Why Talk About Madness?
eBook - ePub

Why Talk About Madness?

Bringing History into the Conversation

  1. English
  2. ePUB (mobile friendly)
  3. Available on iOS & Android
eBook - ePub

Why Talk About Madness?

Bringing History into the Conversation

Book details
Book preview
Table of contents
Citations

About This Book

This short book argues for the relevance of historical perspectives on mental health, exploring how these histories can and should inform debates about mental healthcare today. Why is it important to study the history of madness? What does it mean to voice these histories? What can these tell us about the challenges and legacies of mental health care across the world today? Offering an intervention into new ways of thinking – and talking – about 'mad' history, Catharine Coleborne explores the social and cultural impact of the history of the mad movement, self-help and mental health consumer advocacy from the 1960s inside a longer tradition of 'writing madness'. Starting with a brief history of the relevance of first-person accounts, then looking at the significance of other ways of representing the psychiatric 'patient', 'survivor' or 'consumer' over time, this book aims to escape from dominant modes of writing about the asylum.

Frequently asked questions

Simply head over to the account section in settings and click on “Cancel Subscription” - it’s as simple as that. After you cancel, your membership will stay active for the remainder of the time you’ve paid for. Learn more here.
At the moment all of our mobile-responsive ePub books are available to download via the app. Most of our PDFs are also available to download and we're working on making the final remaining ones downloadable now. Learn more here.
Both plans give you full access to the library and all of Perlego’s features. The only differences are the price and subscription period: With the annual plan you’ll save around 30% compared to 12 months on the monthly plan.
We are an online textbook subscription service, where you can get access to an entire online library for less than the price of a single book per month. With over 1 million books across 1000+ topics, we’ve got you covered! Learn more here.
Look out for the read-aloud symbol on your next book to see if you can listen to it. The read-aloud tool reads text aloud for you, highlighting the text as it is being read. You can pause it, speed it up and slow it down. Learn more here.
Yes, you can access Why Talk About Madness? by Catharine Coleborne in PDF and/or ePUB format, as well as other popular books in History & World History. We have over one million books available in our catalogue for you to explore.

Information

Year
2020
ISBN
9783030210960
Topic
History
Index
History
© The Author(s) 2020
C. ColeborneWhy Talk About Madness?Mental Health in Historical Perspectivehttps://doi.org/10.1007/978-3-030-21096-0_1
Begin Abstract

1. Why Talk About Madness?

Catharine Coleborne1
(1)
School of Humanities and Social Science, University of Newcastle, Callaghan, NSW, Australia
Catharine Coleborne

