Shakespearean Resurrection
eBook - PDF

Shakespearean Resurrection

The Art of Almost Raising the Dead

,
  1. 229 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Shakespearean Resurrection

The Art of Almost Raising the Dead

,
Book details
Book preview
Table of contents
Citations

About This Book

This engaging book demonstrates Shakespeare’s abiding interest in the theatrical potential of the Christian resurrection from the dead. In fourteen of Shakespeare’s plays, characters who have been lost, sometimes for years, suddenly reappear seemingly returning from the dead. In the classical recognition scene, such moments are explained away in naturalistic terms a character was lost at sea but survived, or abducted and escaped, and so on. Shakespeare never invalidates such explanations, but in his manipulation of classical conventions he parallels these moments with the recognition scenes from the Gospels, repeatedly evoking Christ’s resurrection from the dead.

Benson’s close study of the plays, as well as the classical and biblical sources that Shakespeare fuses into his recognition scenes, clearly elucidates the ways in which the playwright explored his abiding interest in the human desire to transcend death and to live reunited and reconciled with others. In his manipulation of resurrection imagery, Shakespeare conflates the material with the immaterial, the religious with the secular, and the sacred with the profane.

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35
O
NE
z
The 
Comedies: 
Recognition 
and 
Quasi 
Resurrection
So, 
till 
the 
judgment 
that 
your 
self 
arise,
You 
live 
in 
this.
— 
Shakespeare, 
Sonnet 
55
Comedies 
in 
their 
movement 
from 
sadness 
to 
joy 
— 
from 
sep-
aration, 
loss, 
and 
death 
to 
reunion 
and 
reconciliation 
— 
offer 
Shakespeare 
the 
opportunity, 
which 
he 
seldom 
resists, 
to 
deepen 
the 
conventional 
recognition 
scenes 
of 
his 
sources 
by 
means 
of 
the 
quasi-resurrectionary 
figurations 
he 
employs. 
In 
each 
of 
the 
five 
comedies 
treat 
in 
this 
chapter, 
the 
con-
nection 
between 
recognition 
and 
quasi 
resurrection 
is 
close, 
sometimes 
remarkably 
so. 
Felperin 
(1972) 
notes 
that 
recog-
nition 
is 
always 
the 
goal 
— 
it 
is 
“recognition 
toward 
which 
romance 
[and 
by 
extension 
comedy] 
moves” 
(25). 
The 
cul-
mination 
of 
these 
comedies 
occurs 
precisely 
at 
that 
moment 
where 
one 
who 
has 
been 
lost 
is 
rediscovered. 
Shakespeare 

Table of contents

  1. COVER Front
  2. Copyright Page
  3. Table of CONTENTS
  4. ACKNOWLEDGMENTS
  5. INTRODUCTION
  6. Notes to Introduction
  7. Chapter 1: The Comedies: Recognition and Quasi Resurrection
  8. Notes to Chapter 1
  9. Chapter 2: Failed Resurrections in Romeo and Juliet and Othello
  10. Notes to Chapter 2
  11. Chapter 3: Cordelia’s Quasi Resurrection and Shakespearean Revision
  12. Notes to Chapter 3
  13. Chapter 4: The Limits of Stage Resurrection in Pericles and Cymbeline
  14. Notes to Chapter 4
  15. Chapter 5: Raising the Dead inThe Winter’s Tale and The Tempest
  16. Notes to Chapter 5
  17. NOTES
  18. INDEX