PART ONE Lane
The dog rises nimbly from the dust and turns a circle, follows behind as Lane makes his way to the truck, which is parked in the only shade, beneath a tree. Lane stops and turns. He looks at the dog, then back at the store, a squat, white cinder block structure baking in the crossroadsā heat. The battered window shades inside are drawn against the late afternoon sun, and the chipped letters of the TEXACO logo painted on the glass repeat themselves in shadow on the ripped canvas beneath. Lane wonders if the dog is a stray or if it belongs to the people here, to the black-haired woman behind the counter whoād wordlessly taken his money, to the man now coming through the garage door, his shirtsleeves rolled up around grease-stained arms. The womanās husband, Lane would guess; heād seen living quarters through the door behind the counter, smelled stewing meat.
Lane clears his throat. āHe yāallās?ā he calls.
The man spits as he crosses to the pump, where a car is waiting for service, shakes his head no.
Lane tosses the dog a piece of the jerky he bought with the coins Captain Seward allowed him and continues to the truck, a bright red 1941 International Harvester cornbinder. Everything about it seems to Lane round in some way: fat round wheel fenders, round hood, round taillights and headlights, as if the whole thing were surprised. And maybe it would be, if it knew what was inside the sheet-metal trailer mounted to its bed. Lane had seen them load it up back at Angola, the straight-backed wooden chair that would have looked innocuous enough but for the leather straps along the arms and the wooden rail between its two front legs. Heād been confounded by the sight; heād expected some kind of metal contraption with wires and knobs attached. The fact that the chair looks frankly like a chair is troubling to Lane; he finds something deeply sinister in its simplicity.
He opens the truck door and climbs in behind the wheel.
Seward is in the passenger seat, an unlit cigar between his puffy lips. Heās a big, chinless man, with a neck so thick his head seems less to sit upon than grow out of it, like a parakeetās.
Seward glances at Lane across the gear shift. āThought you might have made a run for it,ā he says. The cigar waggles between his lips as he speaks.
Lane looks at the empty fields around them, the intersecting gravel roads that stretch flatly away: east, west, north, south, anywhere. āNowhere to go.ā
Seward gestures at the bag of jerky. āSatisfied?ā
Lane offers Seward a piece of the dried meat in reply.
The fat man pinches the cigar from his mouth and exhales as if heās taken a drag. āToo damn hot to eat,ā he says, but he takes the jerky from Lane anyway, rips a bite off with his side teeth.
It is too hot to eat, a merciless Indian summer, but when theyād stopped so Seward could stretch his bad leg Lane claimed hunger all the same, just as he claimed a need for the facilities when they passed the station before this one. Six years heās been inside, dreamed of things like jerky, M&Mās, porcelain underneath his thighs. Now, a prison trusty, he is out, chauffeur to Seward and his chair, and he wants his jerky while he can have it. Wants to want it; its terms make this taste of freedom bittersweet. āNever too hot for jerky when all youāve ate for years is gruel,ā Lane says, though the piece he takes for himself he only plays with, twisting the hardened meat between his fingers. Finally he tosses it in the direction of the dog, who sits by the truckās open door. āReminds me of the one I had when I was a kid,ā he says.
Seward grunts. āWhen you was a kid. What, you a man now?ā
Lane says nothing. Heās twenty-four years old. He watches the dog eat the jerky, then, from his seat behind the wheel, makes as if to kick the creature. āGit!ā he says, as the dog backs away. āGit!ā He slams the truck door closed, and the captain and trusty again are under way.
Dale
He lowers his eyes; vapors shimmer around his hand as the gas tank fills. The numbers on the pump dial tick slowly upward, and with a click, as he releases the handle, at twenty-five they stop. He replaces the nozzle, twists the gas cap shut.
āQuarter,ā he says, bending through the carās open window. Three glistening faces look back at him: father, mother, and between them on the bench seat, a little girl, country folk in a borrowed or hard-earned car. An infant lies sleeping in a basket in the back.
The driver drops two dimes and a nickel into Daleās waiting hand, as soiled with grease as the manās is with dirt from the field. āReckon thatāll get us far as Houma?ā
āOught to.ā Dale stands. He puts the hand with coins into his pocket and watches the car drive away, into that lingering column of dust. Then he turns, walks across the boiling lot toward the store. The dog has settled in the shade of the water oak where the truck had parked, not their dog but becoming so after two-odd weeks around. Theyāve never been dog people, but Ora says she canāt help feeding him as long as heās here, even as Dale tells her that the fact of her feeding him is why he sticks around.
The bell on the shop door clatters as he pushes inside. Itās as hot inside as out, but at least thereās a fan. Oraās on a stool behind the counter, her black hair damp against the side of her face. She looks up from her magazine, expectant, and Dale realizes he has nothing to offer, nothing to say; he just came in to come in. He runs a hand through his hair, which is stiff with sweat and dust, leans against the cooler. āSmells good,ā he says.
āMmmm.ā
Dale looks at his wife; she returns his gaze with a stony face.
āVenison?ā he asks.
She looks back at her magazine. āPork.ā
āThat hogās gone a long way.ā
āMmm.ā
āYou cool enough?ā He offers, āI can move the fan closer.ā
āIām all right.ā She doesnāt look up.
āChanged the spark plugs on the truck,ā he says. āIām hoping thatāll do the trick.ā
She looks up, her face a question.
āEngine kept misfiring,ā he explains.
She is uninterested, looks back at her magazine.