Keywords

Mental illnessInstitutionsTwentieth centuryPsychiatric consumersSurvivor voicesAutobiography
End Abstract
This book provokes new conversations about madness and its histories. In his 1987 book A Social History of Madness: The World Through the Eyes of the Insane, historian Roy Porter presented a powerful critique of psychiatry: he suggested that psychiatrists had effectively ‘excommunicated the mad from human society, even when their own cries and complaints have been human’ (Porter 1987, 233). Since Porter wrote, historians, governments, communities, psychiatric experts and the mad themselves have continued to ask questions about institutional care, psychiatric treatments and diagnoses, and about what it means to be mad. In the present, what we need is more dialogue: to listen, hear and engage across the borders of madness and its care, or what Porter termed ‘madness and psychiatry talking’ (Porter 1987, 8).
In this way, then, this book is part of a much longer public and scholarly discussion about madness. It takes selected evidence from different places across the international landscape of mental health following post-war institutional closures, but concentrates mostly on what we might term the British world, a site which has a shared history of mental health approaches, policy and practice. It presents short case studies from Britain, Australia, New Zealand and Canada to illustrate larger points about the impact of deinstitutionalisation on our thinking about madness in history (Kritsotaki et al. 2016, 6–7; 23). In doing so, this book signals the need for a more detailed transnational global story of mental illness, one that aims to connect the various interventions made into mental health care over time by mental health advocates, those with lived experience of madness, and professional experts interested in the mad themselves.
Continuing the provocation by Porter, and fashioned as a response to the growing international field of ‘mad studies’, this book provides a historical interpretation of the critique of the history of psychiatry over time. Mad studies are credited in recent times with bringing a ‘voice of sanity’ to the field of psychiatry (Beresford 2014). Scholars interested in the field of mad studies have set out a new activist framework for the writing of histories of madness (see Mad Matters, LeFrançois, Menzies and Reaume, eds 2013). Mad Matters examines the field of mad studies from a range of disciplinary perspectives. It uses the idea of ‘mad people’s history’—a history prompted by the mad movement and legacies of anti-psychiatry—and it takes the theme of narratives, telling stories about sanity and madness. It also mounts a series of critiques of psychiatry, engaging with law, public policy and media, as well as with questions of social justice and identity politics. The editors assert that the field of mad studies offers both a new critical framework and an exercise in critical pedagogy, also circulating new knowledge and ideas about mental illness to contest regimes of ‘truth’ (LeFrançois, Menzies and Reaume, eds 2013, 14).
Although this idea is faintly echoed in Andrew Scull’s weighty volume about madness, Madness in Civilisation (2015), Scull does not go far enough with his analysis of why, or how, madness needs to be rearticulated (see Coleborne 2017, 428). Porter was clearer about his efforts to retrieve the patients’ voices in histories of medicine, and had offered several examples of the voices of the ‘mad’ in his many works of history. Porter suggested that he was keen to discover ‘what mad people meant to say, what was on their minds’ (Porter 1987, 1). In a deftly argued chapter of his Brief History (2002), he suggested that influential histories of psychiatry had encouraged scholars to stop listening to the mad (157). The striving for some form of ‘objective’ view of mental illness within the medical model led to a sharp breaking off from those asylum studies that were seeking to understand the circumstances of committal and the worlds of patients. All of this is supported by newer grassroots movements to engage survivors, mental health service consumers and users, and those with lived experiences such as the ‘Hearing Voices’ network in the UK, emerging from the 1980s, as well as World Health Organization (WHO) global mental health priorities in recent years.
One motivation for all of this work lies in redressing the problem of the profound silencing of the stories of mental illness by those who have experienced it, and the controlling effect of the powerful, monolithic institution of psychiatry and its asylums and hospitals that spanned the nineteenth and twentieth centuries. In her piece about silences and psychiatry, historian Diana Gittins writes that ‘Not just social groups, but also historical eras can become cloaked in silence’ (1998b, 47). Silences shaped our understanding of institutions, their inhabitants, and their histories, until these were opened up to scrutiny, a process that was hastened by institutional closures. Gittins was writing about Severalls Hospital in Essex at the time of its closure in 1997, a closure running parallel to that of a New Zealand institution I have also examined, Tokanui Hospital in the Waikato region of the North Island. Both places were immersed in the worlds of their wider communities; they were significant in the lives of large numbers of people for almost the whole of the twentieth century. Their shared past also points to the profound influence of British psychiatry and its institutions on the former colonies, and the impact of imperial world concepts of medical and psychiatric treatment on British world populations, including the colonised.
As this book explains, New Zealand provides a useful point of difference in its approach to mental health policy, institutional closures, consumer advocacy and more, as well as its focus on positive Māori mental health in recent years. The concept of ‘Whai Ora’, or a ‘meshing [of] Māori values with Western medical treatment’, developed over time from a ‘cultural therapy unit’ at Tokanui Hospital in New Zealand’s North Island (Diamond 2005, 32; Durie 1994). Like New Zealand, both Australia and Canada suggest different nodes of the British world of mental health, inflected by common histories of colonisation, Indigenous peoples’ experiences of psychiatric institutions and influences from both the Commonwealth and the Anglo-American world of psychiatric treatment. One original aspect of this book lies in its insistence on the value of considering perspectives from the histories of colonialism and madness, a theme that is highlighted in each chapter.
