specific industry or niche. So why in the world wouldnât we capitalize on that, as opposed to writing generic marketing tip posts that look like every other agencyâs content?
Agencies canât fake it anymore. We are at the end of the era when it was acceptable for agencies to promise effective content and produce something generic. If we canât do it for ourselves through a method we can monetize, and we canât do it in a way that uniquely defines us, we arenât going to be able to credibly sell our content for much longer.
Why would a client hire us to do what we canât do for ourselves? Theyâll either hire someone else or take the job in-house. We canât be generic, or weâre going to get lost in the noise.
Beyond that, weâre leaving money on the table. We can be influencers ourselves. We can earn the trust of our prospects so that we shorten the sales cycle and actually attract the best client candidates right to our door!
Hereâs the upside of where we are today. Weâre all in this together. Very few agencies have propelled themselves out of this perpetual loop, so thereâs time for you to choose a different path for your agency and your clients. You can be one of the early adopters if youâre ready to boldly step out.
Weâre at the cusp of a huge shift, and if you take full advantage now, youâre going to be tough to catch. You could be a Benton & Bowles-like trendsetter, which will put you back into the C-Suite and give you double-digit profitability. You can own an authority position that will future-proof your agency.
Are you ready to be part of this next generation of breakout agencies?
Chapter Two: Three Essentials to
Becoming an Authority
(Drew)
If you were asked to think of an authority on any subject, who would come to mind? What about them designates them as an authority? Whatâs true about them? And what does someone have to do to earn and keep the title of authority?
⢠They have a focus area or subject-matter expertise.
⢠They donât just repeat what everyone else is saying.
⢠They have a public presence where they share their expertise.
⢠They donât stray from their area of expertiseâthink specialist versus generalist.
⢠They arenât equally attractive to everyone. In fact, they probably bore most people to tears.
⢠Theyâre significantâwhich is different from prolificâin terms of content creation.
⢠They donât create any generic content that someone with far less knowledge or experience could have just as easily written.
⢠Theyâre perceived as an educator in some way.
⢠They have a passion for their subject matter.
⢠They have a strong point of view, which is the foundation of all of their content.
A true authority has something specific to teach us, and they want to be helpful or illuminating. Theyâre eager to share what they know because they have a genuine passion for it, and they donât fear giving away the recipe to their secret sauce (or so itâs perceived). That confidence and generosity is contagious. Their expertise is something specific groups of people (their sweet-spot prospects) are hungry to access. Call them an expert, a thought leader, an authority, a sought-after pundit, advisor, or specialist. Theyâre all words for the same thingâa trusted resource who has earned that trust by demonstrating and generously sharing the depth of their specialized knowledge over and over again.
One way to recognize an authority is the ability to define them in a single sentence, like Simon Sinek. Heâs âthe why guy.â BrenĂŠ Brown is âthe dare-to-be-vulnerable woman.â Theyâve so narrowly and so carefully defined their expertise that we can capture it with a word or phrase. Does Simon Sinek talk about other thi...