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About This Book
"In the two centuries since Mozart's La clemenza di Tito was first performed, and the almost three centuries since Metastasio created the libretto, many rumours, myths and prejudiced opinions have gathered around the work, creating a narrative that Mozart, MazzolĂ and their contemporaries would scarcely recognise. The essays in this book contribute ideas, facts and images that will draw the twenty-first-century reader closer to the events of Central Europe in the late eighteenth century, and these new facts and ideas will help peel off some of the transmitted accretions that may hinder a modern listener from enjoying and understanding the opera in all its fullness. In this sense the essays present the reappraisal promised in the title. The book is a product of the Performing Premodernity research project, funded by the Swedish Foundation for Humanities and Social Sciences and based at the department of theatre studies of Stockholm University. Envisioned and edited by Magnus Tessing Schneider and Ruth Tatlow, the five essays by internationally renowned Mozart scholars are preceded by a chronology and a selection of original documents presented in new and revised parallel translations."
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Table of contents
- Cover
- Title page
- Copyright
- Series page
- Contents
- Images
- Preface
- 1. La clemenza di Tito: Chronology and Documents
- 2. Operatic Culture at the Court of Leopold II and Mozartâs La clemenza di Tito
- 3. From Metastasio to MazzolĂ : Clemency and Pity in La clemenza di Tito
- 4. Titoâs Burden
- 5. Mozart as Epideictic Rhetorician: The Representation of Vice and Virtue in La clemenza di Tito
- 6. Stage Directions and Set Design in Mozartâs La clemenza di Tito
- Bibliography
- Index