The Woman Who Lost Her Soul

Bob Shacochis

• Publisher: Atlantic Monthly Press
• Year: 2013
• ISBN:
  9780802193094
• Topic: Literature
• Subtopic: Literature General
• Index: Literature

Pulitzer Prize finalist: "A soaring literary epic about the forces that have driven us to the 9/11 age... relentlessly captivating" (Ron Charles, The Washington Post ). When humanitarian lawyer Tom Harrington travels to Haiti to investigate the murder of a beautiful photojournalist, he is confronted with a dangerous landscape riddled with poverty, corruption, and voodoo. It's the late 1990s, a time of brutal guerrilla warfare and civilian kidnappings. The journalist, whom he knew years before as Jackie Scott, had a bigger investment in Haiti than it seemed. To make sense of her death, Tom must plunge back into his complicated ties to Jackie—and her mysterious past. Shacochis traces Jackie's shadowy family history from the outlaw terrain of World War II Dubrovnik to 1980s Istanbul. Caught between her first love and her domineering father—an elite Cold War spy pressuring her to follow in his footsteps—seventeen-year-old Jackie hatches a desperate escape plan. But getting out also puts her on the path that turns her into the soulless woman Tom fears as much as desires. Set over fifty years and in four war-torn countries, The Woman Who Lost Her Soul is National Book Award winner Bob Shacochis's masterpiece and a magnum opus. It brings to life an intricate portrait of catastrophic events that led up to the war on terror and the America we are today.

CHAPTER ONE

He had been home a month, after a month’s assignment in the Balkans, and had just begun to reestablish himself in the routines of daily life as husband and father, enjoying the pleasant drudgery of the supermarket, cooking meals for his wife and daughter, exercising the dog at dawn on the beach, afterward the newspaper with coffee in the morning, a novel with cognac at night, videos on the weekend, all of them in the same bed, the dog wedged between like a flatulent pillow, a suburban middle-class tableau repeated endlessly in his life, and endlessly interrupted by his restlessness—the phone rings and Tom Harrington is gone. He and his wife had constructed a life in South Miami that made sense to everyone else but him, though its comforts were undeniable. In fact, they were precious, and at constant risk of going stale, so he had made them exotic novelties, these pleasures, sucked them to near depletion, then ran off to hunt the nearest white whale, that thing we need to do to keep us from our disappointment or lethargy, to jolt ourselves back to feeling. But always, inevitably, he would trudge home, and give himself over to the icing down.

A month away, a month at home, the whiplashed schedule of a humanitarian yo-yo, a perpetual routine of domestic guess who. Honey? I’m home. Maybe. Hope so. Sorry to have missed the kid’s birthday.

He was sitting on a bench outside the quad of his daughter’s small private school nestled within a grove of banyan trees and palms, a cigarette in his mouth, waiting for classes to end. The school offered no bus service or, rather, discontinued it when over-involved parents made the convenience superfluous, and it was Tom’s duty to relieve his wife of this chore whenever he was in town. That day he was early; usually he was late. Other parents began arriving.

I never see you, someone said, a woman’s voice, behind him, and he swiveled around. This woman lived in the neighborhood but worked in an office downtown for a nationwide private security firm, doing what he could not tell. She was tough and brusque and solid and it was strange to see her in a flowery dress and not in the jeans and motorcycle boots and fringed leather jacket she wore when he would bump into her in the South Beach bars. Her daughter had been the first in seventh grade to wear makeup to class; Tom’s wife and daughter were still warring over lip gloss and eye shadow.

She propped her sunglasses into her streaked hair and squinted. Do you know?—and she named a man, Conrad Dolan.

Doors banged open and the children came in streams of ones and twos into the courtyard. No, he said. Was he supposed to?

Without saying why, she explained she had spoken with him a few days back, up in Tampa where he lived. A journalist had been kidnapped last month in Peru. Dolan was the hostage negotiator brought in on the case.

Harrington’s interest rose. How does one become a hostage negotiator? he asked.

Twenty-one years with the Feds, fluency in Spanish and Portuguese, she said. He was private sector now, retired from the Bureau of Investigation.

One of your guys?

I wish. He works alone.

Tom had never heard of him. He did not personally know many people like this, although they were always there in the background of his world; their days were different than his, more exclusive, circumscribed by their respective loyalties and institutions. Wherever you encountered them, there was less oxygen in the room for the uninitiated. You see them around, you talk with them when you have to. You stay out of their way—they keep you out of their way.

What happened to the journalist?

Dolan got him out.

