- 248 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About This Book
The scholarly essays in this book open up experimental and novel spaces and genres beyond the traditional and the literary world of Indian Popular Fiction as it existed towards the end of the last millennium. They respond to the possibilities opened up by the technology-driven and internet-savvy reading and writing world of today. Contemporaneous and bold, most of the essays resonate with the racy and fast-paced milieu and social media space inhabited by today's youth. Combative in its drift, this book makes possible an attempt to disband hierarchies and dismantle categories that have engulfed the expansive landscape of Indian Popular Fiction for too long. It facilitates discussion on graphic novels, microfiction, popular-entertainment and political satire on television and celluloid, social media-driven romances existing in the domain of the 'real' rather than that of 'fantasy' and mythological readings against the backdrop of gender and politics. Aimed at facilitating further research by scholars and enthusiasts of Indian Popular Fiction, this book is also an ode to the current trends generated by social and internet media cosmos.
This book is co-published with Aakar Books, New Delhi. Taylor & Francis does not sell or distribute the print versions of this book in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
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Table of contents
- Cover
- Half Title
- Copyright Page
- Dedication
- Table of Contents
- Foreword: Popular, Pulp, Proustian by Tabish Khair
- Acknowledgements
- Introduction: Kitsch? Is It...?
- I Dismantling Hierarchies
- II Romancing the Celluloid
- III (Discoursing) Politics of the Popular
- IV Moving Beyond: Social Media and New Spaces
- Contributors
- Index