It is my view that the asylum was a social institution which created definitions and reflections of madness in place and space (Coleborne 2015, 7). In the 1960s, the French philosopher Michel Foucault argued that it was the institution of the asylum which brought insanity into view. He went as far as suggesting that ‘Perhaps some day we will no longer really know what madness was. Its face will have closed upon itself, no longer allowing us to decipher the traces it may have left behind’ (Foucault, trans. 1995, 290). The asylum was therefore much more than a building. It was a whole world, one with a hierarchy of staff, separate wards, corridors, farms and gardens, a system, where power was held by doctors and attendants. As Gittins (1998a) has noted, the ‘home and harbour’ meaning of the asylum (27–28), was a space conceived at a particular time (3), for specific purposes and practices. Oliver Sacks’ elegant essay ‘The Lost Virtues of the Asylum’ captures the ambivalent identity of an institution whose meanings changed over time: ‘we forgot the benign aspects of asylums, or perhaps we felt we could no longer afford to pay for them’ (Sacks 2019 [2009], 192).
This institutional system also created official records required by law and imagined through medical practice. Records were administrative traces of knowledge about individuals who were confined for later generations of us to discover and puzzle over. These ‘black marks’ of the institutional case notes of mental illness, as Foucault mused, might be its only evidence over time—the fact that it was written about, that the utterances and physical behaviours of the mad were recorded. The mad themselves had less power to write or recount their experiences, although many accounts are extant. On balance, it is apparent that the institution has held a deeply pronounced power to represent madness over time, as evidenced by the critique of the medical model of mental illness in the work of Thomas Szasz in The Myth of Mental Illness (Szasz 1961). This view was also espoused by the anti-psychiatry movement of 1964–1970s (Crossley 1998, 886). Later incarnations of anti-psychiatry have remained true to the call by prominent psychoanalyst and anti-psychiatry figure, R. D. Laing, to understand the nature of madness (Crossley and Crossley 2001, 1487).
Such institutional power has made the present task to find, disentangle and represent histories of patient experience, as well as stories of abuses and of institutional violence, very difficult. This goes for psychiatric survivors, mental health consumers, mental health service-users, and those with lived experience, as much as it goes for the historian or sociologist, or any researcher trying to reveal, expose or share such histories for public consumption. These terms are historically specific, part of a larger ‘mental health movement’ emerging in the twentieth century (Crossley and Crossley 2001, 1487). Such language is important, and speaks to the way that powerful identities have been forged through shared experience and a ‘process of struggle’ in the formation of a lived identity or habitus (Crossley and Crossley 2001, 1487). ‘Psychiatric survivors’ is a descriptor given to people who railed against the locked institutions of the 1960s and 1970s, but who emerged as having survived the sometimes violent total institution; ‘survivor’ is a powerful term in the context of post-war recognition of the horrors of the Holocaust. The term retains its significance through current manifestations of movements such as #MeToo. Mental health ‘consumers’ is a term made popular in the 1980s as health systems oriented around consumer needs and behaviours, a trend which also prompted new histories of ‘the patient’ in the period. Mental health ‘service-users’ speaks to the idea that ‘consumer’ is a loaded category; many people have used or accessed services without constituting themselves as having the freedom or agency of a private consumer. Most recently, ‘lived experience’ denotes the broader sense of madness in our communities as experienced by those who may not have been hospitalised but who experience mental illness, and who may or may not access services or forms of treatment. These terms are used in this book in ways which speak to their specific historical contexts and meanings in place.
The practical and intellectual work to fully comprehend what it means to be mad is ongoing, and the political advocacy of and for the mad themselves now plays a central role in that work, as several chapters in this book explain. In addition, as scholars in the field also note, reclaiming the term ‘madness’ for this volume allows me to examine its meanings in the present, as well as gesture towards a continuity of experiences of the mad and institutionalised from the past. The book shows that those people experiencing mental illness, including some who were the former inhabitants of the large psychiatric institutions described in the proliferation of academic and institutional histories from the 1960s onwards, tell somewhat different stories from those who have often shaped official and academic histories of mental health, and it historicises these narratives.
The central argument of this book is that the stories from those with lived experience are vital to contemporary histories of mental health. Without such views or voices, histories of psychiatry and its treatments lose power and intelligibility. It was at the critical j...

Table of contents

  1. Cover
  2. Front Matter
  3. 1. Why Talk About Madness?
  4. 2. Asylum Archives and Cases as Stories
  5. 3. The Asylum and Its Afterlife
  6. 4. Extra-Institutional Care, or Madness Uncontained
  7. 5. Talking About Mental Health and the Politics of Madness
  8. 6. What’s the Story?
  9. Back Matter