This volume charts a new frontier of applied ethnomusicology by highlighting the role of music in both inciting and resolving a spectrum of social and political conflicts in the contemporary world. Examining the materials and practices of music-making, contributors detail how music and performance are deployed to critique power structures and to nurture cultural awareness among communities in conflict. The essays here range from musicological studies to ethnographic analyses to accounts of practical interventions that could serve as models for conflict resolution. Music and Conflict reveals how musical texts are manipulated by opposing groups to promote conflict and how music can be utilized to advance conflict resolution. Speaking to the cultural implications of globalization and pointing out how music can promote a shared musical heritage across borders, the essays discuss the music of Albania, Azerbaijan, Brazil, Egypt, Germany, Indonesia, Iran, Ireland, North and South Korea, Uganda, the United States, and the former Yugoslavia. The volume also includes dozens of illustrations, including photos, maps, and musical scores. Contributors are Samuel Araujo, William Beeman, Stephen Blum, Salwa El-Shawan Castelo-Branco, David Cooper, Keith Howard, Inna Naroditskaya, John Morgan O'Connell, Svanibor Pettan, Anne K. Rasmussen, Adelaida Reyes, Anthony Seeger, Jane C. Sugarman, and Britta Sweers.

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Yes, you can access Music and Conflict by John Morgan O'Connell, Salwa El-Shawan Castelo-Branco, John Morgan O'Connell,Salwa El-Shawan Castelo-Branco in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music. We have over one million books available in our catalogue for you to explore.

Information

Publisher

University of Illinois Press

Year

2010

ISBN

9780252090257

Topic

Media & Performing Arts

Subtopic

Music

Cover
Title
Copyright
Contents
Preface
Introduction: An Ethnomusicological Approach to Music and Conflict
Part 1: Music In War
Part 2: Music Across Boundaries
Part 3: Music After Displacement
Part 4: Music And Ideology
Part 5: Music In Application
Part 6: Music As Conflict
Epilogue: Ethnomusicologists as Advocates
References
Contributors
Index