Learning to Teach in the Digital Age
eBook - PDF

Learning to Teach in the Digital Age

New Materialities and Maker Paradigms in Schools

  1. 269 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Learning to Teach in the Digital Age

New Materialities and Maker Paradigms in Schools

Book details
Table of contents
Citations

About This Book

Learning to Teach in the Digital Age tells the story of a group of Kā€“12 teachers as they began to connect with digital making and learning pedagogies. Guiding questions at the heart of this qualitative case study asked how teaching practices engaged with and responded to the maker movement and digital making and learning tools and materials. Over the course of one school year, Sean Justice attended to the ebb and flow of teaching and learning at an independent Kā€“12 girls school the northeastern United States. Teachers and administrators from across grade levels and academic domains participated in interviews and casual conversations, and opened their classrooms to ad hoc observations. In conducting the study, Justice interwove a sociomaterial disposition with new materialism, posthumanism, and new media theory. Methods were inspired by narrative inquiry and actor-network theory. Findings suggested that digital making and learning pedagogies were stabilizing at the school, but not in a linear way. Further, Justice suggests that the teaching practices that most engaged the ethos of twenty-first-century learning enacted a kind of learning we hear about from artists, writers, scientists, and mathematicians when they talk about what innovation feels like, leading to the proposition that a different kind of language is needed to describe the effects of digital materialities on teaching practice.

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Table of contents

  1. Cover
  2. Contents
  3. Introduction
  4. Field Notes (Racecars)
  5. Chapter 1. Tracing the Emergence of the Inquiry
  6. Field Notes (Robots)
  7. Chapter 2. Traditions of Learning and Knowing
  8. Field Notes (Parachute Drop)
  9. Chapter 3. Digital Materialities
  10. Field Notes (Invention Convention)
  11. Chapter 4. Methods and Practice
  12. Field Notes (Prosthetic Hand)
  13. Chapter 5. Participants and Site
  14. Field Notes (Biodiversity)
  15. Chapter 6. Contact Points: The Ways
  16. Field Notes (Rube Goldberg)
  17. Chapter 7. Contact Points: The Challenges
  18. Chapter 8. Music, Art, Engineering: Enacted Encounters
  19. Chapter 9. History and Reconceptualized Objects
  20. Chapter 10. The Feeling of Knowing
  21. Chapter 11. What Was Learned
  22. Chapter 12. After Research
  23. References
  24. Index