Dale pats his chest pocket for his cigarettes, and finds heās left his pack in the garage. He scratches his head, staring at his wife as intently as sheās staring at her magazine, her eyes not traveling across the page.
Finally she looks up. āWhat?ā
āWhat you?ā he asks.
She closes her magazine and stands. āMeatās about done,ā she says, and she goes into the back, shuts the door behind her.
Dale rubs his eyes. He pulls himself from the cooler and crosses to the doorway. He stands there in the glass and stares into the distance, where the highway disappears in a quivering mirage.
Ora
She settles on the three wooden steps that lead from the door down into the stationās backyard, where it comes edge to edge with the field. Cicadas buzz like rattlers. She wonders if Dale is still leaning against the cooler inside, staring at the place where she was as if he still might get whatever answer heās looking for from the space sheād filled. She doesnāt let herself wonder where Tobe is. There hasnāt been a letter from Guadalcanal in weeks. She and Dale do not talk about it, as if acknowledging the fact might make its portent real. It is not lost on her how their sonās absence, after all these years, has caused the same sort of rift between them as his arrival into their lives did eighteen years ago. Then, they secretly wished for their old life back, each quietly blaming the other for its loss; now they await the mail and news of the Pacific front in anxious silence.
She glances up at a commotion of bird noise, watches a sparrow chase a hawk across the field. From the other side of the building she can hear a car whizzing past on the highway, and then a minute later she can see it, growing smaller down the road to the east. Sometimes Ora finds it strange to live at a crossroads, where almost everyone she sees is going somewhere, while her life is such that she has nowhere to go. When Tobe was younger and would sit with her behind the counter, before he was old enough to pump or be of use to Dale in the garage, theyād make up stories about the people whoād come into the store: the woman in the hat was going to New Orleans for her birthday; the family with the twin babies was moving out to California; the man with the handkerchief was a fugitive from the law. She doesnāt make up stories anymore; she only wonders.
The boy in the field has come near to the end of the row, shirtless and sweating. Heās maybe nine or ten years old, one of many Negroes who live in tiny tenant shacks on the surrounding land, who conduct their lives as if Dale and Oraās station did not exist. Theyāve got no need for gas and they get their goods from the plantation commissary a couple of miles away. For the twenty years since Dale inherited the station from his uncle and theyād moved up from New Orleans it has been this way. At first Ora thought that surely things would change after they took the station over. She had visions of it as a kind of meeting place, a hangout for both blacks and whites, like the country store in Natchez where she grew up. But Dale didnāt share this vision, still doesnāt, and nothingās changed at all; the āWhites Onlyā sign Daleās uncle hung still hangs on the door. Itās always added to Oraās sense of isolation here to be surrounded by a whole community and yet to be so thoroughly apart. And Tobeās absence has made that sense of isolation even worse.
Impulsively, Ora calls to the boy, Dale be damned. He looks up at the sound of her voice and drops his hands to his sides, one hand empty, the other wrapped around the top of the sack. He waits. Ora kicks off her sandals and walks through the dirt to the edge of the field. He watches her distrustfully.
āYou hungry?ā she asks him.
He doesnāt answer.
āGot some pork on the stove,ā she says. āToo much. Bring you a pail?ā
āNo maāam.ā The boy glances over his shoulder, across the field, where others are picking in the distance.
āNot hungry?ā she asks.
He turns back to her and shrugs, and beneath the dark skin his shoulder blades rise like bird bones.
āHow about some chocolate?ā
The boyās eyes flicker. He doesnāt refuse.
Ora reaches into her pocket for a half-eaten box of Milk Duds. She shakes a few into her palm and looks at the boy: yes?
He sets his bag down and meets Ora at the edge of the field. She drops the candy into his waiting hand; he looks at the small brown balls with guarded interest.
āTaste one.ā
He puts one of the candies into his mouth, and as he chews his face registers surprise. āAināt chocolate,ā he says.
āCaramel inside.ā
The boy swallows. āI aināt never had chocolate like that before.ā
There is a shout from across the field; the boy looks again in that direction. Then he turns back to Ora, looking at her as if for permission, or release.
āGo on,ā she says, and she waves her hand. He puts the rest of the Milk Duds into his pocket, and as she watches him hurry through the dirt clods she is sure that Dale is also watching from the doorway behind her, is sure she feels his disapproving gaze. But when she turns, the doorway is empty, and she is alone.
Dale
The bell sounds above the door, and when Dale looks up he sees that Benny Mayes has arrived for his shift to man the pump by night. The boy is Tobeās age, the youngest of Art Mayesās ten, all of them brought up on land a few miles over that Art still farms at eighty. āJust lettinā you know Iām here,ā Benny says.
Dale nods in greeting, turns the magazine over cover side down. āYouāre early,ā he says. āAināt yet six oāclock.ā
Benny shrugs. āNothinā else to do,ā he says. He approaches with a paper bag, which he hands to Dale across the counter. āMa sent these,ā he says. āFigs. Got a couple of trees busting with āem.ā
Dale takes the bag. āThank her for me,ā he says.
āSheās happy to be rid of āem.ā
āWell, happy to have āem.ā Dale sniffs. āHowās your ma doinā? Aināt seen her lately.ā
āSheās doinā fine.ā
āPa?ā
āHeās all right.ā
Dale clears his throat. āThat nigger working out for him?ā
āSeems to be.ā
āAnd howās his knee?ā
Benny shrugs. āGood enough. Heās driving again, anyway. Driving over to St. Martinville tonight to see them execute that boy. Said he wouldnāt miss that for the farm.ā
Dale scratches his head. āChairāll be inside the jai...