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- 89 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
Theatre and Voice
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About This Book
How can we rethink the importance of voice in performance? How can we understand voice simultaneously as music and text, as sound and body, or as both personal and political? This book explores voice across genres, media and cultures, inviting the reader to reassess established ways of analysing, enjoying and listening to voice. Using a wide range of case studies integrated with critical and philosophical frameworks, it makes audible the multiple ways in which voice contributes to how we perform identities. From opera and musical theatre to live art and immersive audio walks, Konstantinos Thomaidis presents voice as plural, elusive and ripe for reinvention.
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Yes, you can access Theatre and Voice by Konstantinos Thomaidis in PDF and/or ePUB format, as well as other popular books in Medios de comunicación y artes escénicas & Teatro. We have over one million books available in our catalogue for you to explore.
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index
2001: A Space Odyssey, 63
Abbate, Carolyn, 12, 36–8, 40, 46, 47, 51, 72
Abramovic´, Marina, 57, 74
accent, 3, 22, 49, 50, 59, 63
acousmêtre, 62–4, 66, 67
activist voices and sound, 27, 70, 71, 74
Adorno, Theodor W., 12, 61–2
anchor function, 5
Anderson, Laurie, 67
animality, 19, 20, 21, 31, 37
answering machine, 67
Aperghis, Georges, 27
archi-writing, 24
aria, 30, 32, 33, 34, 37, 38
Aristotle, 11, 16, 19–23, 36, 72
Artaud, Antonin, 27–9
ATHE, 10
aural body, 73
aurality, 59, 76
Austin, J.L., 9
authenticity effect, 68–9
Bakhtin, Mikhail, 54
Barba, Eugenio, 9, 29
Barthes, Roland, 45–6, 72
Beckett, Samuel, 29–30, 34
belting, 8, 40
Berberian, Cathy, 26
Berry, Cicely, 52, 57
Besson, Benno, 34
binaural recording, 69
Blythe, Alecky, 49
Bral, Grzegorz, 54
Brook, Peter, 29
Brown, Ross, 73
burlesque, 31
Butcher, Sarah, 3–4
Butler, Judith, 70
Cartwright, Jim, 62
cassette sermons, 69
Cavarero, Adriana, 12, 23–5, 51, 72
Chicago, 41
Chion,...
Table of contents
- Cover
- Halftitle
- Title Page
- Copyright
- Dedication
- Contents
- Series editors’ preface
- Foreword by Norie Neumark
- theatre & voice
- Further Reading
- Bibliography
- Index
- Acknowledgements