A Burglar of the Better Sort
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A Burglar of the Better Sort

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A Burglar of the Better Sort

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About This Book

The history of Poland, since the eighteenth century, has been marked by an almost unending struggle for survival. From 1795 through 1945, she was partitioned four times by her stronger neighbours, most of whom were intent on suppressing if not eradicating Polish culture. It is not surprising, then, that much of the great literature written in modern Poland has been politically and patriotically engaged. Yet there is a second current as well, that of authors devoted above all to the craft of literary expression, creating 'art for art's sake, ' and not as a didactic national service. Such a poet is Tytus Czy?ewski, one of the chief, and most interesting, literary figures of the twentieth century. Growing to maturity in the benign Austrian partition of Poland, and creating most of his works in the twenty-year window of authentic Polish independence stretching between the two world wars, Czy?ewski is an avant-garde poet, dramatist and painter who popularised the new approach to poetry established in France by Guillaume Apollinaire, and was to exert a marked influence on such multi-faceted artists as Tadeusz Kantor. A Burglar of the Better Sort offers, in the English translation of Charles S. Kraszewski, the entirety of Czy?ewski's surviving literary output, from surrealistic plays like Donkey and Sun in Metamorphosis and his inimitable 'formistic poems' through the playful Christmas 'pastorals' — which so delighted Czes?aw Mi?osz — to his theoretical writings, which form the basis for his radically individual, shamanistic approach to literary creation. A truly global talent, Czy?ewski belongs to the world, a world which, beyond Poland, finally has the opportunity to get to know him.

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Information

Year
2019
ISBN
9781912894567
Subtopic
Poetry

A Lajkonik in the Clouds

Poems (1936)

The works of mine brought together in this collection come, in the main, from the years 1928 – 1935. Some of them have appeared in literary periodicals and journals — and one of the poems was even published, in its own good time, in the Cracovian Switch.
I take the opportunity here of confessing that, ever since that day when certain epigones of ‘Young Poland,’ conservatists and destroyers of ‘poetic novelty,’ sought to exterminate Polish futurism and formism (so fraught with significance for our most recent poetry, and non-poetry as well), I have decided to blaze my own trails in verse.
Our poetic ‘avant-garde,’ which would so like to distance itself from Polish futurism and so desires to relegate the latter’s significance to silence, fortunately (in its works) is still under the influence of Nife in the Stummik, Bruno Jesieński’s Szela, St. Młodożeniec’s Lines and Futuretimes and my own Green Eye and Robespierre. All the better for them. — They have, at present, ‘free range.’ The range that we, the futurists, fought to obtain some fifteen years ago.
Lajkonik
It was five o’clock in the afternoon
The hejnał was just bugled out
From St Mary’s higher tower
The hejnał melody — a flood of trumpets
Which spread wide on all hands:
Glasses, and half-filled cups
Of coffee and tea
In the Sukiennice café,
Flowers in the flower-venders’ pots
Set in rows over the cobblestones
Gillyflowers lilies and mums
Filled to the brim with the hejnał.
Above the Square above the Sukiennice
Angels
Two, female, in long white dresses
Soared, their wings humming like the summer breeze
And the harvester at rest beneath the trees
Harvests the thoughts of men
His heart — a poet.
And when the hejnał was cut off — then bells
Those friends of lonely people
Took voice from all the
Churches:
As from a radio station switched on
Bum bam — bum bam,
And all the thoughts of all the people there
Down on the Square, tangled
Thoughts flapped about the Square
Like birds — like white
Petals of flowers — like pigeons
White angels of birds.
On ulica Franciszkańska
Across from the rosy church
Of the ...

Table of contents

  1. Cover
  2. Title Page
  3. Copyright
  4. Contents
  5. Introduction
  6. Long live the electrical instinct
  7. Acknowledgments
  8. The Death of the Faun
  9. The Green Eye. Formistic Poems. Electric Visions
  10. The Snake, Orpheus and Eurydice
  11. Donkey and Sun in Metamorphosis
  12. A Burglar of the Better Sort
  13. Night – Day
  14. Pastorals
  15. Robespierre. Rhapsody. Cinema. From Romanticism to Cynicism.
  16. A Lajkonik in the Clouds
  17. Scattered Poems
  18. Textual Notes
  19. Works Cited
  20. Notes
  21. About the Author
  22. About the Translator
  23. Thank you for purchasing this book
  24. Glagoslav Publications Catalogue