CHAPTER 1
Speak Your Veracity Truthâand Their Vernacular Language
Participants in many of the classes I teach and many of the clients I work with tell meâapologeticallyââI write like I speak.â Itâs offered up as an explanation as to why their written communication often fails. In fact, the reverse is true.
Listeners and readers are looking to connect with a human being. If you donât sound like one, they canât connect with you. If they canât connect with you, they wonât trust you. And the circle of miscommunication is complete.
Weâve gotten it into our heads and our hearts since elementary school teachers graded our first essay and announced we would have to give a âpresentation,â that communicating professionally was somehow different from all the other types of communicating we do: having a heartfelt conversation with our best friend, talking to the grocery store clerk as they scan our items through the checkout, greeting a colleague in the lunchroom after a long weekend. Yet the people we talk withâin writing, in person, via Zoom, over the phoneâtell us otherwise.
One particularly irksome culprit that gets in the way of clear communication is elevated language. This is us getting dressed for the Oscars when all thatâs really required are comfortable slacks and a clean shirt.
So why do we communicate in a language that isnât natural to us?
Two Reasons.
First. We often feel like weâre not impressing people with our knowledge, our skills, and our insight when we use everyday language. Itâs too ordinary, and we want our subject or ourselves (or both) to stand out. Using language that isnât plain will indeed make us stand out, but not in the way we intended or the way we want.
Second. Weâve been trained to write and speak like a dictionary wedded to a thesaurus. Once we hit junior high, then high school, then university, we were rewarded for our use of big words, long sentences, and repetitive thoughts. Fair enough. But this is an academic environment where pushing ourselves and our ideas is paramount. When we exit the hallowed halls of academia and enter the real world, the rules change. Our bosses, our customers, our coworkers arenât looking for us to use words they have to ask Siri to look up or take 40 pages to tell us what could be said in 10. Frankly, it wastes their time, and itâs frustrating.
So whatâs wrong if we use fancy words people arenât familiar with?
Two Things.
Content. When we use words people donât instantly and naturally understand, we open the door to miscommunication. Now we all think weâre bright (because we are), but the reality is that language is specialized and becoming more so. The language we use when weâre having lunch with a friend or picking out a puppy at the shelter is the language that comes most naturally to us. Itâs also the language that is most easily and instantly understood by the person weâre communicating with.
Let me give you a famous example. When entrepreneur P.T. Barnum opened Barnumâs American Museum in New York 180 years ago, he wanted it to become one of the greatest attractions in the country. And he succeeded. Between 1841 and 1865, roughly 38 million customers forked over a quarter to set foot inside the museum. At that time, there were only 32 million people in America.
So volume was critical to Barnumâs success. It didnât take long for the wily museum owner to realize that moving people through the exhibits quickly was essential for greater profit. However, visitors wanted to linger at the flea circus, gawk at the loom powered by a dog, and admire the glass blowers.
Instead of raising the price of admission to raise more money or have exhibit staff nudge people along, Barnum did what many great marketers have done over the course of history. He fooled his customers by using a language they didnât understand.
Barnum posted a sign that read, âThis Way to the Egress.â Well who wouldnât want to see a magnificent egress? However, âegressâ means âexit.â Barnum wasnât directing people to another fabulous, outrageous, incredible display, he was literally sending them back outdoors. He knew if the sign read âexitâ people would go in another direction. He knew if he used a term they werenât familiar with, they would willingly usher themselves outdoors. One word and problem solved.
But that is short-term profit for long-term mistrust.
This Way to Comprehension
The reality is this. When we use a language our audience doesnât understandâdeliberately or inadvertentlyâwe run a high risk they wonât get our message. And thatâs the whole reason we communicated in the first place. If readers and listeners donât understand what weâre saying to them, we wonât achieve our purpose; indeed, we may achieve the opposite of what we intended, and itâs likely weâll have to communicate again. That wastes everyoneâs timeâand impresses no one.
Well, we could argue that if our readers donât understand the language weâre using, they should look it up. Indeed, they could. But we know this: The longer it takes for someone to get our message, the more difficult we make it, the more work that is involved, the less likely they are to finish reading or listening, and the more annoyed theyâll become. Our job is to make our communication as simple and straightforward as possible so we can accomplish our purpose.
We also have to be realistic about our own language. We are intelligent, we are educated, we are articulate, yet our day-to-day conversation comes in at a Grade 8 level or lower, which weâll talk more about in the plain language chapter. Speaking simply and clearly is the most efficient and effective way to get things done, to ensure our message is interpreted as intended, and to build that all-important trust with our audience.
Frankly, specialized and elevated language is not easily understood by most of us. That reality was tragically underscored on January 28, 1986, when the space shuttle Challenger exploded 73 seconds after its launch. All seven crew members were killed. A subsequent review of the disaster included a close examination of a memo issued before the shuttle launch that warned a critical O-ring might not workâwith lethal results.
