Music in the works of Pythagoras of Samos and the Pythagoreans
eBook - ePub

Music in the works of Pythagoras of Samos and the Pythagoreans

  1. 52 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Music in the works of Pythagoras of Samos and the Pythagoreans

Book details
Table of contents
Citations

About This Book

The subject of this book, as per the title, is music (from the Greek ??????? ????? - musiké téchne, i.e. "the art of the muses") in the works of Pythagoras, the first intellectual in the history of Philosophy to make that art the center of their worldview, even including it in the so called "Exact Sciences". In order to have more comprehension and clarity with regards to the intellectual production of Pythagoras, whose written works survived to the 21st century in a very fragmented form and in much smaller number, it is necessary to research the historical sources contemporary to the philosopher, as well as those which succeeded him.

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Yes, you can access Music in the works of Pythagoras of Samos and the Pythagoreans by JULIANO OZGA, Tarcísio Ladeia de Oliveira in PDF and/or ePUB format, as well as other popular books in Philosophy & Aesthetics in Philosophy. We have over one million books available in our catalogue for you to explore.

Information

Publisher
JULIANO OZGA
Year
2021
ISBN
9781071586303

Table of contents

  1. I. Introduction...................................................................3
  2. 1.1. About Pythagoras of Samos.....................................................5
  3. 1.2. Rational Demonstration in Mathematics...........................................7
  4. 1.3. The Pythagorean School........................................................9
  5. 2.1. Historical Elements of Pythagorean Music........................................13
  6. 2.2. Pythagorean Music in the Pre-Socratic Context.....................................17
  7. 2.3. Pythagorean Music According to Charles Kahn....................................19
  8. 2.4. Music as an Exact Scientific Expression..........................................25
  9. V. Final Consideration............................................................33
  10. VI. Bibliography................................................................35