- 360 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About This Book
To the Collector Belong the Spoils rethinks collecting as an artistic, revolutionary, and appropriative modernist practice, which flourishes beyond institutions like museums or archives. Through a constellation of three author-collectorsâHenry James, Walter Benjamin, and Carl EinsteinâAnnie Pfeifer examines the relationship between literary modernism and twentieth-century practices of collecting objects. From James's paper hoarding to Einstein's mania for African art and Benjamin's obsession with old Russian toys, she shows how these authors' literary techniques of compiling, gleaning, and reassembling constitute a modernist style of collecting that reimagines the relationship between author and text, source and medium. Placing Benjamin and Einstein in surprising conversation with James sharpens the contours of collecting as aesthetic and political praxis underpinned by dangerous passions. An apt figure for modernity, the collector is caught between preservation and transformation, order and chaos, the past and the future.
Positing a shadow history of modernism rooted in collection, citation, and paraphrase, To the Collector Belong the Spoils traces the movement's artistic innovation to its preoccupation with appropriating and rewriting the past. By despoiling and decontextualizing the work of others, these three authors engaged in a form of creative plunder that evokes collecting's long history in the spoils of war and conquest. As Pfeifer demonstrates, more than an archive or taxonomy, modernist collecting practices became a radical, creative endeavorâthe artist as collector, the collector as artist.
Frequently asked questions
Information
Table of contents
- Acknowledgments
- Abbreviations
- Introduction: Dangerous Passions
- Part One: Possessing the Old World
- Part Two: Between Salvation and Revolution
- Part Three: Collecting Africa
- Epilogue: Hoarding in a Digital Age
- Notes
- Bibliography
- Index