Unfortunately, that warning was not clear to readers. The dire consequences were identified only after a long, wordy, jargon-filled introduction and even then, the warning was not heralded clearly. The tone and the words did not impact urgency or make it immediately clear the launch was in imminent danger.
Hereâs some of what was said.
Bench test data indicate that the O-ring resiliency (its capability to follow the metal) is a function of temperature and rate of case expansion. MTI measured the force of the O-ring against Instron patters, which simulated the nominal squeeze on the O-ring and approximated the case expansion distance and rate.
At 100 degrees F., the O-ring maintained contact. At 75 degrees F., the O-ring lost contact for 2.4 seconds. At 50 degrees F., the O-ring did not re-establish contact in ten minutes at which time the test was terminated.
The conclusion is that secondary sealing capability in the SRM field joint cannot be guaranteed.
Nowhere does it read, âBecause of potential O-ring failure, the shuttle could be torn apart.â That readers would instantly understand.
Today, NASA has committed to writing in a language easily and instantly understood by the public. This pronouncement follows the Plain Language Act of 2010, which requires all federal agencies to communicate clearly so that the public can understand and use the information.
Here is NASAâs commitment to following that law:
Our Promise to You: Writing You Can Understand
We at NASA are committed to writing all of our new documents in plain language that you can understand. Our goal is to use plain language in any document that:
⢠Is necessary for obtaining any of our benefits or services
⢠Provides information about any of our benefits or services
⢠Explains how to comply with a requirement that we administer or enforce
But what if my audience does understand my highfalutin language?
What is easily understood by everyone is the language of conversation. Now if that conversation is between two cardiologists, the use of âmyocardial infarctionâ makes perfect sense. If the heart specialists are speaking with a patient, however, the preferable term would be âheart attack.â Not only would this mean something to the patient, it would make them feel part of the conversation.
It can be difficult to let go of the belief that straightforward language is less effectiveâand less impressive. But we all know the sinking feeling when the expert or the office showoff gets up to make a presentation or we walk into our office on a Monday morning to see that some thoughtful soul has left a 40-page report on our desk. There is an immediate and instinctive response. Itâs not pleasant.
Our first thought is that this thick tome is going to be dry. Itâs going to be dull. Itâs going to be repetitive. And itâs going to be written in a language we donât understand. Who wants that? No one.
Length is linked to writing and speaking that encourages readers and listeners to tune out rather than dive in. In part, that has to do with content. Weâre afraid weâre not going to easily understand what is being said. Weâll have to have a dictionary and a thesaurus close at hand.
But itâs also about being part of the communication. Jargon, the myocardial infarction crew, has its place. It says to your audience, âWe share a special language.â However, when you use that languageâor any language readers donât readily understand, you send the message that your audience is not part of the inner circle. They donât belong here.
How does it make you feel to be left out?
We call that communication that excludes. If you want your reader or listener to continue, you need to interest and engage them. You need to make them feel included. You need to speak their language. Itâs not about dumbing down. Itâs about efficiency and respect.
Itâs also about trust. When your audience canât determine easily what it is youâre trying to say, they begin to question your motives. Did you not care about them or their issue? Do you not really understand what they need? Are you trying to hide behind this fancy language? It is this mistrust that has led to laws compelling organizations, government, and business to communicate in an instantly understandable language. It is this mistrust that has led to the plain language movement, a global call for communications that can be understood.
We think we sound great when we use more difficult and unusual language. We do the opposite. We sound stuffy, pompous, and arrogant. We come across as boring at best, deceitful at worst.
So in summary, when we use a language that is not familiar to our audience, we run the risk that they will not understand what it is we are trying to say to them. We run the risk that we will distance ourselves from readers and listeners. Weâll build distrust and a disconnect.
âNuf said.
CHAPTER 2
Come Again?
Say what you have to sayâclearly
The problem with readers and listeners is (1) they arenât as bright as us and (2) they donât dwell inside our heads. Weâre communicating clearly, articulately, and sincerely, brilliantly even, and theyâre saying âDuh.â Then they yawn.
To be fair, we may be partly to blame for the confusion, the ambiguity, and the lack of clarity. Thatâs, in part, because we intuitively understand our own message, and we are usually focused on what we want to say, how we want to say it, and why it is important to us. Audiences, however, are listening to radio station WII-FM, Whatâs In It For Me.
That sounds selfish. It isnât. Weâre bombarded with incoming and outgoing messages. With respect to e-mail alone, the average office employee receives about 121 e-mails a day. That doesnât include the 40 they send for work. Weâve adapted to the communication volumeâin person, online, via telephone, and otherwiseâby becoming adept at quickly and efficiently discarding those messages that are not relevant or easily understandable. Indeed, the decision to keep, read, or trash an e-mail is made in less than three seconds.
We simply donât have time to review and ponder every message, verbal or written. If you want to impress your audience, you need to give them information that is clear, concise and importantâto them.
That starts by shifting ...