"Come, sit by me, " says Grandmother. "Take this chalk in your hand. Now draw a dot and concentrate all your energy into this one dot. It is the beginning and the end, the navel of the world." So Fawzia Al-Rawi describes her grandmother's first lesson about the ancient craft of Oriental dance. Grandmother's Secretsalways circles back to this grandmother and this young girl, echoing the circular movements of the dance itself. Al-Rawi has written a strikingly graceful and original book that blends personal memoir with the history and theory of the dance known in the West as "belly dancing." It is the story of a young Arab girl as she is initiated into womanhood. It is a history of the dance from the earliest times through the days of the Pharaohs, the Roman Empire, to the Arab world of the last three centuries. It is a personal investigation into the effects of the dance's movements on individual parts of the body and the whole psyche. It is a guide to the actual techniques of the dance for those who are inspired to put down the book and move. Al-Rawi conveys in this book not only the history and technique of grieving and mourning dances, pregnancy and birth dances, but the spirit of these age-old rituals, and their possibilities for healing and empowering women today.
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Yes, you can access Grandmother's Secrets by Rosina-Fawzia al-Rawi in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Dance. We have over one million books available in our catalogue for you to explore.
When I look back on my childhood, four characters catch my inner eye: my grandmother, my grandfather, and the two pillars of my childhood: Adiba and Amina.
We lived in a large two-story house in Baghdad, near the river Tigris. On the ground floor, a large corridor opened into rooms on the right and left, where my parents, my great-uncle, and I had our bedrooms. A huge common room, two storage rooms for food and other mysterious things, a guest room, a laundry room, and the kitchen completed the ground floor. My grandparents slept on the first floor, where my aunt, her husband and daughter, as well as my younger uncle and Adiba, one of my grandmother’s cousins, all had their bedrooms. The official reception rooms were entered from a separate outer staircase, and whenever the sexes needed to be apart, the corridor was divided by a partition. Our common room stood at the center, and could be accessed from all bedrooms.
Amina, an old woman whom my grandmother had met by chance in a hospital as a girl, also lived with us. Amina had burned her face and her whole body with boiling water to the point of mutilation. Compassion drove my grandmother to bring her home and take care of her. Amina had no-one else in this world, so she just stayed with us. Such was the core of the family; in addition, our house was always busy with the comings and goings of close or distant relatives and many friends.
I hardly remember talking with my grandmother. Yet whenever she spoke, her voice enfolded me with authority. Her gaze was serious; her eyes did not miss a thing: she was a sharp observer from whom nothing could be concealed. Whatever the situation, she grasped it in seconds. She read people by their body language. When I was a child, I respected her immensely, and feared her a little too. Whenever she called for me, I knew she had some kind of test in mind.
My grandfather, on the other hand, was the symbol of a great soul for me. His movements were those of a wise old panther. He was known throughout the region for his hospitality, and had reputedly been the best horserider of his time – no small feats in a society still influenced by the Bedouin tradition, despite today’s sedentary lifestyle.
Adiba was a small round woman. Her eyesight was poor and since she was too vain to wear glasses, she would just screw up her eyes, which lent her face an odd expression. Adiba took in the things of life through her gentle heart. Her innocence was catching and came close to wisdom; she understood the world of children better than that of adults. In her ample bosom were buried all the family secrets.
Amina looked almost like some creature from another world. In her face, heavily disfigured by burns, shone two black dots barely recognizable as eyes. But woe betide anyone who paid no heed to those dots! If you took the time – and children know no time – to look into her eyes, a dark, endless ocean would open and take you into a world beyond the limits of humankind, into the elemental foam where pain and joy go hand in hand on a shore named being. Amina’s body was so delicate it could barely carry those eyes. Wherever she sat, she would adapt her outer shape to her surroundings in such a way that one often missed her at first sight. Amina was the quietest being I have ever come across in my life, yet she carried in her the rhythm of the whole universe.
THE ANCESTRAL CALL
My grandmother would often watch me from the bench where she rested, sitting cross-legged. She would sit there for hours without moving while everyone in the house came to her for advice or instructions. She was a proud woman in whom dwelled an invisible force.
One day she called me. I came and saw a blackboard at her side.
“Come, sit next to me. I’d like to teach you an ancient craft. Take this chalk in your hand.” She inserted it between my thumb and index finger and went on. “Now draw a dot and concentrate all your energy into this one dot. It is the beginning and the end, the navel of the world.”
Time and again, I drew the dot, and time and again my grandmother told me to concentrate all my being into the dot. “Let it flow out of you, until you really know who is making this dot and nothing stands between you and the dot.”
I didn’t quite understand what she meant, and always drawing this simple sign really went against the grain. Still, after a while, I began to notice how my hand seemed to draw of its own accord and to keep returning to the dot. My thoughts disappeared and all that remained was the dot. I have no idea how much time had elapsed when I heard my grandmother tell me to go. “And come back when I call you,” she added.
The following day, she called me again. “Fawzia, come!” She sat at her usual place with the board next to her.
“Now draw the first letter of the Arabic alphabet, the alif, a vertical line; start from the top, keep your hand light and put all your inner strength into the downward movement. Let the line become as long as three dots lying above each other.”
Again, I took the chalk between thumb and forefinger, and I made an alif:
.
