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Dante and Italy in British Romanticism
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About This Book
From the artistic practice of improvisation to the politics of nationalism, the essays in this volume break new ground and significantly extend our understanding of the relations between British and Italian culture in its analysis of the reception of Dante and Italian literature in British Romanticism.
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Table of contents
- Cover
- Contents
- Acknowledgments
- Introduction Fre d e r i ck Bur wic k and Paul Dougl a s s
- C h a p t e r O n e Wordsworthâs ItalianEncounters
- C h a p t e r Tw o Sitting in Danteâs Throne:Wordsworth and ItalianNationalism
- C h a p t e r T h r e e Byron BetweenAriosto and Tasso
- C h a p t e r F o u r Byron and Alfieri
- C h a p t e r F i v e Picturing Byronâs Italy andItalians: Findenâs Illustrationsto Byronâs Life and Works
- C h a p t e r S i x Realms without a Name: Shelleyand Italyâs Intenser Day
- C h a p t e r S e v e n EPIPSYCHIDION, Dante, and theRenewable L ife
- C h a p t e r E i g h t The Poetry of Philology:Burckhardtâs CI V ILIZATION OF THERENAISSANCE IN ITALY and MaryShelleyâs VALPERGA
- C h a p t e r N i n e Hemansâs Record of Dante:âThe Maremmaâ and theIntertextual Poetics ofPlenitude
- C h a p t e r T e n Germaine de StaĂ«lâs CORINNE, ORITALY (1807) and the Performanceof Romanticism(s)
- C h a p t e r E l e v e n Coleridge, Sgricci, and theShows of London: Improvisingin Print and Performance
- C h a p t e r Tw e l v e Masaniello on the London Stage
- C h a p t e r T h i r t e e n Re-Visioning Rimini:Dante in the Cockney School
- C h a p t e r F o u r t e e n âSyllables of the Sweet Southâ:The Sound of Italian in theRomantic Period
- Works Cited
- Contributors
- Index