- 178 pages
- English
- PDF
- Available on iOS & Android
Musical Democracy
About This Book
Musical metaphors abound in political theory and music often accompanies political movements, yet music is seldom regarded as political communication. In this groundbreaking book, Nancy S. Love explores how music functions as metaphor and model for democracy in the work of political theorists and activist musicians. She examines deliberative democratic theoristsâJĂźrgen Habermas and John Rawlsâwho employ musical metaphors to express the sense of justice that animates their discourse ideals. These metaphors also invoke embodied voices that enter their public discourse only in translation, as rational arguments for legal rights. Love posits that the music of activists from the feminist and civil rights movementsâHolly Near and Bernice Johnson Reagonâengages deeper, more fluid energies of civil society by modeling a democratic conversation toward which deliberative democrats' metaphors merely suggest. To omit movement music from politics is, Love argues, to refuse the challenges it poses to modern, rational, secular, Western democracy. In conclusion, Musical Democracy proposes that a more radicalâand more musicalâdemocracy would embrace the spirit of humanity which moves a politics dedicated to the pursuit of justice.
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Table of contents
- Musical Democracy
- Contents
- Acknowledgments
- 1. Music and Democracy
- 2. Habermasâs Voices:Rationalizing Resonance
- 3. Rawlsian Harmonies:Orchestrating Consensus
- 4. Womenâs Music:âSinging For Our Livesâ
- 5. Freedom Songs:Moving the Spirit
- 6. Toward a More Musical Democracy
- Notes
- References
- Index