She explained that the alif is the first expression of the dot. It is unique among all the letters of the alphabet and contained in all of them. Trace it with reverence, she told me, for the alif is the dot’s longing to show itself. It is through the dot’s longing to grow beyond itself that the alif is born. Regardless of their multiple, outer shapes, all letters are the alif in their essence.
How difficult it was for me to draw this simple letter! I drew it so often that in the end I could see alif in everything. Wherever I turned, it would appear. I felt my body straighten into a living alif. My arms, hands, back, legs, and feet all turned into alif. Like a matchstickman, I was down to essentials, clear and transparent.
Another day came when my grandmother called me. She sat on a bench in the garden, one leg folded under her, the other resting on the ground.
“Anchor your feet to the earth and balance your weight on both legs. Now shift your pelvis to the right and then to the left, as if you were drawing a shell. Every time you reach the furthest outward point, stop, balance back to your middle and then to the other side. Now come, make the same movement with the chalk on the board:
. Does this shape remind you of something?”
“It’s the second letter of the alphabet, grandmother, but the dot underneath it is missing.”
“The dot is the beginning,” she explained. “The dot begets all the other letters. The dot is below and the alif in between:
. Together, they form the word
(father), one of the names of the Divine. When you whirl or when you circle your pelvis, you are drawing the dot, the origins. From this shape all other movements are born – they all stem from this dot, from the navel in your belly.”
My Grandmother
I was excited to know that I carried inside me a source from which everything was born. Time and again, I watched the inward spiral of my navel with respect. Going around with all this power inside my belly made me feel secure and confident.
HAVE NO FEAR, SISTER
I used to observe my grandmother Fawzia, this fascinating woman whose name is also mine. She strolled through our house and although she was small, whenever she appeared, she filled the room. Her head, held high, rested calmly on her shoulders and her stance was always open and confident. One day I confessed to her that I was afraid to get up at night and go to the toilet, nbecause it was so dark and far away. So she told me about my aunts and how when they were little, they had to walk out of the house, into the night, all the way to a distant earth-closet.
“During the day, try to find your way with your eyes closed, and you’ll see that you don’t need to be afraid at night. The difference between day and night is like the opening and the shutting of the eyes.”
She often told me about other girls or women, linking me time and again into the chain of women. I began to feel I belonged to an invisible sisterhood that transcended past and future into eternity.
SEEING FEET
Whenever I went down the stairs in our house I looked down to avoid falling. One day my grandmother was watching me.
“Let your feet see for you,” she told me. “They’ll keep you from falling much better than your eyes! Feel with your toes until you find the edge and let your heels slide down the stair until they find the next one. Put yourself in your center, in the place below your navel, and keep your head high!”
That was fun, and I spent days going up and down the stairs like a queen. This is how I realized, with time, that my feet were “seeing” better and better. I felt my soles become more aware, my feet more sensitive and sensual. I came to trust them more and more, and my balance eventually settled in the lower part of my body.
GOOD MORNING, MYSTERY
Every morning, shortly after sunrise, a Bedouin woman came to our house. Gracefully balanced on her head was the basket full of buffalo cream (gemar) that we had for breakfast. Whenever I managed to get up in time, I ran to the front of our house to catch sight of her coming from afar. I was fascinated by the way in which she approached, all dressed in black, quiet and regal, her step steady and confident. I always wondered how it was that the basket never fell and seemed to fit her head like a hat. Once at the house, she removed the basket and greeted me. Together we went inside where my grandmother inspected the cream and decided how much we needed for that day. We drank tea while the Bedouin woman told us the latest news. Then she would get up and replace the basket on her head before leaving. My fascination with the way she carried her basket hadn’t escaped my grandmother, yet she did not say a word.
I decided to get to the bottom of this mystery. The next morning, I could hardly wait for the Bedouin woman to arrive. Again, her soft steps carried her down the street.
Before we went into the house, I whispered, “Please, tell me the secret: How can you carry the basket on your head without using your hands?”
She smiled, took the basket down and showed me a round mat made of cloth that I hadn’t noticed before.
“Here is the earth, then me, then the mat and then the sky.”
“So where is the secret?” I wanted to know.
But she would say no more, so I could only continue to observe her and admire her skill. Only much later would I come to realize the value of what I had witnessed and understand what the secret was really about.
THE TALE OF GIVING AND TAKING
When I was a little girl, I wore my hair long, after an old Bedouin tradition according to which the hair is the seat of the soul. Looking after one’s hair was therefore of utmost importance; it was cut only if absolutely necessary.
Every morning, two of my aunts combed my hair. I sat on a stool with one aunt on each side. They parted my hair and together they combed it. The whole episode was usually punctuated by much shouting on my part. Still, they never let it interrupt them and went on combing, unruffled, until my hair was neatly braided in two braids. I was then free to start the day.
Back in the sixties, it was fashionable to weave into one’s braids ribbons with two ornate gold drops. In my heart I longed to have some. One day, my grandmother surprised me with this very gift. I was over the moon. Bursting with pride, I finally wove into my hair the jewels I’d set my heart on. With every step, I could hear them gently jingle around my head and I felt as though I was the most beautiful creature ever to have walked the earth. Nobody could miss my happiness, and all around me rejoiced in it.
Later that day, we were invited to the house of some people I didn’t know. The women of our house put on their best clothes and jewelry, draped themseves in their abayas, and off we we...
