What Is This Thing Called Soul

Conversations on Black Culture and Jazz Education

Damani Phillips

• Publisher: Peter Lang Inc., International Academic Publishers
• Year: 2017
• ISBN:
  9781433145711
• Edition: 1
• Topic: Medios de comunicación y artes escénicas
• Subtopic: Música

How does academic jazz education impact the Black cultural value of soulfulness and esthetic standards in contemporary jazz music? Through candid conversations with nine of the country's most highly respected jazz practitioners and teachers, What Is This Thing Called Soul explores the potential consequences of forcing the Black musical style of jazz into an academic pedagogical system that is specifically designed to facilitate the practice and pedagogy of European classical music. This work tests the belief that the cultural, emotional and esthetic elements at the very core of jazz's unique identity, along with the music's overt connection to Black culture, are effectively being "lost in translation" in traversing the divide between academic and non-academic jazz spheres.

Each interviewee commands significant respect worldwide in the fields of jazz performance and jazz pedagogy. Noteworthy subjects include: Rufus Reid, Lewis Nash, Nicholas Payton and Wycliffe Gordon—along with the late jazz masters Marcus Belgrave and Phil Woods. Interviews are supplemented by original analysis of the nature and validity of these issues contributed by the author.

What Is This Thing Called Soul offers a candid and objective look into pressing issues of race, culture and ethnic value in relation to both jazz music and jazz education. Sensitivity, marginalization and even a fear of offending others has limited open discussion of how the soul of jazz music can be lost in technical boundaries. What Is This Thing Called Soul is the first attempt to directly address such culturally urgent issues in jazz music.

Table of contents

• Cover
• Table of Contents
• Foreword by Derrick Gardner
• Acknowledgements
• Chapter 1. Introduction: Jazz Is Black Music
• Chapter 2. The Black Church: Stefon Harris Interview (1973–)
• Chapter 3. Melting Pot Experience: Ellen Rowe Interview (1958–)
• Chapter 4. Just Play Something Real: Rufus Reid Interview (1944–)
• Chapter 5. Spirit and Hope: Marcus Belgrave Interview (1936–2015)
• Chapter 6. Self-Taught Through Emersion: Brad Goode Interview (1963–)
• Chapter 7. The Devil’s Music: Wycliffe Gordon Interview (1967–)
• Chapter 8. The First Rule of Colonization: Nicholas Payton Interview (1973–)
• Chapter 9. 4/4 Swinging Beat: Lewis Nash Interview (1958–)
• Chapter 10. Music is Music: Phil Woods Interview (1931–2015)
• Chapter 11. Discussion: “You Cannot Teach Culture”
• Chapter 12. Conclusion: Adjusting Course