The ABC of the projectariat
eBook - ePub

The ABC of the projectariat

Living and working in a precarious art world

Kuba Szreder, Poppy Bowers

  1. 288 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

The ABC of the projectariat

Living and working in a precarious art world

Kuba Szreder, Poppy Bowers

Book details
Book preview
Table of contents
Citations

About This Book

The ABC of the projectariat contributes new thinking on and practical responses to the widespread problem of precarious labour in the field of contemporary art. It works as both a critical analysis and a practical handbook, speaking to and about the vast cohort of artistic freelancers worldwide.In an accessible ABC format, the book strikes a unique balance between the practical and the theoretical: the analysis is backed up by lived experience, the arguments are rooted in concrete examples and there are suggestions for constructive action. Roughly half of the entries expose the structural underpinnings of projects and circulation, isolating traits such as opportunism, neoliberalism, inequality, fear and cynicism at the root of the condition of the projectariat. This discussion is paired with a practical account of different modes of action, such as art strikes, productive withdrawals, political struggles and better social time machines. Just as proletarians had nothing to lose but their chains, the projectarians have nothing to miss but their deadlines.

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Information

Year
2021
ISBN
9781526161338

Bibliography

A

  1. Abbing, Hans. 2002. Why Are Artists Poor?: The Exceptional Economy of the Arts. Amsterdam: Amsterdam University Press.
  2. Abbing, Hans. 2014. ‘Notes on the Exploitation of Poor Artists.’ In Joy Forever. Political Economy of Social Creativity, edited by Michał Kozłowski, Agnieszka Kurant, Jan Sowa, Krystian Szadkowski and Kuba Szreder, 83–100. London: MayFly Books and Bęc Zmiana.
  3. Aikens, Nick, Thomas Lange, Jorinde Seijdel and Steven ten Thije, eds. 2016. What's the Use?: Constellations of Art, History, and Knowledge: A Critical Reader. Amsterdam: Valiz.
  4. Amoah, Susuana. 2020. ‘#GallerySoWhite: A Digital Exhibition Exposing Racism in Contemporary Art Spaces.’ The Conversation. 2020. theconversation.com/gallerysowhite-a-digital-exhibition-exposing-racism-in-contemporary-art-spaces-153920 (accessed 1 April 2021).
  5. An Architektur, Massimo De Angelis, and Stavros Stavrides. 2010. ‘On the Commons: A Public Interview with Massimo De Angelis and Stavros Stavrides.’ E-Flux Journal, June 2010. www.e-flux.com/journal/on-the-commons-a-public-interview-with-massimo-de-angelis-and-stavros-stavrides (accessed 1 April 2021).
  6. András, Edit. 2014. ‘Vigorous Flagging in the Heart of Europe: The Hungarian Homeland under the Right-Wing Regime.’ E-Flux Journal, September 2014. www.e-flux.com/journal/57/60438/vigorous-flagging-in-the-heart-of-europe-the-hungarian-homeland-under-the-right-wing-regime (accessed 1 April 2021).
  7. Apostol, Corina. 2015. ‘Art Workers Between Precarity and Resistance: A Genealogy.’ Artleaks Gazette, August 2015.
  8. Araeen, Rasheed. 2010. Art Beyond Art: Ecoaesthetics: A Manifesto for the 21st Century. London: Third Text Publications.
  9. Aranda, Julieta, Anton Vidokle, and Brian Kuan Wood. 2011. E-Flux Journal: Are You Working Too Much? Post-Fordism, Precarity, and the Labor of Art. Berlin; New York: Sternberg Press.
  10. Argyropoulou, Gigi. 2018. ‘Destituent Spaces and Improvised Institutions between Collectivity and Critique.’ Unpublished manuscript.
  11. Avanessian, Armen, and Suhail Malik, eds. 2016. The Time Complex: Post-Contemporary. Berlin: NAME publications.

