Globalization and the State in Contemporary Crime Fiction
A World of Crime
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Globalization and the State in Contemporary Crime Fiction
A World of Crime
About This Book
Why has crime fiction become a global genre?How do writers use crime fiction to reflect upon the changing nature of crime and policing in our contemporary world? This book argues that the globalization of crime fiction should not be celebrated uncritically. Instead, it looks at the new forms and techniques writers are using to examine the crimes and policing practices that define a rapidly changing world. In doing so, this collection of essays examines how the relationship between global crime, capitalism, and policing produces new configurations of violence in crime fiction â and asks whether the genre can find ways of analyzing and even opposing such violence as part of its necessarily limited search for justice both within and beyond the state.
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Table of contents
- Cover
- Frontmatter
- Introduction: Globalization and the State in Contemporary Crime Fiction
- The Bad and the Evil: Justice in the Novels of Pago Ignacio Taibo II
- Work and Death in the Global City: Natsuo Kirinoâs Out as Neoliberal Noir
- âLocal Hellsâ and State Crimes: Place, Politics, and Deviance in David Peaceâs Red Riding Quartet
- The State Weâre In: Global Politics and Economics in the Novels of Dominique Manotti
- The Scene of the Crime is the Crime: The Southern Border and the Representation of Violence in Cormac McCarthy and Don Winslow
- True-Crime, Crime Fiction, and Journalism in Mexico
- The Novel of Violence in Latin American Literature
- Scandinavian Crime Fiction and the Facts: Social Criticism, Epistemology, and Globalization
- John le Carré and The New Novel of Global (In)security
- Geopolitical Reality: The Thriller, Global Power, and the Logic of Revelation
- US Narratives of Nuclear Terrorism
- Backmatter