- 534 pages
- English
- PDF
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The Venetian Instrumental Concerto During Vivaldis Time
About This Book
It is the first monograph in which the concertos of all composers active in this field in the Republic of Venice in the years 1695â1740 are methodically discussed. The Venetian instrumental concerto from Vivaldi's time is portrayed here through an extensive and thorough survey of the most complete and representative musical material that allowed for the making of conclusions as to its typology, form, style and technique. The concertos discussed here include 974 works by fifteen composers active in Venice, Brescia, Bergamo and Padua. Such an approach not only gives an exhaustive but also a more objective view on the history of the Baroque concerto in its Venetian variant. It shows Vivaldi's work in a new and broad context, which allows us to better understand its unique character.
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Table of contents
- Cover
- Title
- Copyright
- Acknowledgments
- Table of Contents
- Introduction
- The aim and scope of the work
- The subject and timeframe of the work
- Variants, pasticcios and hybrids, transcriptions
- The intention and reception of the Venetian concerto and the centres of its cultivation
- Editorial note
- Chapter I The genre
- Chapter II Forces and texture
- Chapter III Form
- Chapter IV Style
- Conclusion
- Appendices
- Bibliography
- INDEX OF NAMES