Their two daughters marched toward them, pretty faces sullen and pinched as if they had spent the day in court litigating their grievances. His at least knew to mumble a greeting before she slipped past to fling her books into the cab of his truck. The other one narrowed her eyes at them and kept walking toward the parking lot and her mother’s car.

What do you suppose that’s about?

Being twelve. Being girls.

Jingling her keys, she said she had to run. The sunglasses fell and locked back over her eyes. So look, she said. Can I give Dolan your number? He wants to talk to you.

Their seemingly idle conversation had taken an unexpected turn—­Harrington’s working days were often spent seeking out authorities or tracking witnesses, knocking on the doors of strangers in search of the texture of lives under pressure or suddenly inflated into crisis, forming ephemeral intimacies with people never quite sure of his identity beyond the fact that he was in their eyes a foreign representative of a monolithic process. Ah, he has come to find me justice. Ah, he has come to challenge my power. Ah, he has come to help. Ah, he has come to ruin me.

Why would he want to talk to me? Tom asked.

The answer was at once familiar and tedious and he thought nothing of it. Dolan loved to follow the news, he had seen Harrington’s work on establishing a Truth Commission in Haiti, he liked to talk. Tom thought to himself, What was there left to talk about? After two hundred years Haiti had remained an infant and still required breast-feeding, but he said, Sure, give him the number, and they separated, each to their spoiled child, for a recitation of the day’s unforgivable crimes of pubescence.

Three days later Dolan telephoned. Before Tom even had a chance to say hello, the person on the line had announced himself—Dolan here—and for a moment Tom paused, unsure of who this was. I sawr what you said about those bastards in Warshington . . . It was a voice, a type of nasal tone and run-on pattern of speech, that he associated with the cinema, the urban repertoire of the eastern United States, make-believe cops and make-believe robbers, Irish heroes and Italian villains, an accent resonant of both ivy and whiskey, upward mobility and the working-class neighborhoods of South Boston. It was not a voice he could listen to without smiling and if his wife had been in the room he would have cupped the mouthpiece and held out the phone and said, Get a load of this. But the abrupt specificity of his questions made Tom tight and serious: Dolan had connected with the right source. Tom was valuable, Tom had the answers. He knew what Conrad Dolan wanted to know.

Say, what can you tell me about the condition of the Route Nationale One between Port-au-Prince and that town up the coast, what is it? Saint-Marc?

In the earliest days of the invasion, weeks before the American military ventured out onto the road they would instantly name the Highway to Hell, Route Nationale One from Port-au-Prince to its terminus on the north shore was a six-hour-long gauntlet of axle-breaking misery, slamming boredom, heat, and fear. The tarmac had been carpet bombed by neglect, its surface so pocked and corroded that only a sharp-edged webbing of the original asphalt remained, so that the highway resembled a hundred-mile strip of Swiss cheese, many of the holes the size of a child’s wading pool. In September of 1994, it was empty except for macoutes and bandits, or impromptu checkpoints that provided the opportunity for extortion to gangs of boys with machetes. Regardless of its disrepair, you drove Route Nationale One at top speed to reach your destination by nightfall, for it wasn’t a good place to be after the sun went down.

What else do you want to know? he asked Dolan.

The section of the road by the big quarry, across from the swamp, what the hell’s the name of it?

Tintayen.

There were stretches of the highway, especially outside of the capital along the coast, where if you focused deep and hard on the game you could rocket up to 120 kilometers per hour for five or ten minutes, slaloming around the hazards, making everybody with you carsick and terrified. Graveyards of wrecks dotted these stretches; pedestrians and livestock were occasionally killed by swerving drivers. About nine months into the occupation, a Haitian company was awarded a contract, funded by foreign aid, to resurface the highway. The requisite embezzlements ensued and a thin scab of rotten asphalt was rolled over the newly graded roadbed. Within a month, though, the pavement had festered and bubbled, the holes began to reappear where they had always been, and if you needed a quick metaphor to sketch the trajectory of American involvement in Haiti, Route Nationale One was there for your consideration.

And this other quarry. There’s supposed to be another one, right?

That’s right. Up the coast, on the water.

Good place to run and hide?

What do you mean?

If you’re in trouble. Trying to get away from somebody.

Not really.

And what about this place on the coast, Moulin Sur Mer? asked Dolan. You ever been there?

Lovely. Clean. Expensive by any standard. Good restaurant. Ruling-class getaway. Well-connected owners. The only reliable R & R between the capital and the north coast. Are you planning a trip? Tom wondered aloud.

This Moulin Sur Mer, Dolan said. Would you say it’s a nice place to vacation, you know, take your wife?

