The History of French Literature on Film
eBook - PDF

The History of French Literature on Film

  1. 328 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

The History of French Literature on Film

Book details
Table of contents
Citations

About This Book

French novels, plays, poems and short stories, however temporally or culturally distant from us, continue to be incarnated and reincarnated on cinema screens across the world. From the silent films of Georges Méliès to the Hollywood production of Gustave Flaubert's Madame Bovary directed by Sophie Barthes, The History of French Literature on Film explores the key films, directors, and movements that have shaped the adaptation of works by French authors since the end of the 19th century. Across six chapters, Griffiths and Watts examine the factors that have driven this vibrant adaptive industry, as filmmakers have turned to literature in search of commercial profits, cultural legitimacy, and stories rich in dramatic potential. The volume also explains how the work of theorists from a variety of disciplines (literary theory, translation theory, adaptation theory), can help to deepen both our understanding and our appreciation of literary adaptation as a creative practice. Finally, this volume seeks to make clear that adaptation is never a simple transcription of an earlier literary work. It is always simultaneously an adaptation of the society and era for which it is created. Adaptations of French literature are thus not only valuable artistic artefacts in their own right, so too are they important historical documents which testify to the values and tastes of their own time.

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Yes, you can access The History of French Literature on Film by Kate Griffiths, Andrew Watts in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film History & Criticism. We have over one million books available in our catalogue for you to explore.

Information

Year
2020
ISBN
9781501311819

Table of contents

  1. Cover
  2. Half Title
  3. Series
  4. Title
  5. Copyright Page
  6. Contents
  7. Figures
  8. Acknowledgements
  9. Introduction
  10. 1 The currency of adaptation: Art and money in silent cinema (1899–1929) (Andrew Watts)
  11. 2 Who is adaptation? Interpersonal transactions in film (1927–39) (Kate Griffiths)
  12. 3 Politics, propaganda and the censored screen: Adapting French literature during the German Occupation (1940–44) (Andrew W
  13. 4 The formative function of the dominant film poetics: The impact of film movement, moment and genre (1945–70) ( Kate Griffit
  14. 5 The history of adaptation/adaptation and history (1970–2004) (Kate Griffiths)
  15. 6 Textual migration and adaptive diaspora: French literature adaptations beyond France (1996–2016) (Andrew Watts)
  16. Conclusion (Andrew Watts)
  17. Bibliography
  18. Index