- 300 pages
- English
- PDF
- Available on iOS & Android
Virginia Woolf and the Nineteenth-Century Domestic Novel
About This Book
In Virginia Woolf and the Nineteenth-Century Domestic Novel, Emily Blair explores how nineteenth-century descriptions of femininity saturate both Woolf's fiction and her modernist manifestos. Moving between the Victorian and modernist periods, Blair looks at a range of nineteenth- and early twentieth-century sources, including the literature of conduct and household management, as well as autobiography, essay, poetry, and fiction. She argues for a reevaluation of Woolf's persistent yet vexed fascination with English domesticity and female creativity by juxtaposing the novels of Elizabeth Gaskell and Margaret Oliphant, two popular Victorian novelists, against Woolf's own novels and essays. Blair then traces unacknowledged lines of influence and complex interpretations that Woolf attempted to disavow. While reconsidering Woolf's analysis of women and fiction, Blair simultaneously deepens our appreciation of Woolf's work and advances our understanding of feminine aesthetics.
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Table of contents
- Virginia Woolf and theNineteenth-Century Domestic Novel
- Contents
- Acknowledgments
- Abbreviations
- INTRODUCTION: Poetry the Wrong Side Out
- 1. The Slant of the Kitchen Chair: Reassessing Virginia Woolf âs Relationship to Her Nineteenth-Century Predecessors
- 2. The Etiquette of Fiction
- 3. The Wrong Side of the Tapestry: Elizabeth Gaskellâs Wives and Daughters
- 4. The Bad Woman WriterââProstituting Culture and Enslaving Intellectual Libertyâ :Virginia Woolf and Margaret Oliphant
- 5. A Softly, Spiritually Green Damask: Margaret Oliphantâs Domestic Genius
- 6. Cool, Lady-like, Critical or Ravishing,Romantic, Recalling SomeEnglish Field or Harvest: Virginia Woolf âs Perfect Hostess
- EPILOGUE: The Writer as Hostess
- Notes
- Works Cited
- Index