The answer was yes, within a certain twisted context of circumstance and impulse. If you had to be in Haiti, the resort was as good as any place to reinvigorate yourself. A qualified yes, if you were the sort of naive, half-cracked traveler drawn to the edge of the abyss, someone whose rum sours were that much more quenching when consumed at the panoramic center of extreme malice and human suffering. Not to be self-righteous about the attraction; Harrington had always found the sours at Moulin Sur Mer to be memorably tart and bracing when he straggled in off the road like a legionnaire from the desert. And yes, he had even taken his wife there on her brief and unpleasant visit to the island.

What else? Tom asked. What are you looking for?

I have a client, Dolan began, and out came the story.

For the third or fourth time in a year, an American couple, husband and wife, were on holidays in Haiti, booked into the Moulin Sur Mer. That can’t be right, Tom thought. Undoubtedly the man had business in Haiti and for some reason kept inviting his wife along, or she refused to be left behind. Perhaps she was an art collector, or perhaps a nurse, someone with a skill to share, an altruistic streak.

The couple checked out of the resort late on a Saturday afternoon, Dolan continued, put their luggage in the sports utility vehicle they had rented for the week, and began the hour-and-a-half drive to the airport in the capital to board a return flight to Miami and on to Tampa, where they lived. At some point along the road south of the hotel—Conrad Dolan was imprecise about the location although he named the second quarry as a landmark—the man slowed the vehicle to a crawl to maneuver through a series of potholes. By now the sun had set, and although it was dark, very dark, and the road seemed empty, without headlights in either direction, the couple was overtaken from behind by two men on a motorbike who, after blurring past the SUV, swung sharply in front of it, stopped in a blocking position, and hopped off. The husband attempted to steer around them but the shoulder seemed to drop away and somehow he had trouble with the manual transmission and stalled the vehicle. What happened next was unclear, except for the results.

The men had guns. Dolan’s client was pulled from the driver’s seat and pistol-whipped, and although he never lost consciousness he had the sense knocked out of him and scrambled away into the darkness on the opposite side of the road, finally crashing into a boulder and slipping down to hide, bleeding profusely from a wound in his forehead. A gun had been fired several times, he assumed at him, to prevent his escape. When he regained his senses and came out from behind the rock, the SUV and the motorcycle were gone, and at first he couldn’t find his wife but then he stepped on her where she lay on the shoulder of the road, faceup, shot to death.

Disoriented, the man stumbled around until finally a car came up the road from the direction of Port-au-Prince and he flagged it down. As luck would have it, the driver turned out to be a staffer from the American embassy who used his cell phone to dial the local emergency number and the response was unexpectedly quick; before long a pickup truck carrying uniformed officers from the police station in Saint-Marc arrived on the scene. The police spent a few minutes glancing around with flashlights, asked the man some basic questions using the embassy staffer as translator, and then put the body in the bed of the pickup truck and drove off, telling him to wait there because someone else was coming to ask more questions. Some time later, another car arrived from the direction of Port-au-Prince, driven by a detective from the National Police Headquarters.

Conrad Dolan paused in his narrative and Tom took advant...

Table of contents

• Cover
• THE WOMAN WHO LOST HER SOUL
• ALSO BY BOB SHACOCHIS
• Title Page
• Copyright © 2013 by Bob Shacochis
• Dedication
• Epigraph
• THE WOMAN WHO LOST HER SOUL
• Book One
• Chapter 1
• Chapter 2
• Chapter 3
• Chapter 4
• Chapter 5
• Chapter 6
• Chapter 7
• Chapter 8
• Chapter 9
• Chapter 10
• Chapter 11
• Chapter 12
• Chapter 13
• Book Two
• Chapter 14
• Chapter 15
• Chapter 16
• Chapter 17
• Chapter 18
• Book Three
• Chapter 19
• Chapter 20
• Chapter 21
• Chapter 22
• Chapter 23
• Chapter 24
• Chapter 25
• Chapter 26
• Chapter 27
• Chapter 28
• Chapter 29
• Chapter 30
• Chapter 31
• Chapter 32
• Chapter 33
• Chapter 34
• Book Four
• Chapter 35
• Chapter 36
• Chapter 37
• Chapter 38
• Chapter 39
• Chapter 40
• Chapter 41
• Chapter 42
• Chapter 43
• Chapter 44
• Chapter 45
• Chapter 46
• Book Five
• Chapter 47
• Chapter 48
• Chapter 49
• Chapter 50
• Chapter 51
• Chapter 52
• Acknowledgments