B

  1. Badovinac, Zdenka. 2020. ‘Interdependence, or, Secrecy as the Last Universal Right.’ E-Flux Journal, June 2020. www.e-flux.com/journal/110/336891/interdependence-or-secrecy-as-the-last-universal-right (accessed 1 April 2021).
  2. Baker, Catherine. 2014. ‘The Local Workforce of International Intervention in the Yugoslav Successor States: ‘Precariat’ or ‘Projectariat’? Towards an Agenda for Future Research.’ International Peacekeeping 21(1): 91–106. doi.org/10.1080/13533312.2014.899123.
  3. Baravalle, Marco. 2018a. ‘Art Populism and the Alter-Institutional Turn.’ E-Flux Journal, March 2018. www.e-flux.com/journal/89/182464/art-populism-and-the-alter-institutional-turn (accessed 1 April 2021).
  4. Baravalle, Marco. 2018b. ‘Alter-Institutions and Art. Between Governance and Autonomy. Capture, Subjectivity, Decolonization, Governance, Acceleration, Queering, Imaginary Economics.’ Unpublished manuscript.
  5. Basekamp Group & Friends. 2013. Plausible Artworlds. S.l.: lulu.com.
  6. Bauman, Zygmunt. 1998. Globalization: The Human Con­sequences. New York: Columbia University Press.
  7. Becker, Howard S. 1984. Art Worlds. Berkeley, CA; London: University of California Press.
  8. Beech, Dave. 2019. Art and Postcapitalism: Aesthetic Labour, Automation and Value Production. London: Pluto Press.
  9. Beech, Dave, Mel Jordan and Andy Hewitt. 2011. ‘Economists Are Wrong! The Warsaw Manifesto 2011.’ In Joy Forever. Political Economy of Social Creativity, edited by Michał Kozłowski, Krystian Szadkowski, Agnieszka Kurant, Jan Sowa and Kuba Szreder, 237–249. London: MayFly Books.
  10. Belfiore, Eleonora. 2004. “Auditing Culture.” International Journal of Cultural Policy 10(2): 183–202.
  11. Belting, Hans, Andrea Buddensieg and Peter Weibel, eds. 2013. The Global Contemporary and the Rise of New Art Worlds. Karlsruhe, Germany; Cambridge, MA; London, England: ZKM/Center for Art and Media; The MIT Press.
  12. Benjamin, Walter. 1970. ‘The Author as Producer.’ New Left Review, August 1970. www.newleftreview.org/?view=135 (accessed 1 April 2021).
  13. Berardi, Franco. 2009. The Soul at Work: From Alienation to Autonomy. Los Angeles: Semiotext(e).
  14. Berardini, Andrew. 2014. ‘How to Survive International Art: Notes from the Poverty Jetset.’ Momus. 1 December 2014. momus.ca/how-to-survive-international-art-notes-from-the-poverty-jetset (accessed 1 April 2021).
  15. bfamfaphd. 2014. ‘Artists Report Back.’ New York: bfamfaphd.
  16. Bishara, Hakim. 2021. ‘Over 150 Artists Call for Leon Black's Removal From MoMA's Board Over Jeffrey Epstein Financ...

Table of contents

  1. Cover
  2. Endorsement
  3. Half-title page
  4. Title page
  5. Copyright page
  6. Contents
  7. Preface
  8. Acknowledgements
  9. A is for…
  10. B is for…
  11. C is for…
  12. D is for…
  13. E is for…
  14. F is for…
  15. G is for…
  16. H is for…
  17. I is for…
  18. K is for…
  19. L is for…
  20. M is for…
  21. N is for…
  22. O is for…
  23. P is for…
  24. R is for…
  25. S is for…
  26. T is for…
  27. V is for…
  28. W is for…
  29. Y is for…
  30. Credits
  31. Bibliography
Citation styles for The ABC of the projectariat

APA 6 Citation

Szreder, K. (2021). The ABC of the projectariat ([edition unavailable]). Manchester University Press. Retrieved from https://www.perlego.com/book/3149264/the-abc-of-the-projectariat-living-and-working-in-a-precarious-art-world-pdf (Original work published 2021)

Chicago Citation

Szreder, Kuba. (2021) 2021. The ABC of the Projectariat. [Edition unavailable]. Manchester University Press. https://www.perlego.com/book/3149264/the-abc-of-the-projectariat-living-and-working-in-a-precarious-art-world-pdf.

Harvard Citation

Szreder, K. (2021) The ABC of the projectariat. [edition unavailable]. Manchester University Press. Available at: https://www.perlego.com/book/3149264/the-abc-of-the-projectariat-living-and-working-in-a-precarious-art-world-pdf (Accessed: 15 October 2022).

MLA 7 Citation

Szreder, Kuba. The ABC of the Projectariat. [edition unavailable]. Manchester University Press, 2021. Web. 15 Oct. 2022.