Mint Editions (Hawaiian Library)

The Sacred Songs of the Hula

Nathaniel B. Emerson

• Publisher: Mint Editions
• Year: 2021
• ISBN:
  9781513297408
• Topic: Media & Performing Arts
• Subtopic: Dance

Unwritten Literature of Hawaii: The Sacred Songs of the Hula (1909) is a collection of hulas and essays by Nathaniel B. Emerson. Translating previously unwritten songs, interviewing native Hawaiians, and consulting the works of indigenous historians, Emerson provides an entertaining and authoritative look at one of Hawaii's most cherished traditions. "For an account of the first hula we may look to the story of Pele. On one occasion that goddess begged her sisters to dance and sing before her, but they all excused themselves, saying they did not know the art. At that moment in came little Hiiaka, the youngest and the favorite. […] When banteringly invited to dance, to the surprise of all, Hiiaka modestly complied. The wave-beaten sand-beach was her floor, the open air her hall; Feet and hands and swaying form kept time to her improvisation." As an American born in Hawaii who played a major role in the annexation of the islands as an author of the 1887 Constitution of the Hawaiian Kingdom, Emerson likely saw himself as a unifying figure capable of interpreting for an English-speaking audience the ancient and sacred tradition of the hula, a Polynesian dance often accompanied with instruments and chanting or singing. Combining critical analysis with samples of popular hulas in both Hawaiian and English, Emerson works to preserve part of the rich cultural heritage of the Hawaiian Islands. This edition of Nathaniel B. Emerson's Unwritten Literature of Hawaii: The Sacred Songs of the Hula is a classic of Hawaiian literature reimagined for modern readers.

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Table of contents

• Cover
• Title Page
• Copyright
• Contents
• Introduction
• I. The hula
• II. The halau; the kuahu—their decoration and consecration
• III. The gods of the hula
• IV. Support and organization of the hula
• V. Ceremonies of graduation; début of a hula dancer
• VI. The password—the song of admission
• VII. Worship at the altar of the halau
• VIII. Costume of the hula dancer
• IX. The hula ala’a-papa
• X. The hula pa-ípu, or kuólo
• XI. The hula ki’i
• XII. The hula pahu
• XIII. The hula úli-ulí
• XIV. The hula puíli
• XV. The hula ka-laau
• XVI. The hula íli-íli
• XVII. The hula ká-éke-éke
• XVIII. An intermission
• XIX. The hula niau-kani
• XX. The hula ohe
• XXI. The music and musical instruments of the Hawaiians
• XXII. Gesture
• XXIII. The hula pa-hua
• XXIV. The hula pele
• XXV. The hula pa’i-umauma
• XXVI. The hula ku’i Molokai
• XXVII. The hula kieléi
• XXVIII. The hula mú’u-mú’u
• XXIX. The hula kolani
• XXX. The hula kolea
• XXXI. The hula manó
• XXXII. The hula ilío
• XXXIII. The hula pua’a
• XXXIV. The hula ohelo
• XXXV. The hula kilu
• XXXVI. The hula hoo-na-ná
• XXXVII. The hula ulili
• XXXVIII. The hula o-niu
• XXXIX. The hula ku’i
• XL. The oli
• XLI. The water of Kane
• XLII. General review
• A Note About the Author
• A Note from the Publisher